Crushin’ It With Brad Paisley On Tour
“My goal is to send the audience home with the feeling that they experienced something rather than just sat back and listened.” — FOH engineer Kevin Freeman
“My goal is to send the audience home with the feeling that they experienced something rather than just sat back and listened.” — FOH engineer Kevin Freeman
The upgrade enables the staff at the 5,000-seat arena to operate the sound system when the audio engineer is absent.
Networked public address and voice evacuation solution brings centralized control, clarity and flexibility to legacy stations.
The new skyscraper is home to the M Theatre, designed to host residents’ conferences, events, live performances and banquets.
“Immersion concept” Las Vegas club outfitted with DD12 and C8.1T loudspeakers matched with PSX compact powered subwoofers.
August 25th meeting to discuss “AES67: An open standard for digital audio networking interoperability and convergence”
The Sound Devices 664, offering both mixing and recording capabilities, was the only recorder Frye used during filming Bad Girls Club.
Sister company to SSS Productions selects Modus and Mitus rigs for busy concert schedule in Colorado.
Eclectic EDM group blends classical with electronic, using digital and acoustic instruments, using the Vi3000 console.
The 2,600 square-foot studio lay unoccupied for several years until Tom Askin had the opportunity to make it his new home.
New plugin adds harmonics to your tracks and gives the control for separately shaping the various qualities.
Recording engineer and producer Mirko Čanji employs 4006A omnidirectional and d:facto vocal microphones for event.
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