Evolving Roles: A Conversation With Monitor Engineer Ramon Morales
“Not only do you have to pay attention to what they ask for, you also have to figure out how to interpret what they’re actually asking for.”
“Not only do you have to pay attention to what they ask for, you also have to figure out how to interpret what they’re actually asking for.”
Serving two simultaneous large-scale events in London on either side of the capital.
Incorporates latest generation of PMC’s driver designs, Class-D amplification, Advanced Transmission Line (ATL)technology, DSP control, and quartet of 10-inch piston bass drivers
Presenting “How the Newly Formed Media Networking Alliance Will Support AES67 Adopters” panel session
Deconstructs his mix of Sheléa’s hit single “I’ll Never Let You Go” as he talks about workflow and vocal production technique
Audio team for Ink Master juggles 40 audio inputs for the contestants, judges, and human canvasses, plus 16 plant mics and four boom operators, and more
LYON arrays for the Red Stage, MILO arrays for the Blue Stage, both supplied by Rainbow Production Services
32-channel preamp designed to complement Antelope Orion32’s conversion and ensure greater transparency while recording
Valuable tools, with examples, to calculate dB in most of the ways needed for audio signals
Using microphone splitting correctly to expand mix and sound system capabilities…
Blends innovations from products like Symphony I/O, Duet, Quartet and JAM with additional features and the power of Thunderbolt technology
What’s the happy medium, the place where the mix can thrive without being too soft (or too loud?)
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