The Loudness Wars: A Graphic Look At “Hypercompression”
When a label heard one of their songs that sounded quieter next to another on the compilation, they would freak out and demand that the mastering engineer on the next record pump up the level…
When a label heard one of their songs that sounded quieter next to another on the compilation, they would freak out and demand that the mastering engineer on the next record pump up the level…
The Steely Dan cut can make any old sound system sound OK, which is why it is used by so many loudspeaker manufacturers for client presentations. The Jackson cut has a lot of snap in the LF – also useful for generating good feelings about the performance of a sound system. Reference discs reveal system performance.
Just because the musician has control it doesn’t necessarily keep monitors from being a problem
“Since the iDR-32 is basically the brains of the console, it’s all I need for a fly date. Everything else goes in my carry-on bag.” – Mike Bangs, monitor engineer
“The 1608 had a way of gelling the mixes. I can’t exactly put my finger on why or how, but the reality of it was pretty undeniable.” – album engineer James Brown
Two-day seminar teaches audiology for the music industry, with a focus on in-ear monitoring
A step up the evolutionary ladder from the DVA T4 line array, providing more power and greater range with an active 3-way design
The task force will support education and information on regulatory compliance starting with the Lacey Act.
A friendly reminder not to mix too long or loud in honor of Better Hearing and Speech Month!
Engineer Paul Kavicky likes that he doesn’t have to travel with extra gear, but can accomplish everything inside the Metric Halo box.
Chinese are handled through Shanghai Broad Future Electro Technology, working directly with Meyer Sound’s director of international sales.
The president and CEO of the company was selected to speak on strategies for loudness monitoring and control.
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