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  • Tuesday, November 29, 2016
    image
    Merlijn van Veen 11/29/16 12:49 PM,
    Many believe that condenser microphones are more sensitive than dynamic microphones (moving coil) and therefore pick up “everything,” e.g., stage wash and noise. Sensitivity, however, is nothing but a constant conversion rate from pressure to voltage and more important, it is distance independent. Contrary to popular belief, it’s not the reason for picking up “everything.” Most condenser mics are indeed more sensitive. A Neumann KMS 105 condenser with a sensitivity spec of 4.5 millivolts at 1 Pascal (4.5 mV/Pa) is… View this post
    Filed in: Live SoundFeatureVideoStudy HallMeasurementMicrophoneSignalSound Reinforcement

  • Wednesday, November 02, 2016
    prosoundweb
    PSW Staff 11/02/16 10:40 AM,
    ProSoundWeb presents at least two feature articles every day of the working week, meaning that there are 40-plus long-form articles highlighted each and every month. That’s a lot. In fact, so much so that we thought it would be handy to present a round-up of the most-read articles for those who might have missed at least some of them the first time around. What follows is the top 5 most-read articles on PSW for the month of October 2016. Note… View this post
    Filed in: AVLive SoundRecordingChurch SoundFeatureVideoAVEngineerSound ReinforcementStudioTechnician

  • Thursday, October 20, 2016
    turbosound
    Craig Leerman 10/20/16 01:42 PM,
    The Turbosound iNSPIRE iP2000 is a loudspeaker system comprised of modular, full-range column arrays and a companion 12-inch subwoofer. Each column array is comprised of 16 cone drivers plus a horn-loaded super-tweeter that can be easily mounted on the sub, locking to it and thus eliminating loudspeaker stands and cables. The iP2000 is outfitted with proprietary Klark Teknik SST (Spatial Sound Technology) for helping to create enhanced 3D acoustic environments as well as DSP presets for application type and loudspeaker… View this post
    Filed in: Live SoundFeatureVideoReviewLine ArrayLoudspeakerProcessorSound ReinforcementSubwoofer

  • Friday, October 14, 2016
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    Matthew Weiss 10/14/16 07:01 AM,
    This article is provided by the Pro Audio Files.   So I’m going to be talking about mixing the bass in an alt-rock type of record. Sort of calling upon a mid-90’s alt-rock/pop sort of sound. These multi-tracks can be downloaded from David Glenn‘s website, he’s a friend of mine, a fellow contributor to The Pro Audio Files, and an excellent teacher. I really recommend checking out his stuff. So this is going to be about considering the bass in… View this post
    Filed in: RecordingFeatureBlogVideoEngineerProcessorStudio

  • Thursday, October 06, 2016
    lsi demo
    PSW Staff 10/06/16 11:12 AM,
    The recent Live Sound International Loudspeaker Demo at the Kentucky Expo Center in Louisville during the annual Worship Facilities Expo (WFX) drew hundreds of audio professionals and church sound personnel over the course of its two-plus-day run. The demo, which launched six years ago at WFX in Dallas, delivers unique side-by-side listening opportunities to evaluate top line array and loudspeaker systems in a round-robin format. This year’s event kicked off with an evening slate of sessions for the regional pro… View this post
    Filed in: Live SoundFeatureVideoSlideshowEducationLine ArrayLoudspeakerMeasurementSound ReinforcementSubwoofer

  • Thursday, September 01, 2016
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    Bobby Owsinski 09/01/16 06:10 AM,
    This article is provided by Bobby Owsinski.   “Carry On My Wayward Son” by Kansas has been burned into our minds thanks to 40 years of constant airplay, so it’s fun to listen inside the song to what’s really going on. Here’s its isolated guitar tracks, and you’ll be surprised with at least some of them. As with just about any hit, there’s a lot more that’s going on than you ever thought. Here are some things to listen for… View this post
    Filed in: RecordingFeatureBlogVideoStudio

  • Monday, August 22, 2016
    image
    Joe Gilder 08/22/16 11:31 AM,
    This article is provided by Home Studio Corner.   In this edition of Home Studio Corner, Joe Gilder discusses a technique utilizing a large ribbon microphone that creates highly desirable depth in a drum session. With a Fat Head mic from Cascade Microphones, and a setup that was practically an afterthought, he discovers a way to thicken up the overall sound even within a smaller isolation room. See the video below for the step-by-step process used to develop this particular… View this post
    Filed in: RecordingFeatureBlogVideoDigitalDigital Audio WorkstationsEducationEngineerMicrophoneStudio

  • Thursday, August 11, 2016
    image
    Matthew Weiss 08/11/16 06:00 AM,
    This article is provided by the Pro Audio Files.   This is going to be a little piece on understanding mastering. I’ve done a few other videos on mastering, but it’s all been pretty much process oriented. This is going to be more about the concept of what mastering actually is. So mastering most literally means, “Creating the master copy from which all other replications and duplications will be made.” So if you are printing something up onto a CD,… View this post
    Filed in: RecordingFeatureVideoStudy HallDigitalDigital Audio WorkstationsEducationEngineerStudio

  • Friday, August 05, 2016
    lab gruppen
    PSW Staff 08/05/16 09:12 AM,
    Rockin’1000, held a year ago with 1,000 musicians banding together in Cesana, Italy, to perform a cover of Foo Fighters’ “Learn to Fly,” returned again this yeat with 1,200 band members at Cesana’s Orogel Stadium for an open concert to a 14,000-strong crowd. The sound reinforcement system for the event was driven by LAB GRUPPEN PLM20K44 amplifiers. Weeks of planning were involved to bring together a team of technicians to realize the ambitious project for 250 drummers, 250 guitarists, 250… View this post
    Filed in: AVLive SoundNewsVideoAmplifierAVConcertProcessorSound Reinforcement

  • Monday, August 01, 2016
    allen & heath
    PSW Staff 08/01/16 04:01 PM,
    Noted trance group Above & Beyond embarked on a world tour with an Allen & Heath dLive mixing system for monitors, joined by ME personal monitoring systems. The dLive was requested by monitor engineer Tom Howat, who has toured with the likes of Paolo Nutini, Morrissey and Franz Ferdinand. “Above & Beyond’s tour is an acoustic reworking of the group’s popular hits, and involves 17 artists and 80 inputs on stage. The musical director describes the tour as ‘widescreen,’ and… View this post
    Filed in: AVLive SoundNewsVideoAVConsolesDigitalEngineerMixerMonitoringSound Reinforcement



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