Sign up for ProSoundWeb newsletters
Subscribe today!

Forums Presented By: 

All Study Hall Posts

  • Tuesday, August 04, 2015
    line arrays
    Pat Brown 08/04/15 06:48 AM,
      Your multi-box line array looks great. You’ve seen them on TV, but now you’re standing in front of a real one, expecting the best sonic experience of your life. You play a favorite music track, but something doesn’t sound right. You check the DSP settings, and then the aiming. All looks good, but it still doesn’t sound right. Now what? The multi-box line array is a system of full-range loudspeakers, arranged to allow variable vertical coverage control via the… View this post
    Filed in: AVFeatureBlogStudy HallAVLine ArrayLoudspeakerMeasurementMicrophoneSignalSoftwareSound Reinforcement

  • Monday, August 03, 2015
    image
    Bobby Owsinski 08/03/15 11:13 AM,
    This article is provided by Bobby Owsinski.   Readers often send me their music to comment on, and while I’d love to get to everything, sometimes that’s just not possible. That said, there are a number of traits that I notice among these songs that I thought was worth a mention, since they encapsulate many of the problems that I hear. Before you send me a link to something to listen to, make sure that your song doesn’t have any… View this post
    Filed in: RecordingFeatureStudy HallEducationEngineerStudio

  • Friday, July 31, 2015
    image
    Chris Huff 07/31/15 12:41 PM,
    This article is provided by Behind The Mixer.   Critiquing your mix is one of the best ways improving your mix.  You’ll improve the mix for the next week but you can also immediately improve your mix for the song you are critiquing. Today, I’m kicking out the questions you must ask, concerning your mix, as well as a new method I’ve been using. Top 11 Questions to Ask of Your Mix 1) Can I hear all the musicians and… View this post
    Filed in: Church SoundFeatureBlogStudy HallEngineerMixerSound ReinforcementTechnician

  • live sound
    Greg DeTogne 07/31/15 06:25 AM,
    Sidney Wilson’s worldview takes in the concept that one man’s music is another’s noise, and then transcends any conventional meanings the phrase may imply. For him and the Erevu Group, a San Francisco, CA-based firm he founded that’s dedicated to the task of offering creative solutions to noise problems arising at outdoor music venues, harmony is a matter of striking a delicate balance between the needs of fans, artists, promoters, and communities at large. In practical terms, there are three… View this post
    Filed in: Live SoundFeatureBlogStudy HallConcertLoudspeakerMeasurementMicrophoneNetworkingSignalSoftwareSound ReinforcementTechnician

  • Tuesday, July 28, 2015
    image
    Daniel L. Newman 07/28/15 12:28 PM,
    This article is provided by Commercial Integrator   Hey integrators, what if I told you there is a question about your business that you have to ask yourself if you ever want to achieve your optimal level of success? Then, what if I told you I would be willing to bet that you don’t ask yourself this question today? Would you want to know what the question is? Of course you do ... and I’m going to tell you right… View this post
    Filed in: AVFeatureNewsOpinionStudy HallAVBusinessEducationEngineerTechnician

  • Monday, July 27, 2015
    image
    Brian Gowing 07/27/15 12:27 PM,
    This article is provided by Behind The Mixer.   Are custom molded in-ears that easy to make?  How do they sound?  I’d seen the how-to videos so I decided to give it a try. The results were surprising. I use a set of Logitech Ultimate Ears UE600 IEMs on the road, good for what I need without being so pricey I worry about I losing them. They sound pretty good and flat, with maybe a touch too much high-end. I… View this post
    Filed in: AVLive SoundChurch SoundFeatureBlogVideoProductStudy HallAVEngineerMonitoringSound ReinforcementStage

  • Friday, July 24, 2015
    image
    Matthew Weiss 07/24/15 03:08 PM,
    This article is provided by the Pro Audio Files.   We are continuing in the Five Concepts Series. This little entry is going to be all about punch. What is punch? Well, punch is in essence, dynamics. It’s the ability for a sound to step out of the speaker and physically impact the listener. So I’ll often talk about something like speaker excursion, which is the actual movement of the cone outside of it’s bearing, and I’ll talk about punch,… View this post
    Filed in: RecordingFeatureNewsStudy HallEducationEngineerStudio

  • Thursday, July 23, 2015
    image
    Mike Sessler 07/23/15 12:09 PM,
    This article is provided by ChurchTechArts.   When I was writing my previous post on ProPresenter training, it occurred to me that I haven’t written about the one thing that we never want to talk about as TDs; removing people from the tech team. It seems completely counter-intuitive, after all. We’re told by leadership over and over we need to be growing our team; recruiting and expanding; adding more to the volunteer ranks. And while that’s true to some extent,… View this post
    Filed in: Church SoundFeatureStudy HallEducationEngineerSound ReinforcementStageTechnician

  • image
    Dane Butcher 07/23/15 06:59 AM,
    1) For both fixed installation and live performance sound, clarity (loudspeaker optimization, alignment and delay) is paramount. For a live performance, one may want to be especially mindful of speaker protection – overall dynamics, limiting – and ear protection. A decent DSP system will have all the tools necessary for either deployment. 2) Go with the network protocol that is easiest to implement, offers the best support, meets technical requirements and works across the whole system. Many system designers may… View this post
    Filed in: AVFeatureNewsStudy HallAVDigitalDigital Audio WorkstationsEducationEngineerEthernetManufacturerNetworkingProcessorSignalSoftwareSound ReinforcementStudioSystem

  • Wednesday, July 22, 2015
    image
    Bruce A. Miller 07/22/15 06:58 AM,
    This article is provided by BAMaudioschool.com.   I’ve come to realize that many of my mixes follow a specific approach. The decisions made, directions pursued, imagery, sounds achieved, and overall production approach in each mix will vary greatly based on the musical genre and even my mood. The vocal on a lush ballad will most likely sound and feel very different from the “hype” vocal in a rap song.  Regardless, I will have probably used some or all of the… View this post
    Filed in: RecordingFeatureBlogStudy HallConsolesEngineerMixerMonitoringSignalStudioTechnician





Sponsored Links