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All Studio Posts

  • Thursday, December 05, 2013
    audio-technica
    PSW Staff 12/05/13 08:26 AM,
    Audio-Technica’s “Ask Me Anything” (AMA) sessions at the recent 135th AES Convention in New York are now available for viewing on the company website here. (Note that the session with Grammy Award winning producer/engineer Frank Filipetti is presented below.) “Ask Me Anything” was held at the A-T booth on the AES show floor. Questions were submitted by AES attendees, as well as online at www.livestream.com and via Twitter at #ATliveAES – and were then relayed to the presenters through a… View this post
    Filed in: Live SoundRecordingChurch SoundNewsVideoTrainingBusinessEducationEngineerSound ReinforcementStudioTechnician

  • Wednesday, December 04, 2013
    image
    PSW Staff 12/04/13 06:19 PM,
    Steinberg Media Technologies GmbH today announced significant updates to its award-winning music production systems, Cubase and Cubase Artist, available in December. Version 7.5 incorporates important workflow enhancements, version updates to its instruments and new effects to further the impressive feature set of Cubase and increase professionals’ productivity when producing music. “The mix of highly effective editing and workflow enhancements, new instruments and studio-grade effects makes 7.5 one of the most beneficial Cubase releases since SX 1. I’m confident that this… View this post
    Filed in: RecordingNewsProductDigital Audio WorkstationsSoftwareStudio

  • recording
    Joe Gilder 12/04/13 04:03 PM,
    Article provided by Home Studio Corner.   There’s a lot of bad advice out there. If you come across someone telling you “the way” to record or mix something in the studio, just move on. I’ve never recorded or mixed anything the exact same way twice. And that’s part of the frustration you might be facing if you’re starting out in this crazy home recording world. You want to learn “tricks of the trade,” but everywhere you turn you get… View this post
    Filed in: RecordingFeatureBlogStudy HallConsolesEngineerMixerProcessorStudio

  • image
    PSW Staff 12/04/13 02:44 PM,
    Almost 24 years ago bassist Benny Rietveld ended his tenure with Miles Davis and made the move to join team Carlos Santana. At the time of the move it was unlikely Rietveld knew how Santana would reignite his own career, garner mass appeal on popular radio and clean up at the Grammys with the “Supernatural” project. Rietveld took a chance, put in almost a decade of commitment to Santana (prior to “Supernatural”) and now enjoys a career so diverse it… View this post
    Filed in: Live SoundRecordingNewsProcessorStageStudio

  • image
    PSW Staff 12/04/13 11:10 AM,
    Softube today announces the relaunch of the Brilliance Pack, a faithful plug-in model of three passive treble equalizers custom built and used in the classic EMI Abbey Road studios in the golden 1960’s era. The 64 bit upgrade includes support for Pro Tools 11 and is free to current Brilliance Pack owners. There is a special introductory offer for new customers. Softube, the original developer of the Brilliance Pack for Abbey Road Studios, is incorporating Brilliance Pack into its own… View this post
    Filed in: RecordingNewsDigitalProcessorSoftwareStudio

  • Tuesday, December 03, 2013
    image
    PSW Staff 12/03/13 12:19 PM,
    Like many musicians turned recording engineers, Glenn Thomas began learning his craft on his own, long before setting foot in a “real” recording studio. He didn’t have a choice – growing up, the closest city with a professional studio was six hours away. From his early days of bouncing tracks on a cheap four-track cassette recorder, Thomas has progressed to become the owner of Newfoundland, Canada studio, ITuneAudio providing recording and production services for a wide variety of Canadian and… View this post
    Filed in: RecordingNewsProcessorStudio

  • image
    PSW Staff 12/03/13 10:47 AM,
    The new AT5040 Cardioid Condenser Studio Vocal Microphone from Audio-Technica has recently been used on a wide variety of projects from top producers and engineers in the industry. GRAMMY Award-winning producer, mixer and engineer Joe Chiccarelli (whose credits include The Strokes, The Killers, Jason Mraz and others) recently employed the AT5040 for vocals in the studio. “I used the AT5040 on the upcoming album for the Madden Brothers on Capitol Records,” he explains. “I was quite impressed with its clear… View this post
    Filed in: RecordingNewsMicrophoneStudio

  • Monday, December 02, 2013
    image
    PSW Staff 12/02/13 03:09 PM,
    Recording rehearsals and performances in schools, churches, and studios is easy with the PreSonus AudioBox Stereo recording kit. This special all-PreSonus system combines a USB interface with Studio One Artist music-production software, HD7 monitoring headphones, a pair of small-diaphragm condenser microphones, and all necessary cables. It’s great for capturing live performances and rehearsals, songwriting, song production, podcasting, and a variety of educational applications. AudioBox Stereo includes: AudioBox bus-powered USB audio/MIDI interface with cable Perfect for musicians, students, school music labs,… View this post
    Filed in: RecordingNewsProductDigitalMicrophoneSoftwareStudio

  • image
    PSW Staff 12/02/13 10:39 AM,
    Fonogenic Studios, a recording studio and live music venue located in the heart of the San Fernando Valley, recently upgraded its sound system with Cerwin-Vega! P-Series Professional PA system and classic CVA Active Series Speakers. The new system has received numerous compliments from both A-list musicians and audiences about the superior sound quality of the live venue. The studio’s owners, Rami Jaffee, founding member of the The Wallflowers and now keyboardist for the Foo Fighters, and music producer Ran Pink,… View this post
    Filed in: Live SoundNewsConcertInstallationLoudspeakerSound ReinforcementStudio

  • Wednesday, November 27, 2013
    recording
    Bobby Owsinski 11/27/13 02:50 PM,
    This article is provided by Bobby Owsinski.   One of the cooler aspects of iTunes Radio is that it very well may be the beginning of the end to the loudness wars. For those of you too young to remember, the loudness wars started back in the 60s when producers began to perceive that if a song played on a radio was louder than the one before or after it, it seemed to sound better and people responded more. As… View this post
    Filed in: RecordingFeatureBlogDigital Audio WorkstationsMeasurementProcessorSoftwareStudio



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