Sign up for ProSoundWeb newsletters
Subscribe today!

All Studio Posts

  • Friday, June 24, 2016
    image
    PSW Staff 06/24/16 07:49 AM,
    Antelope Audio [Summer NAMM booth 343] has announced updates and additions to its collection of authentic digital recreations of classic vintage recording gear. The hardware-powered FX contained in Vintage Pack 2.0, which leverage Antelope’s proprietary FPGA engine, brings an even wider set of production tools to users of Antelope’s Orion Studio, Zen Tour and Goliath Thunderbolt interfaces. The [AP550A] places the sound of this studio preamp and EQ at your fingertips with 3-band EQ, switchable filters and optional shelving behavior… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • image
    PSW Staff 06/24/16 07:12 AM,
    The Conservatory of Recording Arts & Sciences recently hosted Blue Microphones during a training clinic on proper microphone techniques and placement during recording sessions for the school’s students at its Gilbert, Ariz. campus. “We joined a class being led by CRAS instructors Mike Jones and Tony Nunes,” explained Blue Regional Sales manager Ben Thompkins, who has been with Blue for more than seven years. “Specifically, we worked with the students on mic placement and choosing what mics would be good… View this post
    Filed in: RecordingNewsEducationManufacturerMicrophoneStudio

  • Thursday, June 23, 2016
    image
    PSW Staff 06/23/16 02:29 PM,
    Producer/ DJ Carl Cox is currently ranked as the Number 1 Global Techno and Techno House DJ by the DJ list, has won more than eleven DJ Awards, three International Dance Music Awards, an NME Award and many other accolades. While setting up his new studio, Cox had the chance to select new monitors for his work, choosing ADAM Audio S3X-H monitors “I’ve always been very demanding on my speakers, and I’ve blown up a few in my time –… View this post
    Filed in: RecordingNewsLoudspeakerMonitoringSound ReinforcementStudio

  • image
    PSW Staff 06/23/16 12:20 PM,
    The recently upgraded V-Control Pro 2 system from Neyrinck now supports 16 and 32-fader control of most audio media applications including Cubase, Digital Performer, Live, Logic Pro X, Mackie Control, MIO Console, Premiere Pro, Pro Tools, Reaper, Reason, Studio One, and Tracktion. Music and audio post creatives can take control of their sessions with a 32-fader touch-sensitive mixing console packed with features to speed up and enhance writing, practicing, recording and mixing. The V-Console app works with multiple iPads and… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsMixerSoftwareStudio

  • image
    PSW Staff 06/23/16 10:32 AM,
    Courtesy of Acoustic Geometry.   Once upon a time, back in the big-dang vinyl-record-label era, I was one of two mixing engineers on a big-dang album project with a huge-dang artist. We had the luxury of working in a recording studio with a vinyl-disc-cutting mastering room down the hallway, so, naturally, we took advantage by having reference discs – “refs” – cut just for us. We then schlepped these one-off 33-1/3 RPM acetate LPs around to different homes and stereo… View this post
    Filed in: RecordingFeatureBlogLoudspeakerMonitoringSound ReinforcementStudio

  • image
    PSW Staff 06/23/16 09:13 AM,
    Smalltown America Studio (STA) in Derry, showcases acts from across the UK and Ireland with its series of ‘Live @ STA’ events. “The bands play live on the floor in our 1600sq foott live room,” confirms studio engineer, Caolán Austin. “We run our lines through our (Audient) ASP8024 then to ProTools; we send the mixed feed from the desk to an encoder box and stream the audio and video on our website. People can watch at home if they can’t… View this post
    Filed in: RecordingNewsAnalogConsolesDigitalDigital Audio WorkstationsStudio

  • Wednesday, June 22, 2016
    image
    PSW Staff 06/22/16 11:44 AM,
    A discussion that began in the REP Recording Forum here on ProSoundWeb that’s packed with relevant/useful points and references. Question by kifaru I’ve been brought a song to record that has a part in it that requires a chorus to sing part of it. The performer told me that what he had in mind for the part was a sound like the choral parts in Bohemian Rhapsody by Queen. I’m really not sure how to achieve this sound and the… View this post
    Filed in: RecordingFeatureForumOpinionStudy HallConsolesEngineerMicrophoneProcessorSoftwareStudio

  • image
    PSW Staff 06/22/16 06:10 AM,
    Auralex Acoustics is now shipping the new Studio6 Bass Trap.  Low-frequency sound waves are extremely long and they are the toughest to control. This is true no matter whether you’re attempting to block their transmission to a neighboring space or trying to absorb them to clean up the low frequency response within a room. Controlling low frequency sound is harder than controlling mid- or high-frequency sound and generally requires more effort and expense.  In order to address these concerns, Auralex… View this post
    Filed in: AVNewsProductAVSound ReinforcementStudio

  • image
    PSW Staff 06/22/16 05:55 AM,
    Propellerhead Software announces that Reason 9 software is now available for purchase. Reason 9 builds on the Reason platform by introducing a host of new devices, sounds and creative tools that inspire music makers to create more and better music from initial concept to a polished song. “We’ve seen unprecedented interest in Reason 9 since the beta launched last month, with over 70,000 viewers tuning in to watch our Facebook live stream events,” said Mattias Häggström Gerdt, Propellerhead Product Marketing… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • Monday, June 20, 2016
    image
    PSW Staff 06/20/16 12:42 PM,
    Independent engineer and scoring mixer Tommy Vicari CAS has a resume which includes film credits such as Walt Disney’s Bridge of Spies and Finding Nemo. He also handles audio for the Academy of Motion Picture Arts and Sciences Oscars award show every year. This two time Grammy Award-winner and six time Emmy Award-winner selected ribbon microphones from Royer Labs and condenser microphones from Mojave Audio for use on his latest project, Finding Dory. Finding Dory is a 3D computer-animated comedy… View this post
    Filed in: RecordingNewsEngineerMicrophoneStudio



Audio Central