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All Stage Posts

  • Wednesday, December 07, 2016
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    PSW Staff 12/07/16 09:25 AM,
    The Hull Jackson Montessori Magnet School in north Nashville offers activities such as music programs, tutoring, various clubs, community building projects and theater, with Disney becoming a regular contributor of grants, through the Disney Musicals In Our Schools program. Last year’s musical, The Little Mermaid, was one of the first productions to employ the newly acquired System 10 Pro digital wireless microphone system from Audio-Technica. The system was installed by Nashville’s Corner Music Audio & Video and paid for through… View this post
    Filed in: AVNewsAVInstallationMicrophoneSound ReinforcementStageWireless

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    PSW Staff 12/07/16 07:56 AM,
    Galaxy Audio introduces the new EDX frequency agile dual channel wireless microphone system, delivering quality sound at an affordable price. The EDX Series is a dual channel, frequency agile wireless microphone system with a 200-foot range. The EDX features 16 selectable UHF channels on each receiver, IR Sync from transmitters to the receiver and 2 internal antennas (1 for each receiver). The receiver has one 1/4-inch output and two discrete XLRM outputs on the back of the receiver. The output… View this post
    Filed in: AVNewsProductAVManufacturerMicrophoneSound ReinforcementStageWireless

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    M. Erik Matlock 12/07/16 07:48 AM,
    I took guitar lessons over this past summer. I’ve been around bands and music my entire life, and at one point was an unbelievably mediocre bassist. I had enough ability to know the notes on the neck and follow a chart. I was even pretty solid with rhythm and accuracy. But that, as they say, was that. Anyway, the guitar lessons taught me a lot of things that I thought I already understood. They produced enough new information to feel… View this post
    Filed in: Live SoundFeatureStudy HallTrainingAVBusinessConcertConsolesEducationEngineerSound ReinforcementStage

  • Tuesday, December 06, 2016
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    PSW Staff 12/06/16 02:15 PM,
    Eastern Acoustic Works (EAW) has announced the availability of the Radius RSX12M stage monitor. The RSX12M adds to the Radius line of loudspeakers, which was introduced mid-2016. “The RSX12M brings even more value to the Radius family,” explains Adam Shulman, director of marketing and application engineering. “The addition of a dedicated floor monitor model takes the family even further in terms of delivering an integrated, complete solution. Now customers can deploy a comprehensive system comprised entirely of Radius components, including… View this post
    Filed in: AVNewsProductAVLoudspeakerMonitoringNetworkingSoftwareSound ReinforcementStage

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    Craig Leerman 12/06/16 02:13 PM,
    Acoustic performances, and the instruments themselves, usually need to be handled differently than the electronic side of things. Thumping kick drums, compressed bass guitars and the like are not the norm for performances intended to be more musically subtle. A more natural sound is desired and it starts with microphone choice and deployment. Fortunately, most instruments can be picked up quite nicely with just three types of mics that most sound folks already have in their inventories. A mic locker… View this post
    Filed in: Live SoundFeatureStudy HallConcertEducationEngineerMicrophoneSound ReinforcementStage

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    PSW Staff 12/06/16 10:24 AM,
    Formed in 1991, the Blue Man Group is a performance art company that takes percussion to an entirely new level. Blue Man Group is best known for its creative stage productions, which includes shows in Las Vegas, Orlando, Boston, Chicago, New York City, and Berlin. Managing the show’s various audio signals is no small endeavor and, to ensure audio quality and the routing flexibility required, the Orlando show’s audio production team relies on RME’s FireFace 800, MADIface USB, and MADI… View this post
    Filed in: Live SoundNewsAVConcertProcessorSound ReinforcementStageSystem

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    PSW Staff 12/06/16 09:44 AM,
    Australian metalcore band I Killed The Prom Queen recently completed a European headline tour, marking their first major outing in the continent. With a combination of festival slots and headline dates, the Aussie band were relying on the Midas M Series mixing consoles, utilizing an M32C/DL32 combo at monitor position and an M32R/DL32 at front of house, from The Audio Specialists. Jona Weinhofen, lead guitarist for IKTPQ reveals that the quality of Midas mixing technology has given the band the… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalMonitoringSound ReinforcementStage

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    PSW Staff 12/06/16 08:48 AM,
    Hardly Strictly Bluegrass (HSB) is not your average festival. In fact, there is nothing “hardly” or “strictly” about the event in any way, be it the artists booked, the location, or the mix of tech that Bay-area-based Sound On Stage (SOS) uses to make it all happen. This year, SOS—which has supplied sound for each iteration of the festival since its debut in 2001—extended its run of leaning on L-Acoustics to provide the PA for all seven of the festival’s… View this post
    Filed in: Live SoundNewsConcertLine ArrayLoudspeakerSound ReinforcementStageSubwoofer

  • Monday, December 05, 2016
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    Live Sound Staff 12/05/16 11:27 AM,
    There’s a lot going on with newer digital console/mixer technology platforms, with this roundup providing a snapshot of what’s happening. A New Direction For An Ever Evolving Group Reunited in 2009 after a five-year hiatus, Phish is still hard at it, delivering truly unique live shows marked by improvisation, extended jams, and the blending of musical genres that include progressive and psychedelic rock, folk, funk, blues, country, bluegrass and more. Band members Trey Anastasio (guitars, lead vocals), Mike Gordon (bass,… View this post
    Filed in: Live SoundFeatureAVBusinessConcertConsolesDigitalEngineerMixerSound ReinforcementStage

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    PSW Staff 12/05/16 09:37 AM,
    Radial Engineering announces that the 4-Play direct box, designed for artists who employ multiple instruments on stage, is now shipping. The 4-Play begins with a standard ¼-inch input for acoustic guitar, mandolin, fiddle, bass or just about any instrument. A mute footswitch lets you silence the switcher when connecting or disconnecting the instrument. The signal is then routed to a selector footswitch that sequentially activates up to four outputs allowing each instrument to have its own dedicated channel on the… View this post
    Filed in: Live SoundNewsProductAVInterconnectSound ReinforcementStage



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