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All Sound Reinforcement Posts

  • Wednesday, April 09, 2014
    countryman
    PSW Staff 04/09/14 10:16 AM,
    Cathedral of Faith in San Jose, CA, is relying on an assortment of Countryman H6 Headset and E6 Earset microphones in conjunction with its wireless system inventory. “Cathedral of Faith is a multi-generational, multi-ethnic, contemporary Christian church,” explains Roberta Starr, director of audio at the cathedral. “Our services are contemporary and multi-sensory. We utilize a variety of media, including a live band, worship vocalists and choir, special effect lighting, live drama, dance, engaging props and illustrations, multimedia, and video. “It’s… View this post
    Filed in: AVChurch SoundNewsAVMicrophoneSound ReinforcementWireless

  • panic at the disco
    Greg DeTogne 04/09/14 09:35 AM,
    Once the exception and now the rule on many tours, the practice of picking up whatever hand the house deals in terms of PA from venue to venue isn’t so much a gamble as it is a chance to exercise one’s ingenuity. “VerTec, V-DOSC, Martin Audio, I never complain,” says Spencer Jones with an air of existential audio contentment. “I think it’s actually kind of fun to use a new rig every day, some you may not have even heard… View this post
    Filed in: Live SoundFeatureBlogConcertEngineerMicrophoneProcessorSound ReinforcementSystemWireless

  • Tuesday, April 08, 2014
    eighteen sound
    PSW Staff 04/08/14 01:51 PM,
    Eighteen Sound  has announced the release of the XG10 line source waveguide with a 1-inch throat entry, which was recently on display at the Prolight+Sound show in Frankfurt. The XG10 has a transmission line acoustic design that minimizes internal reflections and acoustic loss, while the throat shape has been optimized for lowering air distortion. It delivers exceptional performance when paired with an Eighteen Sound 1-inch-exit high-frequency compression driver. The waveguide has been optimized to provide a 10-degree vertical dispersion angle,… View this post
    Filed in: AVLive SoundNewsProductLine ArrayLoudspeakerSound Reinforcement

  • image
    PSW Staff 04/08/14 01:02 PM,
    A QSC Q-Sys Core 250i network audio management system was recently supplied to London-based audio integrators RG Jones Sound Engineering for installation in the renowned Serpentine Gallery’s new art space in Central London, the Serpentine Sackler Gallery. A RG Jones team led by Jake Miller installed the QSC Core 250i, along with a QSC TSC-8 touch panel to manage an array of amplifiers driving flat-panel loudspeakers around the outside of the gallery, and several K-Array loudspeakers and subwoofers in the… View this post
    Filed in: AVNewsAmplifierAVInstallationSound Reinforcement

  • image
    PSW Staff 04/08/14 12:39 PM,
    Popular worship musicians Shane and Shane have been using Aviom personal mixers on stage and in the studio for more than eight years and have just recently started using Aviom’s new A360 personal mixers. Shane and Shane are currently busy working on their new Worship Initiative project, a worship training website that they will launch later this year. “Shane and I have been using Aviom systems for years, and they have never let us down. They have stood up to… View this post
    Filed in: Live SoundNewsConcertMonitoringSound ReinforcementStage

  • church sound
    Gary Zandstra 04/08/14 12:01 PM,
    Talking with sound technicians and worship leaders, I often hear the complaint that from week to week, the quality of Sunday morning varies. I’ve determined that some of this is from training, such as when there’s a problem and the tech doesn’t know how to fix it. Some of it’s skill; certain folks simply have a better ear and command of the equipment than others. On the same hand, the skill level of the musicians may also vary. I’ve found… View this post
    Filed in: Church SoundFeatureBlogStudy HallBusinessEducationEngineerMicrophoneSound ReinforcementStageTechnician

  • image
    PSW Staff 04/08/14 10:29 AM,
    The annual TED Conference is heard by thousands of people through live audiences, simulcasts, webcasts and recordings, and millions more through online video engines. To provide the ultimate in sound quality for presenters and performers at TED2014, technical team from McCune Audio/Video, the symposium’s sound services company, relies on DPA Microphones’  classic 4088 Directional Headset Microphones and d:screet 4060 Omnidirectional Microphone. TED2014 marks the second time that DPA Microphones is part of the audio setup for the conference. The McCune… View this post
    Filed in: Live SoundNewsAVManufacturerMicrophoneSound ReinforcementStageWireless

  • yamaha
    PSW Staff 04/08/14 09:27 AM,
    TC Furlong of Lake Forest, IL, will be hosting a series of demonstrations of the new Yamaha Commercial Audio QL Series of digital consoles in the Chicago area this month. Attendance is free. Dates and locations: Wednesday, 4/16, 4:30 pm—7 pm TC Furlong in Lake Forest, IL Click To Register And For More Info Tuesday, 4/22, 9 am—1 pm Regus Offices in Rosemont, IL (with Yamaha district manager Mike Eiseman) Click To Register And For More Info Tuesday, 4/22, 4… View this post
    Filed in: AVLive SoundChurch SoundNewsProductTrainingAVConsolesDigitalEducationMixerSound Reinforcement

  • community
    PSW Staff 04/08/14 09:16 AM,
    E & E Systems (India) has designed and installed Community Professional loudspeakers for the Puma Social Club in Indiranagar, Bangalore, operated by the leading sports brand of the same name. India’s third most populous city, Bangalore is the capital city of the Indian state of Karnataka, located on the Deccan Plateau in the south-eastern part of Karnataka. The Puma Social Club, located above the Puma store on Indiranagar’s busiest street, provides the community with a unique venue incorporating restaurants, bars… View this post
    Filed in: AVLive SoundNewsAVInstallationLoudspeakerSound Reinforcement

  • Monday, April 07, 2014
    aviom
    Gary Parks 04/07/14 02:14 PM,
    Reliable monitoring is essential to performers on stage, allowing them to blend their musical contributions with the other players – keeping them in time, on pitch, and able to creatively interact. Traditionally, this function was performed by low-profile loudspeakers aimed generally toward the areas where the performers were active, with level control, sufficient coverage, bleed into open microphones, and feedback all issues that needed to be overcome. Another issue, especially with acts performing at high levels, was/is a contribution to… View this post
    Filed in: Live SoundFeatureBlogProductDigitalEthernetInterconnectMixerMonitoringNetworkingSound ReinforcementStage



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