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All Sound Reinforcement Posts

  • Monday, December 05, 2016
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    PSW Staff 12/05/16 09:37 AM,
    Radial Engineering announces that the 4-Play direct box, designed for artists who employ multiple instruments on stage, is now shipping. The 4-Play begins with a standard ¼-inch input for acoustic guitar, mandolin, fiddle, bass or just about any instrument. A mute footswitch lets you silence the switcher when connecting or disconnecting the instrument. The signal is then routed to a selector footswitch that sequentially activates up to four outputs allowing each instrument to have its own dedicated channel on the… View this post
    Filed in: Live SoundNewsProductAVInterconnectSound ReinforcementStage

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    PSW Staff 12/05/16 09:01 AM,
    UK event specialist Adlib, has upgraded its stock of Midas mixing systems to the brand’s flagship PRO X console. Two Midas XL8 desks have made way for two brand new PRO X systems, which provide 168 input channels, 99 buses and a 96 kHz sample rate.  Adlib, with headquarters in Liverpool, has just recently completed a major £1 million expansion of their UK operations with the opening of a Scottish warehouse and office space on the outskirts of Glasgow. Hires… View this post
    Filed in: AVNewsAVBusinessConsolesDigitalSound Reinforcement

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    PSW Staff 12/05/16 08:38 AM,
    The AMX Enova DGX 100 Series, from Harman Professional Solutions, offers audio processing with true audio breakaway and DSP that includes input gain and compression, stereo to mono conversion, output volume and balance, audio sync delay; and a 10-band parametric EQ on every output. Enova DGX 100 Series features:—True Audio Breakaway from any input to any or all outputs, across all enclosure sizes 8 x 8 to 64 x 64—Additional local audio inputs and outputs - In addition to embedded… View this post
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsMixerSoftwareSound ReinforcementSystem

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    PSW Staff 12/05/16 08:29 AM,
    GMB Pro Sound, one of Poland’s largest rental companies, has invested in a total of three dLive mixing systems from Allen & Heath. The firm’s client list includes Poland’s major music festivals, concerts and TV shows, such as Open’er festival, Krakow Live festival and the huge World Youth Days worship festival. GMB’s three new dLive systems comprise the flagship S7000 surfaces and DM64 MixRacks, plus DX32 expansion racks and Dante networking cards. In addition, the company bought a ME personal… View this post
    Filed in: Live SoundNewsBusinessConcertConsolesDigitalSound Reinforcement

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    PSW Staff 12/05/16 08:16 AM,
    In the North-East of the Netherlands, the city of Emmen is now home to the newly opened Atlas Theater. The multi-purpose performing arts facility, designed by noted Danish architect Henning Larsen, opened in October 2016. With a main auditorium hosting 822 audience members, Renkus-Heinz Iconyx IC Live ensures even coverage across every seat. The Atlas Theater has been equipped with a turnkey multifunctional audio system conceived by consultant Steven Kemland from Theateradvies BV. Regional supplier Ampco-Flashlight Sales implemented the solution,… View this post
    Filed in: AVNewsAVInstallationLine ArrayLoudspeakerSound ReinforcementStage

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    Bobby Owsinski 12/05/16 07:59 AM,
    This article is provided by Bobby Owsinski.   The road case is essential to anyone on tour with gear that needs to be protected, so I thought this would be a good time to bring back something that I posted about few years ago. It’s an excerpt from The Touring Musician’s Handbook that provides a good look at the differences between popular road case styles. Here we go. For many musicians, buying road cases for their gear is sort of… View this post
    Filed in: ProductionFeatureBlogProductionCases & AccessoriesAVBusinessEducationEngineerSound ReinforcementStageSystemTechnician

  • Friday, December 02, 2016
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    PSW Staff 12/02/16 01:21 PM,
    SIR Audio Tools announces the release of SpectrumAnalyzer, a spectrum analyzer plugin which displays the spectral content of your audio material, helping you create a better mix. SpectrumAnalyzer comes in two editions, a free and a full version. SpectrumAnalyzer is available for 32- and 64-bit Mac OS X and Windows in Audio Unit, AAX, VST and VST3 plugin formats. It has a FFT (Fast-Fourier-Transform) and an analog-style (parallel band-pass IIR filter) engine, both of which can run simultaneously. Intelligent peak-detection… View this post
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsSoftwareSound ReinforcementStageStudio

  • soundgirls.org
    PSW Staff 12/02/16 12:45 PM,
    SoundGirls.Org has announced a series of educational workshops to be held this month (December) and next (January 2017) at Rat Sound Systems in Camarillo, CA. All workshops will be led by top A-1 engineer/systems tech Ivan Ortiz of Rat Sound. First up, on Saturday, December 10, is Best Practices For “Throw & Go” FOH And MON. Topics to be covered include: —Venue limitations (stage dims, proximity effect, house gear)—Priority in dialing in a mix—Foldback mixing—Microphone selection and placement—File storage—Digital console… View this post
    Filed in: Live SoundChurch SoundNewsTrainingAVEducationEngineerMonitoringSound ReinforcementTechnicianWireless

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    PSW Staff 12/02/16 09:22 AM,
    With his upbeat lyrics and catchy pop hooks, Andy Grammer makes you just want to snap your fingers and dance. That’s given him sales and airplay hits like “Honey, I’m Good,” “Keep Your Head Up” and the new chart-climbing “Fresh Eyes,” which have gotten him exposure on TV shows like Dancing With The Stars and at multiple sporting events, including a very recent halftime performance during the Detroit Lions’ 2016 Thanksgiving game. It’s also made Grammer a welcome addition on… View this post
    Filed in: Live SoundNewsConsolesDigitalMonitoringSound Reinforcement

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    Mike Sessler 12/02/16 07:34 AM,
    This article is provided by ChurchTechArts.   For the novice sound engineer, it can be pretty intimidating to walk up to a large analog or digital console and try to figure out the routing of audio signals. It wouldn’t be so bad if the only place the sound had to go was to the main loudspeakers in the room. Occasionally that’s the case, but most of the time, we’re also sending different mixes to monitors for musicians; to lobby and… View this post
    Filed in: Church SoundFeatureBlogStudy HallConsolesMixerProcessorSound Reinforcement



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