Sign up for ProSoundWeb newsletters
Subscribe today!

All Sound Reinforcement Posts

  • Wednesday, July 27, 2016
    image
    PSW Staff 07/27/16 02:31 PM,
    UK production company CPL announces a further investment in d&b audiotechnik equipment, underlining its commitment to the brand, with whom CPL has enjoyed a long and productive relationship stretching back 20 years. CPL MD Matthew ‘Max’ Boyse states “d&b has proved a high quality, hugely reliable and consistent solution for our audio needs for many years” adding that as well as continuing their relationship with these latest purchases, it also “steps up a level with a new ‘partnership’ arrangement recognizing… View this post
    Filed in: AVNewsAVBusinessLine ArrayLoudspeakerSound ReinforcementSubwoofer

  • image
    PSW Staff 07/27/16 02:10 PM,
    RCF is introducing the new SUB9006-AS, a 7,200-watt dual 18-inch active subwoofer for installed and touring sound. The cabinet features two high-power, hyper-vented 18-inch long-excursion neodymium woofers with 4-inch inside-outside voice coils capable of accurately reproducing frequencies down to 30 Hz and achieving 142 dB SPL. “The stiffer transducer cone coupled with the long-excursion design provides a tight, punchy low frequency response,” notes RCF national sales manager Tarik Solangi. “The venting of the voice coil works to provides the capability… View this post
    Filed in: AVNewsProductAVInstallationLine ArrayLoudspeakerSound ReinforcementSubwoofer

  • image
    PSW Staff 07/27/16 01:07 PM,
    Natasha Khan, aka Bat For Lashes, is an English singer, songwriter and multi-instrumentalist. Monitor engineer Arron James Smith has been working with her on the promo tour for her new album, The Bride, a three date run of churches and cathedrals in the UK, and her appearances on Europe’s summer festival circuit. Smith’s console of choice is a DiGiCo S21. Smith has, he says, worked either end of the multicore and enjoys them both, but being at monitors allows him… View this post
    Filed in: Live SoundNewsConsolesDigitalEngineerSound ReinforcementStage

  • image
    M. Erik Matlock 07/27/16 11:49 AM,
    Anyone who has survived more than a few hours behind a console has already accumulated a few amusing tales of the pro audio life. It doesn’t take long before they start sounding like war stories, sitcoms or detective novels. From my experience, the primary talent that identifies a true industry pro is their ability to manage pressure and make things happen without excuses. The ones who can be dropped into any situation and run it like it was rehearsed. Becoming… View this post
    Filed in: Live SoundFeatureBlogStudy HallTrainingBusinessEducationEngineerSound Reinforcement

  • image
    PSW Staff 07/27/16 09:36 AM,
    Appearing at Barclaycard Presents British Summer Time Hyde Park Festival (BST) for the fourth consecutive year, Martin Audio’s flagship MLA loudspeakers delivered for the main Great Oak Stage, thanks to the new system optimization created by their DISPLAY prediction software, now in its final beta test stage. From the opening notes of Massive Attack through to the closing weekend with Mumford & Sons, Take That and Stevie Wonder, the event showed that it continues to evolve in terms of technical development.… View this post
    Filed in: Live SoundNewsConcertLine ArrayLoudspeakerSoftwareSound ReinforcementStageSubwoofer

  • image
    Kent Morris 07/27/16 06:05 AM,
    The mistakes worship teams commit while approaching God do not preclude His presence, but they do erect obstacles to the flow of the Holy Spirit. Here, then, are 10 common errors churches can avoid in the pursuit of God: 1. Turning minor mistakes into public spectacles. When a vocalist forgets to turn on a wireless microphone or a technician commits a track cueing error, the worst thing a worship leader can do is to proclaim the mistake to the entire… View this post
    Filed in: Church SoundFeatureBlogStudy HallBusinessEngineerMixerSound ReinforcementStageSystemTechnician

  • Tuesday, July 26, 2016
    image
    PSW Staff 07/26/16 03:08 PM,
    A 2013 expansion of the Chapel Hill Public Library in Chapel Hill, North Carolina added two meeting rooms for town hall meetings, police and fire department trainings, and – more often – miscellaneous events led by Chapel Hill organizations and citizens. Recently, Avant Systems Integration of Raleigh, North Carolina, upgraded the sound and video systems in CHPL’s meeting rooms using Ashly Audio processing and amplification. “The system that went in with the meeting rooms was budget-driven,” explained Scott Carneval, president… View this post
    Filed in: AVNewsAmplifierAVInstallationLoudspeakerSound ReinforcementSubwoofer

  • loudspeakers
    PSW Staff 07/26/16 01:58 PM,
    The Live Sound International (LSI) Loudspeaker Demo — a.k.a., “The Ultimate Audio Experience” — is coming to Louisville this September, presenting the unique opportunity to listen to, evaluate, and compare at least 24 top professional loudspeaker systems in a controlled listening environment. The event, which has attracted more than 3,000 attendees over the past several years, will be held in an exhibit hall in conjunction with this year’s WFX (Worship Facilities Expo) at the Kentucky Exposition Center on September 21-22.… View this post
    Filed in: AVLive SoundChurch SoundFeatureBlogAVEducationLine ArrayLoudspeakerManufacturerSound Reinforcement

  • image
    PSW Staff 07/26/16 12:56 PM,
    Blue Man Group, the performance company that has won an Obie, a Drama Desk and a Grammy Award nomination for its eccentric, percussive ruminations on the human condition, has productions in New York, Boston, Chicago, Las Vegas, Berlin and Orlando. Most recently, Blue Man Group Theatre at CityWalk in the Universal Orlando Resort upgraded its sound system to an L-Acoustics Kara rig, provided by Clearwing Productions’ Phoenix office. The system upgrade in Orlando follows one in Las Vegas, which saw… View this post
    Filed in: AVLive SoundNewsAVInstallationLine ArrayLoudspeakerSound ReinforcementSubwoofer

  • image
    Leslie Watts 07/26/16 12:36 PM,
    This article is provided by L M Watts Technology   I’ve always admired ribbon microphones, having built them in my high school years from gum wrapper foil, surplus magnetron magnets, and filament transformers. Much Later after research and design engineering stints at Shure, Electro-Voice, and other places I wanted to add a ribbon mic to my new microphone company. But I wanted something a little different from a standard figure 8 design. I was fascinated with the multi pattern/non figure… View this post
    Filed in: AVFeatureStudy HallAVEducationEngineerManufacturerMicrophoneSound ReinforcementStageStudio



Audio Central