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  • Friday, November 11, 2011
    networking
    PSW Staff 11/11/11 12:59 PM, 0 Comments
    An AES standards task group chaired by Kevin Gross is currently developing an interoperability standard for audio networking. The focus of the project, which is called “X192,” is addressing the need for interoperability between products of many different manufacturers. Once implemented, X192 will provide manufacturers with the means to remain with the network technology they are invested in, while also seamlessly interfacing with products that support other networks. There are currently a number of existing and work-in-progress protocols, each with… View this post
    Filed in: AVLive SoundRecordingChurch SoundNewsPollProductEthernetInterconnectManufacturerNetworking

  • Thursday, November 10, 2011
    image
    PSW Staff 11/10/11 11:25 AM, 0 Comments
    iZotope Inc., a leading innovator in digital audio signal processing, announces the release of Ozone 5 and Ozone 5 Advanced. Ozone 5 is an update to iZotope’s critically acclaimed software mastering suite. Ozone 5 Advanced is a professional mastering suite that expands Ozone’s feature set with individual component plug-ins, extended features, and the brand-new Ozone Meter Bridge. “Whether you’re a musician, engineer, or mastering pro, Ozone 5 lets you master music and other audio simply and efficiently,” says Nick Dika,… View this post
    Filed in: RecordingNewsPollDigitalSoftwareStudioAudio

  • bob katz mastering
    Bob Katz 11/10/11 06:55 AM, 2 Comments
    This article is the first part in a series on decibels, excerpted from Bob Katz’s book Mastering Audio: The Art and The Science. So many of us take our meters for granted—after all, recording is simple: all you do is peak to 0 dB and never go over! But things only appear that simple until you discover that with the same material, one machine says that it peaks to -1 dB, another machine shows an OVER level, and yet your… View this post
    Filed in: RecordingFeatureStudy HallDigitalMeasurementMonitoringStudioAudio

  • radial
    PSW Staff 11/10/11 05:51 AM, 0 Comments
    Radial Engineering has introduced the MC3 studio monitor controller, a “straight wire” passive monitor switcher and headphone amplifier designed to provide smaller production studios with a cost-effective yet high-performance monitor, sub and headphone management system. Designed for active nearfield monitors, the MC3 is equipped with two stereo outputs and a separate send to feed a sub-woofer. Each may be precisely set using a trim control thus allowing seamless switching between loudspeakers. Separate on-off switches allow any or all to be… View this post
    Filed in: AVLive SoundRecordingChurch SoundNewsPollProductAVInterconnectMonitoringSignalStudioAudio

  • image
    Jim Cunningham 11/10/11 05:32 AM,
    Artificial reverberation, or echo as it is often called, is one of the most useful effects available to the recording engineer. Recently there has been an explosion of reverb devices available in the marketplace, and to compete for your dollars, they all must claim to be the best if not the ultimate machine of all time. Actually, each has strong and weak points, so the purpose of this article will be to investigate the four basic types and see how… View this post
    Filed in: RecordingFeatureStudy HallDigitalEducationMixerSignalSoftwareStudioSystem

  • Tuesday, November 08, 2011
    image
    PSW Staff 11/08/11 10:14 PM, 0 Comments
    Lawo is pleased to announce the new Version 4.14 software update for the company’s highly acclaimed mc² Series consoles, including the flagship mc²90, mc²66, mc²66 MKII, and mc²56. Featuring loudness metering, downmix functionality, full support for the company’s Extra Faders option, and more, V4.14 is packed with a brilliant set of new tools designed to enhance a sound engineer’s workflow. For some time, an ongoing deterioration in the ‘Loudness war’ has been taking place in television broadcasting. The result: TV… View this post
    Filed in: AVLive SoundRecordingNewsPollConsolesDigitalSoftwareSound ReinforcementStudio

  • Monday, November 07, 2011
    image
    PSW Staff 11/07/11 03:30 PM, 0 Comments
    Sony is expanding its line of digital wireless technology with a new adapter, model DWA-F01D, for standalone or mixer bag use of the DWR-S01D digital wireless slot-in receiver. The new adapter supports battery powering of the receiver using Sony InfoLITHIUM L series batteries (optional), and offers users additional flexibility in multi-purpose wireless receiver applications:  stand-alone portable receiver use, V-mounting the portable receiver onto a camera or direct slot-in use with Sony XDCAM cameras that support a digital wireless slot. The… View this post
    Filed in: AVLive SoundRecordingDigitalSound ReinforcementAudio

  • recording
    Matthew Weiss 11/07/11 11:12 AM, 1 Comment
    This article is provided by the ProAudioFiles.   Besides vocal mixing – I would say the most common question I read about on the internet is how to manage the low end. The kick and bass, or whatever else might be occupying that area, is the weight and power of a track. In addition, it’s often the rhythmic backbone. People tend to have a lot of trouble with low end, and I think there are two specific reasons why: 1)… View this post
    Filed in: RecordingFeaturePollProcessorStudioSubwoofer

  • Sunday, November 06, 2011
    recording
    PSW Staff 11/06/11 10:52 AM, 0 Comments
    As part of the official edition of “The Smile Sessions,” Capitol Records is issuing vinyl pressings comprised of three mono LPs, one stereo, and two 45rpm singles.  Long-time Brian Wilson recording engineer Mark Linett, who also served as co-producer on the project, was on hand in the cutting room at Bernie Grundman Mastering with co-producer Alan Boyd and mastering engineer Chris Bellman. A comprehensive reissue project containing out-takes, original takes, and an extensive historical booklet, the album is available as… View this post
    Filed in: RecordingNewsPollStudio

  • software
    11/06/11 10:45 AM, 0 Comments
    Minnetonka Audio Software has released a major new version of their SurCode for Dolby™ E family of encoding and decoding products. SurCode for Dolby E provides easy integration of Dolby E elements into existing workflows on a wide variety of industry–leading audio workstations. Linear PCM, with complete metadata support, can be encoded and decoded in real time and in the background at faster than real time speeds with convenient, familiar, cross–platform plug-ins. Version 2.0 of SurCode for Dolby E brings… View this post
    Filed in: Live SoundRecordingNewsPollProductDigital Audio WorkstationsSoftwareStudio