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Friday, March 26, 2010
Sennheiser Debuts First EarSet Microphones At 2010 Prolight + Sound
PSW Staff
03/26/10 03:53 PM,
Sennheiser is presenting its first single-sided, ear-worn microphones at the 2010 Prolight + Sound. There are two hands-free models for stage shows and the broadcasting studio: the EarSet 4 with a cardioid pick-up pattern and the EarSet 1 with an omni-directional response. “Both EarSets use capsules which are much loved in the live production and broadcasting fields”, says Sebastian Schmitz, Microphones Product Manager. “In other words, the omni-directional capsule of our smallest clip-on microphone, the MKE 1, for the EarSet…
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Adamson Launches Eklipsa Series Of Horizontal Arrays At 2010 Prolight + Sound
PSW Staff
03/26/10 03:21 PM,
New Adamson Systems Eklipsa Series horizontal array loudspeakers are available in both 12-inch bi-amp and 15-inch bi-amp versions. Both of these unique arrays include Adamson’s Advanced Cone Architecture together with the company’s proprietary High Frequency Wave Shaping technology. Both of Adamson’s proprietary ND12, 12-inch neodymium low-mid transducer and ND15, 15-inch neodymium low-mid transducer, feature a progressive Kevlar cone geometry that reduces modal behaviour, providing an improved and linearized pass-band throughout the vocal range. High Frequency Wave Shaping sound chambers insure…
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d&b audiotechnik Unveils E6 Compact Loudspeaker At 2010 Prolight + Sound
PSW Staff
03/26/10 02:52 PM,
The new d&b audiotechnik E6 loudspeaker is intended to replace the company’s E3 loudspeaker that has become synonymous with small, convenient, and useful. The E6 is a high performance multipurpose cabinet employing an integrated 6.5-inch/1-inch exit coaxial driver design with neodymium magnet and constant directivity horn loading. The horn with its 100-degree x 55-degree (h x v) dispersion pattern can easily be rotated through 90 degrees, providing a 55-degree x 100-degree pattern, without the use of tools. The E6 is…
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Soundcraft Introduces Vi1 Compact Digital Console At Prolight + Sound
PSW Staff
03/26/10 09:22 AM,
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As previously reported here on ProSoundWeb, Soundcraft has announced the Vi1 which was debuted at Prolight + Sound 2010. Read on for complete details, or take the PSW Photo Gallery Tour! The Vi1 stand-alone console package includes 32 channels of analog input, 27 analog outputs, plus 6 digital inputs, 4 stereo FX returns and 6 digital outputs, all in one chassis. As standard, input to mix capacity is 46 channels, but by adding a stagebox (compatible with the existing Vi…
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Nady Introduces Miniature Multi-Channel Wireless System At Prolight + Sound
PSW Staff
03/26/10 08:31 AM,
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Nady Systems announced at Prolight + Sound 2010 the introduction of the new MGT-16, a UHF wireless system featuring 16 user selectable PLL frequencies. The MGT-16 features infrared download of the selected frequency on the receiver to the transmitter. The miniature, lightweight transmitter plugs directly into a guitar, bass or portable keyboard output jack with no cable or bodypack transmitter required; the stomp box size receiver can be placed anywhere—even on stage next to effects pedals. The MGT-16 features modern…
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Pro Tools Instrument Expansion Pack Now Shipping
PSW Staff
03/26/10 08:01 AM,
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Avid has announced that the Pro Tools Instrument Expansion Pack, previously announced at the 2010 Winter NAMM, is now shipping. The collection features five virtual instruments, including updated versions of the Structure professional sampler workstation, Strike virtual drummer, Velvet vintage electric pianos, Transfuser groove creator, and Hybrid high-definition synthesizer. All the instruments have been updated with new features that offer much deeper integration with Pro Tools, supporting audio and MIDI region drag-and-drop functionality, enabling customers to more easily obtain creative…
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Lexicon Announces LXP Native Reverb Plug-In Bundle At Prolight + Sound
PSW Staff
03/26/10 07:46 AM,
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Lexicon announced at Prolight + Sound 2010 the LXP Native Reverb Plug-In Bundle. This reverb bundle is a collection of Lexicon’s four most popular reverbs that are now available as multi-platform native software plug-ins. The LXP Native Reverb Bundle delivers four Lexicon reverb plug-ins including Chamber, Hall, Plate, and Room with over 200 studio presets from Lexicon’s library of sounds. Each plug-in can be run in mono, stereo or mono in/stereo out and the Input and Output Meters makes it…
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JBL Professional Introduces DrivePack Digital Audio Input Module At Prolight + Sound
PSW Staff
03/26/10 07:24 AM,
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At Prolight + Sound 2010 JBL Professional introduced its new DPDA (DrivePack Digital Audio) input module with BSS Omnidrive HD signal processing onboard, for use with all JBL DrivePack-equipped powered speaker systems. This full-featured product leverages the modular nature of JBL DrivePack technology, and can be easily installed as an upgrade to all DP Series fullsize, midsize and compact line array elements and subwoofers along with all of the premium powered system models in JBL’s Venue Performance Series. The HiQnet-compatible…
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Thursday, March 25, 2010
Crown Announces XLS Series Amplifiers At Prolight + Sound
PSW Staff
03/25/10 02:45 PM,
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Crown announced at Prolight +Sound 2010 the next generation line of XLS Series amplifiers. The new line, consisting of four models, implement a flexible PureBand Crossover System. Users can select crossover points from 50 Hz to 3 kHz, allowing for matching of specified crossover points on most bi-amplified loud speakers. PeakX limiters allow higher output levels than conventional analog limiting while providing assured driver protection, and deploy algorithms derived from the extensive research and development of the OmniDrive HD loudspeaker…
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Shure Unveils Beta 27 Side-Address Condenser Microphone At Prolight + Sound
PSW Staff
03/25/10 01:51 PM,
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Shure Incorporated announced at Prolight + Sound 2010 the introduction of the side-address, supercardioid Beta 27. The Beta 27 is unique in the industry as the only side-address, supercardioid condenser microphone designed for sound reinforcement. It was developed in response to audio engineers’ desire for a condenser mic that offers better isolation of the sound source. “Live acts have been using cardioid large diaphragm condenser mics for years, on drum overhead and guitar/bass cabinets,” says Chad Wiggins, Shure’s Category Manager…
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