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  • Monday, July 09, 2012
    aphex
    PSW Staff 07/09/12 02:19 PM,
    Aphex has appointed a series of additional manufacturer’s representatives as part of the company’s ongoing growth and expansion. These firms will join the current sales force in representing the company’s line of pro products in their respective territories, fostering sales and increasing market share. The following firms have been appointed, listed with their regions and principals: Warman Marketing: Rocky Mountain territories (Harry Warman); Sound Vision Marketing: Florida (Tim Yates); Audio One Marketing: Minnesota, North Dakota, South Dakota (Tim Van Bargen);… View this post
    Filed in: AVLive SoundRecordingNewsAVBusinessManufacturerProcessorAudio

  • image
    PSW Staff 07/09/12 07:12 AM,
    PreSonus has announced the new ADL 700 channel strip, which combines a high-end Class A tube preamplifier with a fully variable, FET-based compressor and a four-band semi-parametric equalizer. The new channel strip provides separate balanced XLR mic, balanced XLR line, and ¼” TS instrument inputs and a single balanced XLR output. The ADL 700 incorporates a single-channel version of the award-winning PreSonus ADL 600 two-channel tube preamplifier, which was designed by famed tube-circuit designer Anthony DeMaria. PreSonus and DeMaria teamed… View this post
    Filed in: Live SoundRecordingPollAmplifierProcessorSound ReinforcementAudio

  • Thursday, July 05, 2012
    image
    PSW Staff 07/05/12 11:54 AM,
    BlackBox Recorder manufacturer JoeCo has commenced shipments of its new 64-channel Dante recorder.  The BBR64-DANTE was developed as a result of continuing collaboration between JoeCo and Audinate, creators of the award-winning Dante digital media networking solution. Still only occupying 1U of rack space, despite doubling its track count from 32 to 64, the BBR64-DANTE now ranks alongside its 64-channel MADI sibling as one of the smallest large-scale audio capturing devices currently available. The recorder connects to any Dante-enabled network device… View this post
    Filed in: Live SoundRecordingNewsPollNetworkingProcessorSound ReinforcementStudioAudio

  • image
    PSW Staff 07/05/12 08:52 AM,
    Following a comprehensive refit, the German Museum of Film has installed QSC’s Q-Sys Integrated System platform to manage and route all of the audio sources under its roof, together with K Series active loudspeakers to handle playback in its new demonstration and seminar rooms. The Museum of Film opened in 1984 in Frankfurt am Main and has always been more than a traditional, educational film museum. With its rolling program of exhibitions, cinema presentations and retrospectives, it has sought to… View this post
    Filed in: AVNewsPollAmplifierAVInstallationProcessorSoftwareSound ReinforcementAudio

  • Tuesday, July 03, 2012
    image
    PSW Staff 07/03/12 10:09 AM,
    International covert audio specialist Phil Manchester is renowned worldwide for his high level of effectiveness. He restores audio for some of the most high-profile investigations in his native U.K. and elsewhere and approaches his work with the dedication and creativity of a master artist. He also relies on plugins from Waves Audio. “Waves plugins are my primary palette of tools and have been since 2000. They are absolutely crucial to my work,” he notes. “Coming from a background using Waves… View this post
    Filed in: RecordingNewsPollEngineerProcessorSoftwareAudio

  • Friday, June 29, 2012
    recording
    Bobby Owsinski 06/29/12 02:07 PM,
    This article is provided by Bobby Owsinski.   Here’s a list I love from Steve Guttenberg, the audio reporter over on the CNET blog. It’s the top 10 reasons why music is compressed today. As you’ll see, there are a lot of things in the list that make sense. With all the talk about hypercompression (over-compression), we tend to forget that people really do like the sound of compression. It’s just when it’s used to excess that engineers and listeners… View this post
    Filed in: RecordingFeatureProcessorSignalStudio

  • harman
    PSW Staff 06/29/12 09:11 AM,
    BSS Audio has introduced Audinate Dante functionality to its Soundweb London family of digital signal processors with the addition of two Soundweb London devices. The new Soundweb London BLU-806 and BLU-326 devices are Dante versions of the BLU-800 and BLU-320 CobraNet siblings from which they are derived. The BLU-806 offers the same configurable signal processing capability as the existing BLU-800 device. Both new devices offer configurable inputs and outputs, compatibility with all Soundweb London input and output card options, logic… View this post
    Filed in: AVLive SoundNewsProductAVNetworkingProcessor

  • Thursday, June 28, 2012
    aphex
    PSW Staff 06/28/12 02:36 PM,
    Aphex has launched the EX•BB 500 module, which introduces the company’s Aural Exciter and Big Bottom patented audio enhancement technologies to the portable and convenient 500 Series format. The mono EX•BB 500 module is the first release in a new line of 500 Series products being launched in 2012 by Aphex. Aphex’s Aural Exciter technology has been used in recording studios, broadcast facilities, concert arenas, musicians’ equipment racks, DJ systems, houses of worship, auditoriums, theaters and sports venues worldwide since… View this post
    Filed in: Live SoundRecordingNewsProductProcessorSound ReinforcementStudio

  • Wednesday, June 27, 2012
    image
    PSW Staff 06/27/12 11:40 AM,
    Solid State Logic is proud to announce the launch of Alpha-Link MX. Alpha-Link MX is the first of a new generation of SSL A-D/D-A converters that deliver superior SSL audio quality in an affordable format for the serious project studio. The new generation SSL converters build on the reputation of the highly respected larger Alpha-Link SX and AX models which are used in leading commercial recording facilities across the world alongside SSL’s AWS and Duality consoles. The Alpha-Link MX range… View this post
    Filed in: Live SoundRecordingNewsPollInterconnectProcessorSound ReinforcementStudioAudio

  • Monday, June 25, 2012
    recording
    Joe Gilder 06/25/12 10:27 AM,
    This article is provided by Home Studio Corner.   It’s been said that the low end of your mix is “what separates the men from the boys.” But it can be really hard to get right, right? Every mix poses its own unique challenges, and I never mix two songs the same way. However, here are six tips for getting a handle on the low end in your mix. Some of these may seem odd or strange. Give ‘em a… View this post
    Filed in: RecordingFeatureBlogDigital Audio WorkstationsEngineerMixerProcessorStudio