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All Processor Posts

  • Monday, July 18, 2016
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    PSW Staff 07/18/16 12:25 PM,
    One of the most commonly asked questions in audio is “What microphone can I use that doesn’t cause feedback?” The answer: no such microphone exists. Feedback results from a combination of many factors, including loudspeaker placement, microphone placement, and the frequency response of both devices and room acoustics. It’s a complicated process. Entire books have been written on the subject and the mathematical formulas that model feedback are quite involved. So let’s summarize the problem. What is it? Feedback is… View this post
    Filed in: Church SoundFeatureStudy HallMicrophoneMonitoringProcessorSignalSound Reinforcement

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    PSW Staff 07/18/16 11:18 AM,
    Jim Ebdon has been the front of house engineer for Maroon 5 since the early stages of the band’s rise in the global pop-rock scene. The most recent tour of US and Europe finishes in July before a new round starts in Texas in September. Accompanying Ebdon throughout this is his new choice of console - the Solid State Logic L500 Plus. On hearing a direct comparison between the L500 and other consoles at a festival, Ebdon was inspired to… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerProcessorSound Reinforcement

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    PSW Staff 07/18/16 07:55 AM,
    PreSonus has released the Convology Vintage Reverbs Add-ons library for Studio One 3, the latest in a series of Add-on products that enhance PreSonus’ DAW. Formatted to work with Studio One 3 Professional’s Open AIR convolution reverb, these 36 reverb effects have been meticulously modeled from many hard-to-find plate reverbs, spring reverbs, and digital reverb processors. The Vintage Reverbs library combines three collections, which are also available individually: Vintage Digital Reverbs, Vintage Plate Reverbs, and Vintage Spring Reverbs. All sounds… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftware

  • Friday, July 15, 2016
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    David Glenn 07/15/16 10:36 AM,
    This article is provided by the Pro Audio Files.   Today we’ve got a pair of overhead mics we’re going to talk about. They have come to me high passed, low cut, no lows at all. Super compressed and we’re going to look at the before and then we’re going to look at the after soloed and then in context with the drum kit, and then we’re going to talk about why you might want either of those options in… View this post
    Filed in: RecordingFeatureVideoStudy HallDigitalDigital Audio WorkstationsProcessorSoftware

  • Thursday, July 14, 2016
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    PSW Staff 07/14/16 01:24 PM,
    In response to market demand for built-in signal attenuation, API announces the new 512v microphone preamp. Incorporating every feature of the 512c, including API’s proprietary transformers and 2520 op amp, the new 512v also includes a variable output level control designed to meet the needs of audio professionals using DAW’s or other input level-sensitive devices in their workflow. The 512v offers 65 dB of gain as a mic preamp, 45 dB of gain as a line/instrument preamp, and a 20… View this post
    Filed in: RecordingNewsProductAnalogProcessorStudio

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    PSW Staff 07/14/16 10:34 AM,
    Neyrinck’s V-Control Pro 2 system for controlling DAWs from tablets, smartphones and laptop browsers now includes a Dolby Atmos pan screen in V-Panner, and iOS versions of the V-Console app, for controlling the Dolby Atmos plugin in Pro Tools. When using an iPad, V-Panner and V-Console can connect directly to the computer, without WiFi, using the Apple lightning to USB, or 30-pin to USB, cables which provides ultra-fast response and compatibility with secure facilities. The Dolby Atmos plugin is used… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

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    PSW Staff 07/14/16 07:31 AM,
    When you make a change to a touring audio rig that is seen by some as a compromise but will mean less space and weight on the truck—and it actually improves the overall audio quality—that’s a good day for an audio engineer. That is exactly what James Shaw has found on his current Rat Sound-reinforced tour with Ben Harper & The Innocent Criminals connecting a pair of DiGiCo consoles while sharing mic pres and using the manufacturer’s Gain Tracking feature.… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalInterconnectMonitoringNetworkingProcessorSound ReinforcementStage

  • Wednesday, July 13, 2016
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    PSW Staff 07/13/16 11:42 AM,
    Synthax, the Americas distributor for RME, introduces the new RME Fireface UFX+ Interface with Thunderbolt and USB 3 connectivity—the company’s new flagship audio production tool. With the inclusion of DURec (Direct USB Recording), and RME’s low latency hardware and driver designs, the Fireface UFX+ is packed with features not found on its older sibling, including MADI I/O (now with 188 channels of I/O), a more powerful DSP, USB 3.0, Thunderbolt technology, and a new optional remote control. The Fireface UFX+… View this post
    Filed in: RecordingNewsProductDigitalManufacturerProcessorStudio

  • Tuesday, July 12, 2016
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    PSW Staff 07/12/16 12:38 PM,
    Point Source Audio (PSA) announces that its SERIES8 lavaliers will be on center stage of visual artist and Emmy winner Jennifer Wen Ma’s Chinese opera Paradise Interrupted set to open at the Lincoln Center Festival, July 13, 2016. In a dream, a woman meets her lover and searches for an unattainable ideal as a vast garden grows from an empty stage, only to disappear as her dream ends. This highly ambitious East meets West opera requires the central character—the talented… View this post
    Filed in: Live SoundNewsMicrophoneProcessorSoftwareSound ReinforcementStageWireless

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    Joe Gilder 07/12/16 11:50 AM,
    This article is provided by Home Studio Corner.   As I was telling one of the members of Mix With Us, I learn something new every time I mix a song… and I imagine that will always be the case. Mixing is such a wild task. It’s exciting, tedious, invigorating, and depressing… all at the same time. But there’s nothing like those final stages of a mix, when everything is finally coming together. One of the biggest hurdles you’ll run… View this post
    Filed in: RecordingFeatureProductionAudioConsolesProcessorSignal



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