Sign up for ProSoundWeb newsletters
Subscribe today!

All Processor Posts

  • Wednesday, January 04, 2017
    al schmitt
    Bobby Owsinski 01/04/17 04:56 PM,
    This article is provided by Bobby Owsinski.   After 18 Grammys for Best Engineering (more than any other engineer) and work on over 150 gold and platinum records, Al Schmitt needs no introduction to anyone even remotely familiar with the recording industry. Indeed, his credit list is way too long to print here (but Henry Mancini, Steely Dan, George Benson, Toto, Natalie Cole, Quincy Jones, and Diana Krall are some of them), but suffice it to say that Al’s name… View this post
    Filed in: RecordingFeatureBlogStudy HallEngineerMicrophoneProcessorStage

  • Tuesday, January 03, 2017
    image
    PSW Staff 01/03/17 08:31 AM,
    RCF announces the new E Series of analog mixing desks with specifically designed mix preamps, dynamic compressors, semi-parametric four-band EQ, stereo USB port for recording or playback, USB power port to feed external devices, foot switch input to control effects, long-throw faders and onboard Z.Core DSP effects. “In terms of analog, these mixers are top of the range, and their high quality effects are designed to be the best in this class,” states director of RCF’s Digital Audio Division Umberto… View this post
    Filed in: AVNewsProductAnalogAVConsolesMixerProcessorSound Reinforcement

  • Wednesday, December 21, 2016
    image
    PSW Staff 12/21/16 11:11 AM,
    Antelope Audio announces several new hardware-based FPGA FX models for its interfaces for the second time in as many months. This new update furthers the collaboration between Antelope and BAE Audio, with two new EQ models based on their 1023 and 1084 equalizers. Four additional equalizers round out update, which is already available as a free download for users of the Orion Studio, and will be available for Zen Tour, Goliath, and Orion32+ users later this month. Antelope’s interfaces now… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • image
    Bruce A. Miller 12/21/16 07:39 AM,
    This article is provided by BAMaudioschool.com.   Once upon a time I was doing the typical thing of going with what I was told worked or what I watched the engineers I had assisted do.  Specifically, I was recording piano with a pair of matching microphones in an XY pattern around the hammers. I knew about many approaches (another mic at the far end of the piano and then pan that mic over to the bass side of the stereo… View this post
    Filed in: RecordingFeatureBlogStudy HallEngineerMicrophoneMixerProcessorSignalStudio

  • Tuesday, December 20, 2016
    image
    PSW Staff 12/20/16 11:59 AM,
    Synthax, the Americas distributor for Ferrofish, announces the introduction of the Ferrofish A32 AD / DA converter with support for Dante audio networking. Designed to streamline system cabling in both live and installed sound applications, the A32 Dante supports a wide range of audio formats. By utilizing uncompressed, multi-channel digital media networking technology with low latency and synchronization, the A32 Dante is designed to eliminate the unsightly and often trouble prone mass of cables utilized in large scale productions or… View this post
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsEthernetInterconnectNetworkingProcessor

  • Wednesday, December 14, 2016
    image
    PSW Staff 12/14/16 09:34 AM,
    The vision of Tegeler Audio Manufaktur founder Michael Krusch has become a reality: The Schwerkraftmaschine is here. Built on an analog tube signal path and remote-controllable by plugin, this compressor allows both classic and completely new compression combinations. “At Tegeler Audio Manufaktur, we design our products first and foremost with sound and musicality in mind,” says Michael Krusch. “The Schwerkraftmaschine makes the difference between ‘well mixed’ and ‘sounds perfect’.” For the Schwerkraftmaschine, the German manufacturer went with the analog tube… View this post
    Filed in: RecordingNewsProductAnalogProcessorStudio

  • recording
    Bobby Owsinski 12/14/16 07:46 AM,
    This article is provided by Bobby Owsinski.   Ever wonder why there are so many different compressors and why they all sound different? That’s because back in the analog days there were a number of different ways to achieve compression depending upon the type of electronic building block that you used. Here’s a brief excerpt from The Mixing Engineer’s Handbook that covers the four families of compressors that we generally use today. In the days of analog hardware compressors, there… View this post
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsProcessorSoftwareStudio

  • Tuesday, December 13, 2016
    image
    Dennis A. Bohn 12/13/16 01:03 PM,
    This article is provided by Rane Corporation.   Objectively comparing pro audio signal processing products is often impossible. Missing on too many data sheets are the conditions used to obtain the published data. Audio specifications come with conditions. Tests are not performed in a vacuum with random parameters. They are conducted using rigorous procedures and the conditions must be stated along with the test results. To understand the conditions, you must first understand the tests. This article introduces the classic… View this post
    Filed in: AVFeatureBlogStudy HallAVMeasurementProcessorSignalSound Reinforcement

  • Monday, December 12, 2016
    image
    PSW Staff 12/12/16 12:56 PM,
    Audified announces the availability of U78 Saturator — saturation effects plugin. Utilizing models of the analog circuitry central to the U73b, the vintage German broadcast compressor/limiter, and offering tube saturation circuitry with high-pass and low-pass filters and a unique tone filter. Boris Carloff, a Czech Republic producer who just so happens to ‘moonlight’ as a product designer for Audified, says: “I was always crazy about the sound of the U73b. I like this unit — great saturation, but there are… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • Friday, December 09, 2016
    image
    PSW Staff 12/09/16 10:20 AM,
    Nomad Factory plugins, developed by Plugivery, announces the release of their new product… Garbage LSD (Lethal Sound Designer), a damaging audio transformer plugin that can mess-up any politically correct audio signal. Garbage LSD is a mind bending audio transformation plugin with user adjustable signal chain and dual modulation matrix. It provides a series of lethal modules to manipulate, distort, destroy and transform your sounds with radioactive modulation, junk EQs, warping convolutions and scummy filtering to name a few. Using the… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio



Audio Central