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All Processor Posts

  • Wednesday, September 28, 2016
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    PSW Staff 09/28/16 06:51 AM,
    Back in 2012, Ultra Worldwide, producers of the Ultra Music Festival in Miami, launched a new event concept appropriately named ‘Road to Ultra’. The journey unfolded through Thailand, Korea, Japan, Taiwan, Colombia, Paraguay and Chile. The most recent addition to the portfolio—the Hong Kong edition, scheduled to take place in the noise sensitive new urban development area of West Kowloon Cultural District’s Nursery Park—was supported by MLA arrays from Martin Audio. The electronic music extravaganza set out to unite fellow… View this post
    Filed in: Live SoundNewsConcertLine ArrayLoudspeakerMeasurementProcessorSoftwareSound ReinforcementSubwoofer

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    Jon Tidey 09/28/16 06:25 AM,
    This article is provided by Audio Geek Zine.   Tracking guitar can be extremely tricky even under the most perfect of circumstances. And not every session is ideal. In reality, they’re often far from it. So here are a few tips to keep in mind when you’re tackling that next guitar session. 1) Guitar Selection Every brand and style of guitar has a different sound—Yamaha versus Martin, a full size Dreadnought or a smaller Parlor style. They all sound different,… View this post
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsEngineerProcessorStudio

  • Tuesday, September 27, 2016
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    PSW Staff 09/27/16 03:14 PM,
    MOTU is now shipping the UltraLite-mk4, a half-rack 18-input, 22-output audio interface with DSP mixing, new optimized low-latency drivers and wireless control for mobile audio recording and mixing. The latest in MOTU’s UltraLite series, the UltraLite-mk4 provides a total of 40 simultaneous I/O channels, including two front-panel XLR/TRS combo-style mic/guitar inputs with preamps, 6 x 10 balanced quarter-inch analog I/O, 8-channel ADAT optical (switchable to stereo TOSLink), stereo RCA S/PDIF I/O and MIDI in/out jacks, all housed in a compact,… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsInterconnectProcessorStudio

  • Monday, September 26, 2016
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    PSW Staff 09/26/16 11:49 AM,
    One of the flagship venues in the heyday of Nashville’s Printer’s Alley district was Skull’s Rainbow Room, shuttered a few months after owner David “Skull” Schulman was tragically killed there in an attempted robbery in 1998, exactly 50 years after it first opened. Now, “Skull’s” is back, reopened by local restaurateurs who salvaged the venue’s original stage and other architectural treasures and are bringing it into the 21st century with a sound system from Bose Professional that leverages RoomMatch and… View this post
    Filed in: AVNewsAmplifierAVInstallationLoudspeakerProcessorSound ReinforcementSubwooferSystem

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    PSW Staff 09/26/16 07:03 AM,
    Coast Mastering‘s Piper Payne was mentored by pros like Bob Katz, Thor Legvold, and Michael Romanowski, Payne has earned a notable reputation for superb ears, supported by her deep experience in many musical genres. She works in a precision acoustical environment, with a meticulously selected signal chain of exotic audio gear including products from Manley Labs. “With mastering, you cannot skimp on quality,” Payne insists. “You don’t get into this business to get rich; we’re in it to make quality… View this post
    Filed in: RecordingNewsAnalogEngineerProcessorStudio

  • Friday, September 23, 2016
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    PSW Staff 09/23/16 08:01 AM,
    The Kerwax Replica analog tube processor has been designed at Kerwax Recording Studio, a residential facility located in Brittany, France. The Kerwax Replica is developed by Recording The Masters factory to distribute it as a worldwide product. Its unique design features easy change and combination of tubes, to sculpt and color the sound artistically, with either vintage or modern tubes. The controls interact with each other to create a wide variety of tube harmonic distortion characteristics. The Kerwax Replica is… View this post
    Filed in: RecordingNewsProductAnalogProcessorStudio

  • Thursday, September 22, 2016
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    Daniel Keller 09/22/16 10:59 AM,
    Courtesy of Universal Audio.   When it comes to discussing the fine art of mixing music, I tend to approach the subject with some trepidation. After all, compared to many of the topics I’ve written about, this one is rife with subjectivity — one person’s idea of a great sounding mix may be another’s sonic nightmare. And what works for one genre of music will be decidedly wrong for another. But all those variables aside, there are at least a… View this post
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsEngineerMeasurementMicrophoneMixerMonitoringProcessorSignalStudio

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    PSW Staff 09/22/16 08:35 AM,
    Celemony, Presonus and Synchro Arts have been working together on a new version of VocALign that is now available with ARA integration in Studio One Professional. VocALign provides time-saving benefits when tightening double-tracked vocals and backing harmonies, aligning instrument tracks or sound effects, and syncing ADR or foreign language dubbing. ARA (Audio Random Access) is a pioneering extension for audio plugin interfaces. Co-developed by Celemony and PreSonus. ARA technology enhances the communication between plugin and DAW, and gives the plugin… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • Wednesday, September 21, 2016
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    PSW Staff 09/21/16 10:47 AM,
    Mackie announces the immediate availability of Master Fader v4.5, the control app for the DL32R, DL1608 and DL806 digital mixers. Now supporting the new Mackie AXIS Digital Mixing System, Master Fader v4.5 is packed with new features and enhancements including all-new reverbs, and a new advanced control section. “We’ve spent serious time and development on a completely new set of reverb algorithms that are a true sonic step up for any Master Fader user,” remarks Mackie senior product manager, Ben… View this post
    Filed in: AVNewsProductAVConsolesDigitalMixerProcessorSoftwareSound ReinforcementWireless

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    PSW Staff 09/21/16 07:25 AM,
    Synthax (AES booth 1007), the Americas distributor for RME, will showcase the RME Fireface UFX+ audio production interface and the ADI-2 Pro AD/DA converter during the forthcoming AES Convention in Los Angeles, CA. The tradeshow runs September 29th through October 2nd at the Los Angeles Convention Center. Building upon the Fireface UFX interface, the new RME Fireface UFX+ offers features not found on its older sibling. These include MADI I/O (now with support for 188 channels), a more powerful DSP,… View this post
    Filed in: RecordingNewsProductDigitalInterconnectProcessorStudio



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