All Poll Posts

  • Tuesday, February 07, 2012
    l-acoustics
    PSW Staff 02/07/12 04:04 PM,
    Orange County’s 40-year-old Galaxy Theatre changed ownership back in August and has now undergone a significant metamorphosis into two separate live performance spaces: the intimate 350-capacity Constellation Room and much larger Observatory, which can accommodate an audience of over 1,000. One of the primary improvements made to the venue in the process was the installation of L-Acoustics KARAi line source arrays provided by Certified Provider Rat Sound Systems of Camarillo, California. Jon Reiser, along with business partner Courtney Michaelis and… View this post
    Filed in: AVLive SoundNewsPollInstallationLine ArraySound ReinforcementSubwoofer

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    PSW Staff 02/07/12 03:56 PM,
    Revolabs has announced that the company’s Windows-based HD Control Panel software has been enhanced to support the entire HD line of wireless microphone systems, bringing the monitoring and configuration tools found on the Executive HD to the HD Single/Dual Channel and the HD Venue systems. In addition, based upon customer feedback, Revolabs has created several new features for the HD line, including a DIP switch display, mute groups for Executive HD systems, and an expanded control system API. With the… View this post
    Filed in: AVLive SoundChurch SoundNewsPollProductMicrophoneSoftwareWireless

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    Jon Tidey 02/07/12 02:04 PM,
    This article is provided by Audio Geek Zine.   In this article I’ll explain how I use mid-side (MS) processing on stereo sources for practical or creative effects. Mid-Side? Two channels of audio can be combined in a way that gives us control over what is the same in each signal, the middle, and what is different, the sides. The middle is where the kick drum, snare, bass, vocals and a lot of other instruments are, the sides have any… View this post
    Filed in: RecordingFeaturePollProcessorStudio

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    PSW Staff 02/07/12 01:55 PM,
    The new Fishman Triple Play Wireless Guitar Controller combines guitar with any virtual instrument or hardware synthesizer to access a wide range of instruments, samples and sounds on stage to expand the depth and impact of live performances. Triple Play comes with a wireless controller, hexaphonic pickup, and wireless USB receiver. The controller and included software works with industry standard DAWs and vitual instruments and installs quickly on any electric guitar. The system can be easily removed from the guitar… View this post
    Filed in: Live SoundRecordingNewsPollProductInterconnectProcessorSignalStage

  • church sound
    Brian Gowing 02/07/12 12:53 PM,
    This article is provided by Gowing Associates.   I’m in the process of helping one of my churches transition from an analog mixer to a digital mixer. They were in need of more channels than their Allen & Heath 16-channel MixWiz with some outboard gear (front of house EQ, couple of compressors, effects unit) could provide. Based on the maximum number of channels that they anticipated needing over the next five years, I recommended the PreSonus StudioLive 24.4, one of… View this post
    Filed in: Church SoundFeaturePollAnalogConsolesDigitalEngineerSound ReinforcementTechnician

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    PSW Staff 02/07/12 12:36 PM,
    QSC Audio Products has announced the addition of two new members to its professional team, with the appointments of Joe Peavey to the position of product manager, software and Steve Spittle to the position of business development manager. Peavey will be working with the Q-Sys team to identify and define improvements and additions to Q-Sys software functionality as well as providing high-level technical support. He has a lengthy background in the installed sound market by his work with the family… View this post
    Filed in: AVLive SoundRecordingChurch SoundNewsPollAVAudioBusinessManufacturer

  • microphones
    PSW Staff 02/07/12 12:16 PM,
    Mojave Audio has introduced the new MA-101SP, a matched pair of MA-101fet cardioid condenser microphones for use in a range of stereo recording and live sound reinforcement tasks, with instruments such as drums and guitar amplifiers, as well as capturing room ambience and general stereo recording. Each MA-101fet in the matched pair provides warm, full-bodied reproductions of instruments without the shrillness and high frequency artifacts so often encountered with modern condenser microphones. The microphone’s warm FET circuitry and externally polarized… View this post
    Filed in: Live SoundRecordingChurch SoundNewsPollProductMicrophoneSound ReinforcementStudio

  • Monday, February 06, 2012
    meyer sound
    PSW Staff 02/06/12 05:27 PM,
    Meyer Sound has announced Miguel Lourtie as its new European technical services manager, where he will supervise the company’s technical support team in Europe and assume primary responsibility for sales support and design services in the region. “Customer support is paramount at Meyer Sound,” says John Monitto, Meyer Sound’s director of technical support worldwide. “Our customers expect an extremely high level of technical expertise and customer service. With his outstanding technical skills, customer rapport, experience in the field, and fluency… View this post
    Filed in: AVLive SoundChurch SoundNewsPollAVAudioBusinessLoudspeakerManufacturer

  • rcf
    Julie M. Clark 02/06/12 03:22 PM,
    The Philip Glass Ensemble, along with members of the New York Philharmonic Orchestra and the Collegiate Chorale symphonic choir, recently performed Glass’ powerful score for the 1982 landmark motion picture “Koyaanisqatsi: Life Out Of Balance” as the film screened at Avery Fisher Hall in Lincoln Center. The two exclusive live performances (and screenings), held on consecutive nights for sold-out audiences at the 2,738-seat home venue of the Philharmonic, presented some sound reinforcement challenges. The hall does not have a house… View this post
    Filed in: Live SoundFeaturePollConcertLine ArrayLoudspeakerSound Reinforcement

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    PSW Staff 02/06/12 03:09 PM,
    Radial Engineering has introduced the Shuttle, a new multi-function effects insert module for the 500 Series frame format and the Radial Workhorse. The Shuttle offers three insert loops: —Loop-1 is a front-panel insert that employs 1/4-inch TRS connectors for fully balanced connectivity—Insert-2 is an unbalanced insert that is also front panel mounted that easily interfaces to standard effects devices—Insert-3 is available on the Workhorse using the Omniport, which is wired following convention with tip-send, ring-return, making it ideal to interface… View this post
    Filed in: Live SoundRecordingNewsPollProductProcessorStudio