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All Mixer Posts

  • Friday, December 16, 2016
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    PSW Staff 12/16/16 10:52 AM,
    Peavey Electronics is sponsoring the 2nd annual 2016 Skratchpad DJ Youth Battle Saturday, December 17 at the Chai Bar located at 1019 Market Street in San Francisco. Participating age range for the competitors is 19 years old and younger featuring a special performance by L.A.’s very own Image From the Wood – the 2015 DMC World Supremacy Champion. The event will start at 3:30PM and go until 8PM. All ages are welcome. Peavey’s FX 2 16 mixer will be used… View this post
    Filed in: Live SoundNewsAVLoudspeakerManufacturerMixerSound ReinforcementStage

  • Tuesday, December 13, 2016
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    PSW Staff 12/13/16 12:00 PM,
    If you’ve visited or read about London, you’re probably familiar with Piccadilly Circus, a busy public square in London’s West End, in the City of Westminster. Located a short distance from the River Thames, it’s famous for its late nineteenth century fountain, neon advertising, and, well, for being famous. An even shorter distance from the Snohomish River, about 30 miles northeast of Seattle, the Piccadilly Circus English Pub and Steakhouse offers a taste of London, Pacific Northwest-style, with some audio… View this post
    Filed in: AVNewsAVDigitalInstallationLoudspeakerManufacturerMixerSoftwareSound ReinforcementWireless

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    Chris Huff 12/13/16 08:09 AM,
    This article is provided by Behind The Mixer.   The automobile wasn’t invented because someone wanted a new means of travel. It was because someone was tired of walking. The recording device wasn’t invented because someone wanted a technology that could capture sound. It was because someone was tired of taking notes in class.  Are these statements true? Oh, I’d guess there is a shred of truth in them somewhere. But what is true is that automation-through-technology can lead to… View this post
    Filed in: Church SoundFeatureBlogStudy HallConsolesDigitalEngineerMixerTechnician

  • Monday, December 12, 2016
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    PSW Staff 12/12/16 10:48 AM,
    The PreSonus FaderPort 8 mix production controller connects via USB 2.0 to provide precise tactile control over DAW’s mix and automation functions, including complete transport control. With 8 touch-sensitive, motorized, 100 mm faders and 57 buttons covering 78 different functions, users can zoom in on audio files for editing, adjust click-track tempo with a simple tap, modify plugin parameters, manage aux mixes—and, of course, control track levels with the touch of a finger. The unique session navigator provides access to… View this post
    Filed in: Live SoundNewsProductDigitalDigital Audio WorkstationsMixerStudio

  • Thursday, December 08, 2016
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    Duke DeJong 12/08/16 01:11 PM,
    This article is provided by CCI Solutions.   A while back, I got the rare opportunity to work with the youth band at our church. These guys have an incredible heart and passion to worship and have loads of raw talent which translates into a powerful time of worship. When they lead, as a worshipper I feel free and emboldened to praise God the way He created me too. When they lead, as a sound operator I have to work… View this post
    Filed in: Church SoundFeatureBlogStudy HallConsolesEngineerMixerProcessorSignalSound Reinforcement

  • Monday, December 05, 2016
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    Live Sound Staff 12/05/16 11:27 AM,
    There’s a lot going on with newer digital console/mixer technology platforms, with this roundup providing a snapshot of what’s happening. A New Direction For An Ever Evolving Group Reunited in 2009 after a five-year hiatus, Phish is still hard at it, delivering truly unique live shows marked by improvisation, extended jams, and the blending of musical genres that include progressive and psychedelic rock, folk, funk, blues, country, bluegrass and more. Band members Trey Anastasio (guitars, lead vocals), Mike Gordon (bass,… View this post
    Filed in: Live SoundFeatureAVBusinessConcertConsolesDigitalEngineerMixerSound ReinforcementStage

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    PSW Staff 12/05/16 08:38 AM,
    The AMX Enova DGX 100 Series, from Harman Professional Solutions, offers audio processing with true audio breakaway and DSP that includes input gain and compression, stereo to mono conversion, output volume and balance, audio sync delay; and a 10-band parametric EQ on every output. Enova DGX 100 Series features:—True Audio Breakaway from any input to any or all outputs, across all enclosure sizes 8 x 8 to 64 x 64—Additional local audio inputs and outputs - In addition to embedded… View this post
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsMixerSoftwareSound ReinforcementSystem

  • Friday, December 02, 2016
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    Mike Sessler 12/02/16 07:34 AM,
    This article is provided by ChurchTechArts.   For the novice sound engineer, it can be pretty intimidating to walk up to a large analog or digital console and try to figure out the routing of audio signals. It wouldn’t be so bad if the only place the sound had to go was to the main loudspeakers in the room. Occasionally that’s the case, but most of the time, we’re also sending different mixes to monitors for musicians; to lobby and… View this post
    Filed in: Church SoundFeatureBlogStudy HallConsolesMixerProcessorSound Reinforcement

  • Monday, November 28, 2016
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    PSW Staff 11/28/16 10:09 AM,
    Lawo announces a full set of new features for its mc2 series consoles, adding further functionality for live, theater and install sound applications. With software release 5.8 the consoles now feature Module ISO, which enables users to prevent certain settings from being loaded from snapshots, respectively create partial snapshots that only affect certain channels or modules. The update also provides RAVENNA AoIP integration for Neumann DMI-8 digital microphone interfaces. “We are seeing a significant demand from customers to use our… View this post
    Filed in: AVNewsProductAVConsolesDigitalMixerProcessorSoftwareSound Reinforcement

  • Wednesday, November 23, 2016
    church sound
    Chris Huff 11/23/16 07:25 AM,
    This article is provided by Behind The Mixer.   I created a frog. It wasn’t intentional. Naturally, I’m not talking about a real frog but just look at that photo to the left! You’ll never read a mixing book that says, “Make the snare’s EQ curve look like a frog in water.” If you do, immediately stop reading the book. Seriously, when it comes to snare mixing, the last place you want to be is behind the mixer. There are… View this post
    Filed in: Church SoundFeatureBlogStudy HallConsolesEngineerMicrophoneMixerProcessorSignalSound Reinforcement



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