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All Mixer Posts

  • Monday, June 13, 2016
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    Karl Winkler 06/13/16 06:30 AM,
    Being the online forum lurker that I sometimes am, there are times when I’m struck by a pattern or trend that was never clear before (for whatever reason). It happened just a while ago, and the context is relevant to what we do in our business of live sound. This particular discussion, on a music forum, was a thread about “the great tone we’ve spent years perfecting that is destroyed when it goes through a PA.” (You guessed it –… View this post
    Filed in: Live SoundFeatureBlogOpinionEngineerMixerSound ReinforcementStageTechnician

  • Friday, June 10, 2016
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    PSW Staff 06/10/16 07:43 AM,
    With an impressive résumé earned over the last thirty years, including three of The Twilight Saga films, Darren Brisker brings an unwavering dedication and focus to each of his projects. In order to capture and deliver the extraordinary audio he has become known for, Brisker relies on Sound Devices for his audio mixing and recording needs. Brisker was first introduced to Sound Devices when he purchased a 744T recorder, which remains in his kit to this day as a sound… View this post
    Filed in: AVNewsAVDigitalEngineerMixer

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    PSW Staff 06/10/16 07:24 AM,
    New PreSonus StudioLive AR USB hybrid mixers are musician’s mixers, packed with analog connections and digital tools. The series includes three models: the 18-channel StudioLive AR16 USB, 14-channel StudioLive AR12 USB, and 8-channel StudioLive AR8 USB. StudioLive AR USB mixers are equipped with a USB 2.0 audio interface that can capture all input channels, plus the main mix, to a Mac or Windows PC, with 24-bit, 96 kHz quality. As with all PreSonus mixers and interfaces, StudioLive AR USB mixers… View this post
    Filed in: AVNewsProductAVConsolesDigitalDigital Audio WorkstationsMixerProcessorSoftwareSound ReinforcementStage

  • Thursday, June 09, 2016
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    PSW Staff 06/09/16 06:22 AM,
    PreSonus has released two new StudioLive RML-series models that offer line-level inputs, in addition to the XLR mic inputs found in the RM series. Otherwise, the new RML-series and the RM-series mixers are identical, with the same recallable XMAX preamps and up to 96 kHz operation Designed for live-sound mixing and studio recording, StudioLive RML16AI and RML32AI mixers provide 32 internal channels and 25 buses, a 52x34 FireWire 800 recording interface, AVB Ethernet networking, and Fat Channel signal processing on… View this post
    Filed in: AVNewsProductAVDigitalMixerSoftwareSound Reinforcement

  • Wednesday, June 08, 2016
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    PSW Staff 06/08/16 11:20 AM,
    Ashly Audio (InfoComm booth #C9513) started out in pro audio manufacturing building reliable analog mixing consoles to meet the demands of the burgeoning live music industry. Now, over 40 years later, Ashly is returning to the market equipped with decades of experience building digital signal processors. The first product in the range is the Ashly digiMIX24, a versatile, compact 24-channel digital mixing console with professional inputs/outputs, integrated signal processing and effects, iPad Remote Control integration, user-friendly software, and intuitive mixing… View this post
    Filed in: AVNewsProductAVConsolesDigitalMixer

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    PSW Staff 06/08/16 10:32 AM,
    Compact and lightweight, new PreSonus AIR active loudspeakers provide extended low-end and natural high-frequency extension in an enclosure that will easily fit in the backseat of a small car. Backed by 1,200W (dynamic) of Class D/Class AB power and enhanced with easy-to-use digital tuning functions, AIR full-range loudspeakers are ideal for both mobile and installed sound. The series includes three full-range loudspeakers: The AIR10 is based on a 10-inch woofer, while the AIR12 has a 12-inch woofer and the AIR15… View this post
    Filed in: AVNewsProductAVLoudspeakerMixerMonitoringProcessorSound ReinforcementSubwoofer

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    PSW Staff 06/08/16 06:26 AM,
    At this year’s InfoComm Show in Las Vegas, Roland Pro A/V (booth C10536) is displaying its complete range of professional audio and video solutions that bridge the gap between audio and video tasks, providing integrators with a unique A/V infrastructure.  The Roland M-5000 and M-5000C Live Mixing Consoles are Roland’s first products based on the OHRCA platform, which stands for “Open High-Resolution Configurable Architecture,” and which provides 96kHz native processing platform for installed or touring audio system design. The M-5000… View this post
    Filed in: AVNewsProductProductionVideoAVConsolesDigitalManufacturerMixer

  • Tuesday, June 07, 2016
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    06/07/16 06:29 AM,
    An Allen & Heath Qu-32 compact digital mixer has been installed in the Karura Community Chapel in Nairobi, Kenya. Established in 1996, the Chapel has grown to an average audience size of approximately 1600 over its 20-year history, and needed to upgrade from the existing analog mixer to digital. Installed by Paxt’s Kenyan distributor, Sound Creations, the Qu-32 was selected for its sound quality, good FX engine, ability to have 32 channels on a single layer, simplicity, cost effectiveness, and… View this post
    Filed in: Church SoundNewsConsolesDigitalMixerSound Reinforcement

  • Monday, June 06, 2016
    prosoundweb
    Andy Coules 06/06/16 06:05 AM,
    In a continuation of my previous article (here), I’m taking a look at five more of the most common live mix mistakes I’ve encountered when attending gigs as an audience member and offering some potential solutions to these everyday issues. Excuse me while I kiss this guy. It still surprises me when I go to gigs where either the vocals can’t be heard or they’re so buried in the mix that it’s impossible to make out what they’re saying. The… View this post
    Filed in: Live SoundFeatureBlogStudy HallConcertConsolesEngineerInterconnectMixerProcessorSoftwareSound Reinforcement

  • Thursday, June 02, 2016
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    PSW Staff 06/02/16 12:13 PM,
    Avid has introduced Pro Tools | Dock, a portable surface offering a combination of touch and tactile control. Powered by the Avid MediaCentral platform, Pro Tools | Dock is based on the touchscreen workflows of Pro Tools | S6 and the hybrid touchscreen/hardware control of the Avid Artist | Control surface. It’s intended for users to navigate large projects quickly and access any track instantly on the iPad touchscreen, bringing it to the surface fader, knobs and switches. In addition,… View this post
    Filed in: Live SoundRecordingChurch SoundNewsProductConsolesDigital Audio WorkstationsMixerProcessorSoftwareStudio



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