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All Mixer Posts

  • Friday, February 05, 2016
    prosoundweb
    Al Keltz 02/05/16 10:55 AM,
    Election cycles are getting longer and longer, and more campaigns are on the road for extended periods of time while cable and Internet news outlets hunger for content to fill their 24-hour news formats. This has resulted in an increased demand to sound companies and AV rental houses for providing press conference feeds. If you don’t have at least one press mult in inventory and available, you may be missing out on increased revenue opportunities. A Menu For Feeding The… View this post
    Filed in: AVLive SoundFeatureBlogStudy HallAVInterconnectMixerSignalSound Reinforcement

  • Wednesday, February 03, 2016
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    PSW Staff 02/03/16 08:00 AM,
    Allen & Heath’s new dLive digital mixing system has been installed by Dutch regional TV and Radio station, RTV Drenthe. RTV Drenthe recently moved to a larger premises to house the company’s growing TV, radio and online news channels, and required a versatile new audio console to manage live music, pre-production and multi-tracking. Consulting pro audio and broadcast specialists, D.I.A Assen, the company selected the mid-sized S5000 Control Surface and DM48 MixRack. “RTV needed a console which could work as… View this post
    Filed in: AVNewsConsolesDigitalMixerNetworkingStudio

  • Tuesday, February 02, 2016
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    Barry Rudolph 02/02/16 12:44 PM,
    Rhythm section tracking is the most important recording session in the production cycle of a record. The recording engineer captures the feel and sound of the musicians as they interpret the song and support the artist’s performance. The rhythm track’s sound is a component of the production style and identifies the record’s musical genre. I liken the track to the foundation of a house: you can’t build very high on a weak base! Subsequent overdubbed sweetening is just “window dressing”… View this post
    Filed in: RecordingFeatureBlogStudy HallEngineerMicrophoneMixerProcessorSignalStudio

  • Monday, February 01, 2016
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    PSW Staff 02/01/16 08:03 AM,
    Ongoing issues with the sound system in the 2,300-seat gymnasium at Nashville’s Father Ryan High School were recently resolved with upgrades, including processing and amplification from Ashly Audio. Loyalty to the nearly century old Father Ryan school and its sports teams (flying under the banner of“The Irish”) is fierce, and the school raised funds to build a sizable field house a few years ago. Father Ryan had to rent a sound system for graduations and other large events, and it… View this post
    Filed in: AVNewsAmplifierAVDigitalInstallationLoudspeakerMixerProcessorSound ReinforcementSubwoofer

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    PSW Staff 02/01/16 06:56 AM,
    Bassist Paul “Pablo” Stennett is a winner of multiple Grammys with a long list of credits as a producer, composer, session player, and performer with such artists as Ziggy Marley, Willie Nelson, Raphael Saadiq, Chaka Chan, Diana King, Pink, and Jimmy Cliff. His reputation depends on top-quality sound, which is one reason Stennett is a devotee of Mackie‘s DL32R 32-channel rack-mount digital mixer. “I’ve always loved Mackie products, and my studio is based on Mackie gear,” Stennett begins. “Mackie’s sound… View this post
    Filed in: RecordingNewsAVConsolesDigitalDigital Audio WorkstationsEngineerManufacturerMixerSoftwareStudio

  • Friday, January 29, 2016
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    PSW Staff 01/29/16 08:58 AM,
    Allen & Heath’s new dLive mixing system appeared at London’s O2 arena recently, with King Charles supporting Mumford & Sons on their UK tour. King Charles front of house engineer Jon Lewis employed a dLive S3000 console with an A&H DM64 MixRack for front of house, with an Allen & Heath GLD Chrome mixer handling monitor duties. Powerful beyond its diminutive size, the 20 fader, 12-inch touch-screen equipped S3000 allows for up to 120 fader strips and fast workflow. With… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerMixerProcessorSound ReinforcementStage

  • church sound tape
    Mike Sokol 01/29/16 07:11 AM,
    Provided by Live Sound Advice.   Consider tape. It’s something used nearly every day, but usually not thought of until the empty roll mocks you. We’re not speaking about audio recording tape here (may it rest in peace), but rather different types of adhesive tapes that can help you conduct your services safer and easier. There are at least three kinds of tape that can and should be used in a church sound system: electrical tape, gaffers tape and console… View this post
    Filed in: Church SoundFeatureProductionAudioConsolesInterconnectMixerSound ReinforcementStage

  • Thursday, January 28, 2016
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    PSW Staff 01/28/16 11:29 AM,
    Allen & Heath has launched the dLive digital mixing system, providing flexible architecture, an FPGA processing core, an array of expansion, control and networking options, plus the intuitive Harmony user interface with gesture control, meaning dLive is geared to applications from rigorous touring and festivals to installation in live venues. dLive has a distributed system design with separate MixRack and Surface. The dLive processing brain is housed in the MixRack, available in three sizes – the DM32, DM48 and DM64,… View this post
    Filed in: AVNewsProductAnalogConsolesDigitalMixerNetworkingProcessorSoftwareSound Reinforcement

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    PSW Staff 01/28/16 09:43 AM,
    AV Matters, a full-service audio-visual production company located in Orlando, Florida, recently added an additional 13 new QSC TouchMix-16 compact digital mixers to its rental equipment inventory. The company’s services include pro audio, lighting, video, projection and staging rental for applications such as corporate conferences, sales meetings, business events, theater, social galas and charity benefits. “For us, TouchMix-16 is a great, versatile little piece of gear, and we just ordered 13 additional units, so we have a couple dozen now,”… View this post
    Filed in: AVNewsAVConsolesDigitalManufacturerMixerProcessorSound ReinforcementWireless

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    PSW Staff 01/28/16 08:41 AM,
    Founded in 1915, Emanuel Lutheran Church built its current campus on Santa Barbara’s Modoc Road in 1969. A member congregation of the Lutheran Church, Missouri Synod, the church holds worship services, bible studies and prayer groups and hosts several local ministries. Emanuel Lutheran’s audio system supports its blend of traditional liturgical elements with hymns and contemporary music. In a desire to improve audio quality and provide additional flexibility for its services, the church decided to upgrade its system in late… View this post
    Filed in: Church SoundNewsConsolesDigitalInstallationMixerSound Reinforcement



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