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  • Friday, December 13, 2013
    church sound
    PSW Staff 12/13/13 10:23 AM,
    Provided by Sweetwater.   Q: I was recruited to be on our church tech team, and I’m really glad I said yes. I really enjoy this whole audio thing, however, there’s so much I don’t understand, but I know it’s a learning process. Anyway, everybody tells me I should just ask questions, so I guess one thing that’s tripping me up is all this pre/post stuff. What’s the difference between a post-fader and a pre-fader aux send and in what… View this post
    Filed in: Church SoundFeatureBlogStudy HallConsolesEducationMixerSignalSystemTechnician

  • lexicon
    PSW Staff 12/13/13 10:10 AM,
    The Lexicon brand of Harman International has won a Technical GRAMMY Award, presented to individuals and companies that have made contributions of outstanding technical significance to the recording field. The National Academy of Recording Arts and Sciences (NARAS) recently announced the Special Merit Awards, with recipients determined by vote of The Academy’s Producers & Engineers Wing Advisory Council and Chapter Committees, as well as The Academy’s Trustees. This year’s Technical GRAMMY Award recognizes Lexicon’s contributions to the art and science… View this post
    Filed in: Live SoundRecordingNewsManufacturerProcessorStudio

  • qsc audio
    PSW Staff 12/13/13 09:56 AM,
    Camp Randall Stadium at the University of Wisconsin, the oldest stadium in the Big Ten Conference (1917), recently underwent a $1.4 million A/V system upgrade which includes the installation of a QSC Audio Q-Sys integrated system platform with redundant Core 4000 processors to provide processing, control and management of all audio at the 80,000-seat venue. The new Q-Sys system handles every aspect of game day audio, from the main PA and all general access and VIP area sound reinforcement to… View this post
    Filed in: AVLive SoundNewsAmplifierAVEthernetInstallationInterconnectLoudspeakerNetworkingProcessorRemoteSoftwareSound Reinforcement

  • Thursday, December 12, 2013
    image
    PSW Staff 12/12/13 02:20 PM,
    As 2013 comes to a close many people will find themselves taking stock of what the year held for them, and perhaps making resolutions to accomplish more of their goals. It’s safe to say, in looking back at the last several months, Grammy award winning producer/mixing engineer Andrew Scheps might be looking forward to taking it a little easy, but probably not. His time is in high demand. Grammy award winning producer/mixing engineer Andrew Scheps is a favorite of many… View this post
    Filed in: RecordingNewsBusinessProcessorStudio

  • image
    PSW Staff 12/12/13 02:16 PM,
    State-owned French radio and television broadcaster France Télévisions Publicité is one of the of the largest journalistic organizations in France, and as a member of the European Broadcasting Union (EBU) since 1950, one of the longest-standing. The station’s Paris studio recently installed a Renkus-Heinz loudspeaker system for its screening and presentation room.  Created by sound designer Terry Nelson of Switzerland-based Studio Equipment company, the new loudspeakers were installed by the studio’s technical director Christophe Scherrer and head of technology Toni… View this post
    Filed in: Live SoundNewsInstallationLoudspeakerSound Reinforcement

  • image
    PSW Staff 12/12/13 01:31 PM,
    In Seville, Spain, a Meyer Sound MICA line array loudspeaker system has been installed in the new auditorium at FIBES Conference and Exhibition Centre (Spanish: Palacio de Exposiciones y Congresos). With its seating flexibility and sonic excellence, the FIBES auditorium is a popular venue for international conferences, major concerts, and musical theatre productions. The audio system was specified by Carlos García-Diéguez Acuña of Seville-based GD Consulting. “We selected a Meyer Sound MICA solution based on its overall sound quality, high… View this post
    Filed in: Live SoundNewsInstallationLine ArrayLoudspeakerSound ReinforcementSubwoofer

  • image
    PSW Staff 12/12/13 01:25 PM,
    An API 1608 analog console will serve aspiring sound engineers at the Blackbird Academy recording school in Nashville, Tennessee. The school is based at the prestigious Blackbird Studio and will draw on their history, expertise, and industry connections to offer three educational curricula, totaling over 720 hours of horizon-expanding coursework. Class sizes will be small and will feature extensive hands-on lab time, including time in two of Blackbird’s eight recording studios, now reserved exclusively for educational use. The classroom space… View this post
    Filed in: RecordingNewsAnalogBusinessConsolesEducationStudio

  • image
    PSW Staff 12/12/13 01:08 PM,
    While there are sound principles behind decoupling monitor speakers from the surface on which they are sitting, not everyone has had an opportunity to experience the night-and-day difference in performance between near field monitors with and without isolation. “You really need to hear it,” says Ronan Chris Murphy, who independently reviewed the IsoAcoustics ISO-L8R155 adjustable acoustic isolation speaker stands for his web-based “Ronan’s Recording Show.” “The results were kind of mind-blowing,” reports Murphy in his recent 11-minute video review of… View this post
    Filed in: RecordingNewsBusinessStudio

  • image
    PSW Staff 12/12/13 12:40 PM,
    The Austin City Limits Music Festival is renowned for the high-caliber live performances that entertain 225,000 music fans each year in Austin, Texas. The popularity and size of the 2013 event resulted in an expansion of the program to two consecutive weekends, accommodating performances by over 150 acts on eight stages. Leading sound reinforcement companies LD Systems (Houston, TX), Big House Sound (Austin, TX), Crossroads Audio (Dallas, TX), Thunder Audio (Livonia, MI), and Miller Pro AVL (Austin, TX) all used… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalSound ReinforcementStage

  • image
    Nick Pellicciotto 12/12/13 12:00 PM,
    As a sound engineer working in the concert and corporate event markets, I’ve found it useful to identify my primary (most important) audience for every gig. Is it the band that hired me? The band manager? The promoter? The people buying tickets to the show? The people that own the venue? The sound company I’m working for? It can be tough to figure. The easy answer is you work for who pays you, but it can be a bit more… View this post
    Filed in: Live SoundFeaturePollProductionAudioConsolesEducationEngineerEthernetLine ArrayLoudspeakerMixerMonitoringSignalSound ReinforcementSystemTechnician



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