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  • Friday, May 06, 2016
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    Teri Hogan 05/06/16 11:47 AM,
    A concert sound system is, in reality, two completely separate sound systems, joined at the hip by a split snake. Each system requires a skilled engineer, but the skill-sets between the two differ vastly. The thing that baffles me is how ill regarded the position of monitor engineer is among my brethren. It can be easily argued and defended that the monitor engineer works twice as hard as everyone else on the crew, unless he/she is lucky enough to have… View this post
    Filed in: Live SoundFeatureBlogStudy HallConcertEngineerMonitoringSound ReinforcementStageTechnician

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    PSW Staff 05/06/16 11:02 AM,
    Waves Audio announces that Plugin Alliance will now be SoundGrid-compatible with the release of its 100% SoundGrid Bundle V1.0.  Waves SoundGrid technology networking and processing platform for real-time professional audio applications is ideal for studios, live sound, broadcast, post-production and more. Waves SoundGrid provides a low-latency environment for precision audio processing using standard computers, switches and servers. It integrates with analog and digital mixing consoles and provides a complete redundancy & recovery system. Together with a server, a Mac or… View this post
    Filed in: AVNewsProductAVDigitalProcessorSound Reinforcement

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    PSW Staff 05/06/16 10:46 AM,
    MULANN Group announces “Recording The Masters” a new brand and identity for its AUDIO professional activities. Creating a new visual identity for the audio products with a new logo reflects MULANN’s commitment to professional audio recording and strengthens its presence on the worldwide music, archive and instrumentation markets. “MULANN owns the original formulas of analog recording, some of which date back to 1950, created by AGFA and BASF. These magnetic formulas deliver a very high sensitivity and dynamic sound quality.… View this post
    Filed in: RecordingNewsProductAnalog

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    PSW Staff 05/06/16 09:07 AM,
    California-based PA company Rat Sound recently purchased an Allen & Heath dLive system, which was immediately put to work on a nationwide tour with Los Angeles based indie band, Edward Sharp and the Magnetic Zeros (ESMZ). Formed by band leader Alex Ebert in 2007, ESMZ plays a wide range of original music that draws from folk, rock, gospel, and psychedelic roots. Promoting the band’s newly released fourth album, ‘PersonA’, the tour is visiting venues ranging from smaller ‘underplay’ houses to… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalMonitoringProcessorSound ReinforcementStage

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    PSW Staff 05/06/16 08:44 AM,
    Sound Magic announces availability of its iQEnhancer Mobile Intelligent Microphone and Ultimate Enhancer Intelligent USB Microphone. Both be controlled by an Android or iOS app to improve their sound, making it much easier to achieve a desired result compared to time-consuming traditional microphone techniques. Both intelligent microphones can be controlled by Sound Magic’s HTML5 technology-based app — HTML5 being the fifth and current version of the HyperText Markup Language for structuring and presenting content on the web, while HTML5 WebAudio… View this post
    Filed in: RecordingNewsProductMicrophoneProcessorSoftwareStudio

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    PSW Staff 05/06/16 07:53 AM,
    Cadac is debuting CDC Console Software V3.01 in the UK at PLASA Focus, alongside the new CDC MC Optical Bridge and the CDC MC AES3 Stagebox. CDC Console Software V3.01 includes a range of new features and performance enhancements for the Cadac CDC six and CDC eight live sound production consoles; the outcome of Cadac’s on-going CDC development program, driven by customer feedback and our desire to exceed the expectations of a rapidly evolving live sound market. One of the… View this post
    Filed in: AVNewsProductAVConsolesDigitalInterconnectRemoteSignal

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    PSW Staff 05/06/16 06:33 AM,
    Soundcraft by Harman announces the availability of an upgrade to its Ui Series digital consoles with the release of a free firmware update, which adds several new features and extends browser and device compatibility. “These amazing remote-control mixers have led the way with respect to portable digital mixing,” said Danny Olesh, product manager, Harman Professional Solutions. “The revolutionary HTML5 control GUI, coupled with stunning on-board DSP from dbx, Digitech and Lexicon have made the Ui12 and Ui16 the mixers of… View this post
    Filed in: AVNewsProductAVDigitalMixerSoftwareSound Reinforcement

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    Barry Rudolph 05/06/16 06:13 AM,
    Many studios built in the 1970’s were designed not to have any acoustic influence on the recorded sound produced in them. This was accomplished by over-deadening walls, floors and ceilings so no sound waves (leakage) would reflect and add (or subtract) from the instrument’s original sound waves. Bass traps were purpose-built for controlling sound from electric bass amps, small isolated (and dead sounding) drum booths were mandatory and heavy gobos or baffles were used around all musicians separating them and… View this post
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsInstallationMeasurementSignalStudioSystem

  • Thursday, May 05, 2016
    audio education
    PSW Staff 05/05/16 03:36 PM,
    Live Sound Advice is offering a free instructional seminar, entitled The Art of Equalization, focusing on preventing feedback, improving intelligibility, and creating better music mixes. The event is slated for Wednesday, May 11, at the Williamsport Banquet Hall in Williamsport, MD, beginning at 6:30 pm. It will also be streamed live as a webinar. Find out more and register to attend and/or receive a link to the webinar here. The seminar will be led by veteran educator Mike Sokol, an… View this post
    Filed in: AVLive SoundChurch SoundNewsTrainingAVBusinessConsolesEducationEngineerLoudspeakerMixerSound ReinforcementTechnician

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    PSW Staff 05/05/16 03:14 PM,
    Focusrite announces the launch of the Red 4Pre, the pinnacle of Focusrite’s interface range. The 58-in/64-out Thunderbolt Red 4Pre interface combines four of Focusrite’s specially-developed digitally-controlled mic preamps, plus high-headroom instrument inputs, with dual Pro Tools HD DigiLink and Dante network audio connectivity. Featuring Focusrite’s most advanced low-noise conversion and design, the Red 4Pre interface is the balance of form and function, delivering the sound quality and versatility engineers and producers around the world expect from Focusrite. Four of Focusrite’s… View this post
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsEthernetNetworkingProcessor



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