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All Interconnect Posts

  • Tuesday, September 27, 2016
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    PSW Staff 09/27/16 03:14 PM,
    MOTU is now shipping the UltraLite-mk4, a half-rack 18-input, 22-output audio interface with DSP mixing, new optimized low-latency drivers and wireless control for mobile audio recording and mixing. The latest in MOTU’s UltraLite series, the UltraLite-mk4 provides a total of 40 simultaneous I/O channels, including two front-panel XLR/TRS combo-style mic/guitar inputs with preamps, 6 x 10 balanced quarter-inch analog I/O, 8-channel ADAT optical (switchable to stereo TOSLink), stereo RCA S/PDIF I/O and MIDI in/out jacks, all housed in a compact,… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsInterconnectProcessorStudio

  • Monday, September 26, 2016
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    PSW Staff 09/26/16 11:33 AM,
    TELEFUNKEN Elektroakustik is introducing four new direct boxes at AES, including mono and dual models of both active FET and passive designs. The TELEFUNKEN TDA-1 (mono) and TDA-2 (dual) are newly designed active FET direct boxes that employ discrete Class-A FET circuitry coupled with transformer that provides balance between high headroom performance and saturated tone. The TD-1 (mono) and TD-2 (dual) are new passive transformer direct box designs that combine quality components with a rugged construction to create a reliable… View this post
    Filed in: AVNewsProductAVInterconnectSound ReinforcementStageStudio

  • Wednesday, September 21, 2016
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    PSW Staff 09/21/16 07:25 AM,
    Synthax (AES booth 1007), the Americas distributor for RME, will showcase the RME Fireface UFX+ audio production interface and the ADI-2 Pro AD/DA converter during the forthcoming AES Convention in Los Angeles, CA. The tradeshow runs September 29th through October 2nd at the Los Angeles Convention Center. Building upon the Fireface UFX interface, the new RME Fireface UFX+ offers features not found on its older sibling. These include MADI I/O (now with support for 188 channels), a more powerful DSP,… View this post
    Filed in: RecordingNewsProductDigitalInterconnectProcessorStudio

  • Wednesday, September 14, 2016
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    Mike Sokol 09/14/16 06:57 AM,
    Provided by Live Sound Advice.   As more churches add video to their worship services, there’s an increasing need to send audio from the mixing console to the camera. But don’t be tempted to just link the XLR line-level output of your console to the XLR inputs on the camera(s), because bad things can happen (as I’ll detail here). And yes, there’s often need to feed the same audio to multiple cameras in different locations around the room. So how… View this post
    Filed in: AVFeatureStudy HallAVEngineerInterconnectStudio

  • Friday, September 09, 2016
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    PSW Staff 09/09/16 09:51 AM,
    Broadcast Devices (BDI) announces the releases a new product for the sound contractor and broadcast markets, the 8/16 Series passive audio switcher.  The 8/16 Series passive audio switcher is designed to fill the requirement of preventing single points of failure in analog and digital audio systems. This product can accept either 8 or 16 sets of (A/B) balanced pairs and route them to a common output. Two models are available: the 8/16-8 8 input and the 8/16-16 16 input version.… View this post
    Filed in: AVNewsProductAnalogAVDigitalInterconnectStudioSystem

  • Thursday, September 08, 2016
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    PSW Staff 09/08/16 07:19 AM,
    Artel Video Systems, a provider of IP- and fiber-based media transport solutions supporting global telecommunications, broadcast, and related markets, and Harman Professional Solutions’ Studer announce that Artel’s new InfinityLink broadcast media transport solution has been successfully deployed to transport Studer A-Link audio data streams across fiber infrastructures. The InfinityLink product line will make its debut at IBC2016 on Artel’s stand, 10.B20. Found in Studer’s Vista V and Vista X digital consoles, A-Link, utilizing Artel’s InfinityLink, now provides a flexible, cost-efficient,… View this post
    Filed in: AVNewsProductAVConsolesDigitalInterconnectNetworking

  • synaudcon
    PSW Staff 09/08/16 07:13 AM,
    SynAudCon Digital, an educational seminar providing a comprehensive introduction to digital audio, digital signal processing and IP networks, will be held in the Los Angeles area (Buena Park, CA) on September 26-28, 2016. The three-day seminar presents the essential theory of networks and provides students with the opportunity to put theory into practice. Hands-on exercises includes students learning how to build and troubleshoot computer networks. The theory and practices learned apply to all computer networks, not just one protocol. “It… View this post
    Filed in: AVLive SoundChurch SoundNewsTrainingAVBusinessDigitalEducationEthernetInterconnectNetworkingProcessor

  • Thursday, September 01, 2016
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    PSW Staff 09/01/16 09:25 AM,
    Focusrite will be hosting a fun and informative event on its RedNet line of products and Audinate’s Dante protocol on Thursday, September 15, 2016, 12:30-6:00 p.m., at Belmont University Mike Curb College of Entertainment and Music Business, Nashville, TN.  RedNet audio-over-IP products are based around Audinate’s Dante protocol with a suite of modular network audio interfaces. Audinate senior technical sales engineer Barnie Farkus will help lead a Dante training session. Following that, Ron Romano, Belmont University technology specialist, will demonstrate… View this post
    Filed in: AVNewsAVDigitalEducationEngineerEthernetInterconnectNetworkingProcessorSystem

  • Tuesday, August 30, 2016
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    PSW Staff 08/30/16 07:24 AM,
    Energy Transformation Systems has introduced the Rebalancer (PA819), a passive self-contained digital audio problem solver. If you have trouble with hum, buzz or a higher than normal noise floor, this could be due to twisted pairs which are unbalanced or even ‘”slightly” unbalanced. The Rebalancer (PA819) resolves many of these issues. A badly balanced input signal emerges from the other side as an improved, balanced signal, improved common mode rejection, lower noise and lower EMI/RFI. Many classic old devices (limiters,… View this post
    Filed in: AVNewsProductAnalogAVDigitalInterconnectSignalSound ReinforcementStageStudio

  • di boxes
    Peter Janis 08/30/16 06:36 AM,
    What type of direct (DI) box works best for bass guitar? The answer is easy: it depends. In fact, more than anything else, it depends on the type of bass that the DI is going to be used with. When it comes to signal flow, there are two types of bass guitars: passive and active. The first electric basses, i.e., the original Fender Precision, were passive, and in fact still are today. They employed magnetic pickups to generate the signal… View this post
    Filed in: Live SoundFeatureBlogStudy HallInterconnectSignalSound ReinforcementStage



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