Sign up for ProSoundWeb newsletters
Subscribe today!

All Posts

  • Monday, January 16, 2017
    image
    PSW Staff 01/16/17 08:59 AM,
    Bobby Owsinski‘s The Mixing Engineer‘s Handbook has been offered in thousands of university-level recording and media courses around the world for more than a decade. The book delineates the delicate art of mixing into discrete, easily understandable steps, showing musicians, songwriters, audio engineers, and producers exactly how to get great mixes. Published by BOMG Publishing and topping out at over 300 pages packed with insider tips and tricks, the completely revised and updated The Mixing Engineer’s Handbook 4th Edition provides… View this post
    Filed in: RecordingNewsProductBusinessEducationEngineerStudio

  • image
    PSW Staff 01/16/17 08:45 AM,
    LOUD Technologies (LOUD) has announced the appointment of Kelsea Robson to the position of sales director, US National Accounts. Robson comes to LOUD with a lengthy background in MI sales and retail operations, including more than eight years with Guitar Center, where she most recently held the position of director of Sales Administration and CAPEX Operations. She is a graduate of California Lutheran University and a lifelong musician. In her new position, Robson will oversee national accounts for LOUD’s Mackie… View this post
    Filed in: AVBusinessManufacturer

  • image
    Bobby Owsinski 01/16/17 08:19 AM,
    This article is provided by Bobby Owsinski.   Knowing the proper etiquette while recording is almost as important as doing your gig. If you make people uncomfortable or do something that’s considered out of place, chances are that you won’t be asked back. Let’s look at the way everyone expects you to act during the session with these 14 tips taken from The Studio Musician’s Handbook. Most of them apply to just about everyone on a session. 1. If there’s… View this post
    Filed in: RecordingFeatureBlogTrainingEducationEngineerStudio

  • Friday, January 13, 2017
    image
    PSW Staff 01/13/17 02:52 PM,
    Since he first appeared at the Marshland Festival in Lake Charles, Louisiana, Frank Foster has stuck with Deep South Productions (DSP) for all his touring technology, including the J-Series from d&b audiotechnik which was added about three years ago. “It’s where my business relationship with DSP’s owner Marvin Simon was cemented,” says Foster. “I’m into every aspect of my show, especially the sound, and I appreciate the difference I get from DSP, especially since Marvin bought that new German audio… View this post
    Filed in: Live SoundNewsAVBusinessConcertLine ArrayLoudspeakerSound ReinforcementStageSubwoofer

  • image
    Bill Whitlock 01/13/17 02:32 PM,
    “A cable is a source of potential trouble, connecting two other sources of potential trouble.” The humor in this statement may be lost on those who regularly assemble sound systems. But a reality of sound systems is that a signal accumulates noise as it flows through equipment and cables. And once noise contaminates a signal, it’s essentially impossible to remove it without altering or degrading the original signal. For this reason, no system can be quieter than its noisiest link.… View this post
    Filed in: AVFeatureBlogStudy HallAVDigitalInstallationInterconnectPowerSignalSound ReinforcementSystem

  • image
    PSW Staff 01/13/17 12:40 PM,
    Avid announces that sound designer Gareth Owen is using Avid’s flagship live sound mixing system, Avid VENUE | S6L to mix the Broadway musical theater production of A Bronx Tale at the Longacre Theater in New York. Powered by the MediaCentral Platform, the Avid VENUE | S6L provides the processing capabilities to create compelling musical theater experiences. Directed by two-time Academy Award winner Robert De Niro and four-time Tony Award winner Jerry Zaks, A Bronx Tale is based on the… View this post
    Filed in: Live SoundNewsConsolesDigitalSound ReinforcementStage

  • image
    PSW Staff 01/13/17 11:57 AM,
    QSC announces the release of firmware Version 1.1 for the TouchMix-30 Pro compact digital mixer. Topping the list of new features, Version 1.1 firmware enables the mixer to have direct download for upgrades. Once the TouchMix-30 Pro is updated to v1.1, it will thereafter be able to check for and download all future firmware updates. All that is needed is an internet connection and a USB memory device to store the download, and then the update may be installed from… View this post
    Filed in: AVNewsProductAVConsolesDigitalMixerSoftware

  • image
    PSW Staff 01/13/17 11:33 AM,
    Powersoft announces the appointment of Klas Dalbjorn as product manager. The former Lab Gruppen and Lake product research manager will strengthen the development team, headed by co-founder and R&D director, Claudio Lastrucci. His role will extend across the entire product portfolio. Speaking of his appointment, Dalbjorn says, ”After 24 years in the pro audio business I felt ready to embrace a new challenge. “For many years I have been impressed by the level of innovation and growth of Powersoft. I… View this post
    Filed in: AVNewsAVBusinessManufacturer

  • image
    PSW Staff 01/13/17 10:35 AM,
    Meyer Sound has announced the introduction of the Amie-Sub compact cinema subwoofer, a self-powered unit specifically designed as the ideal complement for the Amie precision studio monitor. Amie-Sub gives sound designers and sound editors working in smaller studios confidence that their LFE content will translate accurately into the final mix as well as into commercial exhibition and home theatre distribution. “For both artistic reasons and efficiency of workflow, it is critical that the early stages of film audio creation be… View this post
    Filed in: RecordingNewsProductLoudspeakerMonitoringStudio

  • image
    PSW Staff 01/13/17 09:55 AM,
    As they prepare for a busy 2017 touring schedule, Los Angeles based indie-rock band, Local Natives, is celebrating its successful 2016 USA and European concert series, with Allen & Heath’s dLive S Class digital mixing system managing monitor requirements. Promoting their third studio album, Sunlit Youth, the 16-week tour extensively covered venues across the USA and Europe. Monitor engineer, Laurence Eaves, provided the five-piece band with 12 separate in-ear and wedge mixes from 48 on-stage sources, using a dLive S5000… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerMonitoringSound ReinforcementStage



Audio Central