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All Digital Posts

  • Thursday, May 05, 2016
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    PSW Staff 05/05/16 03:14 PM,
    Focusrite announces the launch of the Red 4Pre, the pinnacle of Focusrite’s interface range. The 58-in/64-out Thunderbolt Red 4Pre interface combines four of Focusrite’s specially-developed digitally-controlled mic preamps, plus high-headroom instrument inputs, with dual Pro Tools HD DigiLink and Dante network audio connectivity. Featuring Focusrite’s most advanced low-noise conversion and design, the Red 4Pre interface is the balance of form and function, delivering the sound quality and versatility engineers and producers around the world expect from Focusrite. Four of Focusrite’s… View this post
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsEthernetNetworkingProcessor

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    PSW Staff 05/05/16 07:19 AM,
    Stage Tec announces the launch of the Platinum DSP, a new and powerful audio DSP unit for mixing consoles. It enables a maximally equipped console to handle up to 700 audio channels, sufficient for any surround production. Thanks to the large amount of audio processing capacity, it provides sufficient audio channels even when all 128 audio buses are in use. The processing power also allows for comfortable operation with a 96 kHz sampling rate. However, more channels and more available… View this post
    Filed in: AVNewsProductAVConsolesDigitalSoftware

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    PSW Staff 05/05/16 06:30 AM,
    As the six strongest teams of the HardMoves Fight Club met at Wuppertal’s magnificent Historische Schwimmoper indoor swimming center to compete in the international bouldering series’ SuperFinal, Riedel Communications supplied the real-time media network and intercom system that supported live links to other venues, as well as live streaming. During the event on March 5 in Riedel Communications’ hometown, the company provided a MediorNet fiber network, Artist digital matrix intercom system, Performer digital partyline intercom system, and STX-200 professional Skype… View this post
    Filed in: AVNewsAVDigitalManufacturerNetworkingSystem

  • Wednesday, May 04, 2016
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    PSW Staff 05/04/16 01:02 PM,
    PreSonus is now shipping the new Studio 192 Mobile USB 3.0 22 x 26 audio interface and studio command center. Studio 192 Mobile delivers the same low-latency monitoring, software integration, and studio command center functionality introduced in PreSonus’ Studio 192 audio interface but in a smaller form factor suitable for both mobile and studio use. The Studio 192 Mobile records at up to 192 kHz and combines 2 digitally controlled XMAX Class A, solid-state mic preamps and Burr-Brown converters with… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorStudio

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    PSW Staff 05/04/16 11:45 AM,
    KLANG:technologies, now distributed in the US by Group One Limited, announces the introduction of a new operating system, KOS V2.1, for its KLANG:fabrik and KLANG:vier. Immediately available for free download, the latest firmware brings a host of new features and improvements to the company’s 3D in-ear monitor mixing systems. “In addition to offering an increase of 50 percent more input channel processing capabilities, our new software supports snapshots and showfile exchange through KLANG:app, plus a new workflow for channel configuration… View this post
    Filed in: AVNewsProductAVDigitalMonitoringSoftwareSound ReinforcementStage

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    PSW Staff 05/04/16 10:18 AM,
    Universal Audio announces the release of UAD Software v8.6, featuring the Fender ’55 Tweed Deluxe — the first 100% UA-developed guitar amplifier plugin — exclusively for Apollo interfaces and UAD-2 hardware. One of Leo Fender’s first and finest amp designs, the Fender Deluxe was introduced in 1946. After various circuit tweaks, Fender eventually landed on the now historic “wide-panel” 5E3 Deluxe in 1955. This amplifier’s touch-sensitivity has a dynamic range from clean and sweet, to overdriven raunch that’s made it… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

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    PSW Staff 05/04/16 06:55 AM,
    A brace of Allen & Heath dLive digital mixing systems was recently employed for live stage performances and recordings at Gadget Show Live at Birmingham’s NEC. The company’s flagship dLive S7000 surface took care of front of house duties in conjunction with a DM48 MixRack, while an S3000 surface and Dante-enabled DM64 MixRack was in place for a full 64-channel multi-track live recording for TV broadcast on The Gadget Show on Channel 5. In addition, Allen & Heath’s compact GLD-80… View this post
    Filed in: Live SoundNewsAVConsolesDigitalMixerSound ReinforcementStageStudio

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    PSW Staff 05/04/16 06:30 AM,
    It might have been at the Consumer Electronics Show or the Detroit Auto show or any of dozens of other key trade events on the calendar every year, but there is a good chance that many have seen and heard AV systems supplied by Live Design Productions (LDP), a leading AV systems vendor to Fortune 500 technology companies and other clients. When they need to communicate a message at an event, it has to be clear and precise, and that’s… View this post
    Filed in: AVNewsAVDigitalMicrophoneSound ReinforcementWireless

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    PSW Staff 05/04/16 06:00 AM,
    It’s not often that an AV systems integrator finds that the audio component of a project presents more of a challenge than the video aspect, but that’s what Digital Resources (DRI) discovered when it recently entered into a multi-year master agreement with the City of Dallas to handle all of the municipality’s audio and video requirements at Dallas City Hall. Fortunately, DRI also had the Roland M-5000 OHRCA Live Mixing Console as the perfect solution. The city contracted DRI with… View this post
    Filed in: AVNewsAVConsolesDigitalEthernetInstallationInterconnectNetworkingSignalSystem

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    Mike Rivers 05/04/16 05:48 AM,
    This article is provided by PreSonus.   In May 2014, the VU meter celebrated its 75th birthday. It has served the industry well, and when properly interpreted, it’s still useful. However, today’s digital recording processes have caused us to take a hard look at the usefulness and inadequacy of both the traditional VU meter and its modern replacement, the LED level meter, as tools for signal-level management. The classic VU meter, though relatively rare today (primarily because of cost), has… View this post
    Filed in: RecordingFeatureBlogStudy HallAnalogDigitalDigital Audio WorkstationsEngineerMeasurementMonitoringSignalStudio



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