Sign up for ProSoundWeb newsletters
Subscribe today!

All Digital Posts

  • Friday, October 21, 2016
    PSW Staff 10/21/16 02:39 PM,
    Rick Wakeman, an English keyboard artist and songwriter best known as a member of the classic rock band “Yes” is currently touring with singer Jon Anderson and guitarist Trevor Rabinas the band “ARW.”  Wakeman’s stage rig includes eleven new and vintage keyboards along with four sound modules and an Allen & Heath Qu-32 digital mixer. A previous analog console provided fixed mixing, routing and basic DSP services. Now, Qu-32 “scenes” mix and route specific keyboards to the front of house… View this post
    Filed in: Live SoundNewsConsolesDigitalMixerSound ReinforcementStage

  • image
    PSW Staff 10/21/16 09:25 AM,
    When the 20th anniversary national tour of Jonathan Larson’s Tony Award- and Pulitzer Prize-winning musical, Rent, launched this fall, sound designer Keith Caggiano, turned to Masque Sound. The company provided a custom audio equipment package for the Broadway production. The show premiered Off-Broadway at New York Theatre Workshop on February 13, 1996 and transferred to Broadway on April 29, 1996, where it ran for 5,123 performances, making it the 11th longest-running show in Broadway history. Rent won the 1996 Tony… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalLine ArrayLoudspeakerMicrophoneProcessorSound ReinforcementStageSystemWireless

  • image
    PSW Staff 10/21/16 09:03 AM,
    For sending/receiving multiple signals with just one single cable, MADI is the solution. Up to 64 channels per cable, integrated clock synchronization, long-range electrical or optical transmission and more are now available with the MARIAN SERAPH M2. Based on a PCIe interface, a single SERAPH M2 sends and receives up to 256 channels either via 4 electrical BNC or 2 optical SC connectors. SyncBus also allows users to internally synchronize up to 4 SERPAH M2 in one computer. Using special… View this post
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsInstallationInterconnectSoftwareSound ReinforcementStage

  • image
    PSW Staff 10/21/16 08:06 AM,
    Emmy award-winning production sound mixer Phillip W. Palmer, CAS, began his career in Dallas, some 25 years ago. Some of his credits include the entire six-season run of the hit FOX television series, Glee (where he won the Primetime Emmy for Outstanding Sound Mixing), Better Call Saul, Battle Los Angeles, Star Trek, Entourage (TV Series) and the upcoming independent movie Wakefield, starring Bryan Cranston and Jennifer Garner. To deliver the sound that has become synonymous with his work, Palmer relies… View this post
    Filed in: AVNewsAVDigitalEngineerStudio

  • image
    PSW Staff 10/21/16 07:27 AM,
    Allen & Heath is celebrating global success with its flagship dLive digital mixing system, which has been specified by many engineers on international riders over its first season, culminating in over 150 touring PA rental companies investing in the product worldwide. “dLive has turned a lot of touring engineers’ heads with its smart, customizable workflows and stunning FX and DEEP processing plugins. The 96kHz sampling rate, plus dLive’s potential for expansion and integration make it a no-brainer,” explains Leon Phillips,… View this post
    Filed in: Live SoundNewsBusinessConcertConsolesDigitalEngineerMixerSound Reinforcement

  • image
    Joe Gilder 10/21/16 07:21 AM,
    This article is provided by Home Studio Corner.   Limitless audio. That’s the beauty of digital recording. I can record a lead vocal as many times as I want. I can have a guitarist come in and play a hundred different versions of a guitar solo. Then I can stay up until the wee hours of the morning, sifting through all the different takes to find the perfect one. That’s a good thing, right? Well, it can be. However, having… View this post
    Filed in: RecordingFeatureBlogStudy HallDigitalDigital Audio WorkstationsEngineerStudio

  • Thursday, October 20, 2016
    PSW Staff 10/20/16 09:21 AM,
    Sennheiser is expanding its SpeechLine digital wireless system with new products that further enhance its flexibility, including two fully wireless Tablestand units, a Qi-based wireless charging solution and a new network enabled charging unit.  “SpeechLine Digital Wireless was created by Sennheiser to be the first solution to meet the demand for a wireless microphones dedicated purely to speech. It offers easy installation and operation, a high level of reliability and future-proof technology to deliver supreme speech clarity,” said Kai Tossing,… View this post
    Filed in: AVNewsProductAVDigitalMicrophoneSound ReinforcementWireless

  • image
    PSW Staff 10/20/16 08:40 AM,
    As the winner of 11 Tony Awards, Hamilton—a musical about the life of American founding father Alexander Hamilton, with music, lyrics and the book by Lin-Manuel Miranda—has been a success. There’s a tremendous amount of talent and excitement in this show and, to ensure the best possible audio quality, interfaces from RME—distributed by Synthax.—are an integral part of the show’s production. Drummer Andres Forero and sound engineer Justin Rathbun are actively involved in the music performance and audio production for… View this post
    Filed in: Live SoundNewsDigitalInterconnectSound ReinforcementStage

  • image
    PSW Staff 10/20/16 07:35 AM,
    With a requirement for subtle audio reinforcement to complement the venue’s natural acoustic, Wolkenturm’s head of sound Andreas Dröscher turned to TiMax for the panoramic realism created by its source-oriented reinforcement (SOR) spatial amplification techniques. The architecturally futuristic Wolkenturm´s open-air stage is akin to a modern giant sculpture, nestled in the landscaped park of Austria´s 700-year old Grafenegg Castle. The modern stage, designed by architects ‘the next ENTERprise’, blends perfectly with the romance of its surroundings and, built in a… View this post
    Filed in: Live SoundNewsAVConcertDigitalInstallationProcessorSound Reinforcement

  • Wednesday, October 19, 2016
    PSW Staff 10/19/16 01:57 PM,
    Though producer, DJ, and multi-instrumentalist Zedd only began producing electronic music in 2009, his music quickly became a defining sound of contemporary electronic pop thanks to 2012’s “Clarity” and 2015’s “I Want You to Know.” Having long used Antelope Audio clocking and conversion in his work, Zedd and his engineer had no trouble deciding on the Orion Studio when they decamped their operation to Zedd’s home. Since the studio’s completion, Antelope Audio’s single-rack-space USB+Thunderbolt interface has delivered everything Zedd needs… View this post
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsStudio

Audio Central