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All Digital Audio Workstations Posts

  • Thursday, December 22, 2016
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    PSW Staff 12/22/16 12:38 PM,
    Chris Young and Cassadee Pope’s hit duet “Think of You” was recently nominated for a Grammy Award in the Best Country Duo/Group Performance. Credit must also be given to mix engineer Billy Decker, whose efforts have earned him eleven number one songs and sales of over 25 million RIAA-certified albums. Like every song Decker mixes, Metric Halo plugins featured prominently in “Think of You.” One entirely new trick that Decker employed on “Think of You” was to put Metric Halo… View this post
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsEngineerSoftwareStudio

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    PSW Staff 12/22/16 11:58 AM,
    Avid announces a new version of its fully cloud-enabled Pro Tools application. Powered by the MediaCentral Platform, Pro Tools 12.7 brings new music creation workflows, plus improvements for artists and audio professionals to connect and collaborate anywhere in the world via the cloud. Pro Tools 12.7—the seventh consecutive quarterly Pro Tools release since Avid introduced Avid All Access Plans and Cloud Subscriptions—delivers new features for music creation and collaboration. “With music creation tools being so accessible, there’s more independent talent… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsSoftwareStudio

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    PSW Staff 12/22/16 07:33 AM,
    The non-profit songwriting program Kid Pan Alley has again turned to products from Waves Audio for their digital tools. Paul Reisler, artistic director and founder of Kid Pan Alley, uses Waves Nx Virtual Mix Room over Headphones for recording and mixing on a tight schedule.  Kid Pan Alley’s mission is to inspire and empower children to work together to become creators of their own music and to rekindle creativity as a core value in education. With over 2,500 songs written… View this post
    Filed in: Live SoundNewsDigitalDigital Audio WorkstationsEngineerMonitoringSoftwareSound Reinforcement

  • Wednesday, December 21, 2016
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    PSW Staff 12/21/16 11:11 AM,
    Antelope Audio announces several new hardware-based FPGA FX models for its interfaces for the second time in as many months. This new update furthers the collaboration between Antelope and BAE Audio, with two new EQ models based on their 1023 and 1084 equalizers. Four additional equalizers round out update, which is already available as a free download for users of the Orion Studio, and will be available for Zen Tour, Goliath, and Orion32+ users later this month. Antelope’s interfaces now… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • Tuesday, December 20, 2016
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    PSW Staff 12/20/16 11:59 AM,
    Synthax, the Americas distributor for Ferrofish, announces the introduction of the Ferrofish A32 AD / DA converter with support for Dante audio networking. Designed to streamline system cabling in both live and installed sound applications, the A32 Dante supports a wide range of audio formats. By utilizing uncompressed, multi-channel digital media networking technology with low latency and synchronization, the A32 Dante is designed to eliminate the unsightly and often trouble prone mass of cables utilized in large scale productions or… View this post
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsEthernetInterconnectNetworkingProcessor

  • Friday, December 16, 2016
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    Adam Stamper 12/16/16 07:55 AM,
    Courtesy of Omega Studios.   I think everyone can agree that digital audio is here to stay.  Even those who frowned upon digital in its earlier days have now mostly accepted its reality and have come to welcome its benefits.  Digital has quickly become the driving force behind most of the latest advancements in the field of audio engineering today. It has changed the workflows, the budgets and the music itself.  As a younger engineer I am very much a… View this post
    Filed in: RecordingFeatureStudy HallAnalogDigitalDigital Audio WorkstationsEducationEngineerStudio

  • Wednesday, December 14, 2016
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    Bobby Owsinski 12/14/16 07:46 AM,
    This article is provided by Bobby Owsinski.   Ever wonder why there are so many different compressors and why they all sound different? That’s because back in the analog days there were a number of different ways to achieve compression depending upon the type of electronic building block that you used. Here’s a brief excerpt from The Mixing Engineer’s Handbook that covers the four families of compressors that we generally use today. In the days of analog hardware compressors, there… View this post
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsProcessorSoftwareStudio

  • Monday, December 12, 2016
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    PSW Staff 12/12/16 12:56 PM,
    Audified announces the availability of U78 Saturator — saturation effects plugin. Utilizing models of the analog circuitry central to the U73b, the vintage German broadcast compressor/limiter, and offering tube saturation circuitry with high-pass and low-pass filters and a unique tone filter. Boris Carloff, a Czech Republic producer who just so happens to ‘moonlight’ as a product designer for Audified, says: “I was always crazy about the sound of the U73b. I like this unit — great saturation, but there are… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

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    PSW Staff 12/12/16 10:48 AM,
    The PreSonus FaderPort 8 mix production controller connects via USB 2.0 to provide precise tactile control over DAW’s mix and automation functions, including complete transport control. With 8 touch-sensitive, motorized, 100 mm faders and 57 buttons covering 78 different functions, users can zoom in on audio files for editing, adjust click-track tempo with a simple tap, modify plugin parameters, manage aux mixes—and, of course, control track levels with the touch of a finger. The unique session navigator provides access to… View this post
    Filed in: Live SoundNewsProductDigitalDigital Audio WorkstationsMixerStudio

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    Joe Gilder 12/12/16 08:18 AM,
    This article is provided by Home Studio Corner.   “I’m not happy with my mixes.” That should become the anthem of home studio owners everywhere. (I’m thinking it would sound a lot like AC/DC’s “TNT.” Something like, “My MIX – ES SUCK … They really do.”) Anyway…it’s a real struggle. As with anything creative (and anything worth doing), mixing takes a mountain of effort to get really good at it. And it’s not like you work hard for four years… View this post
    Filed in: RecordingFeatureStudy HallDigitalDigital Audio WorkstationsEducationEngineerStudio



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