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All Digital Audio Workstations Posts

  • Monday, October 24, 2016
    PSW Staff 10/24/16 08:57 AM,
    Avid announces the availability of Sibelius | First 8, the “lite” version of Sibelius, offers flexible cloud subscription options as well as a host of time-saving features and software improvements. Available as a subscription or perpetual license, Sibelius | First 8 features many of the same composition tools and is built on the same foundation as the full, professional version. Powerful enough to produce detailed professional scores, yet simple enough for beginners, composing enthusiasts and musicians to use, the streamlined… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsSoftware

  • Friday, October 21, 2016
    PSW Staff 10/21/16 09:03 AM,
    For sending/receiving multiple signals with just one single cable, MADI is the solution. Up to 64 channels per cable, integrated clock synchronization, long-range electrical or optical transmission and more are now available with the MARIAN SERAPH M2. Based on a PCIe interface, a single SERAPH M2 sends and receives up to 256 channels either via 4 electrical BNC or 2 optical SC connectors. SyncBus also allows users to internally synchronize up to 4 SERPAH M2 in one computer. Using special… View this post
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsInstallationInterconnectSoftwareSound ReinforcementStage

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    Joe Gilder 10/21/16 07:21 AM,
    This article is provided by Home Studio Corner.   Limitless audio. That’s the beauty of digital recording. I can record a lead vocal as many times as I want. I can have a guitarist come in and play a hundred different versions of a guitar solo. Then I can stay up until the wee hours of the morning, sifting through all the different takes to find the perfect one. That’s a good thing, right? Well, it can be. However, having… View this post
    Filed in: RecordingFeatureBlogStudy HallDigitalDigital Audio WorkstationsEngineerStudio

  • Wednesday, October 19, 2016
    PSW Staff 10/19/16 01:57 PM,
    Though producer, DJ, and multi-instrumentalist Zedd only began producing electronic music in 2009, his music quickly became a defining sound of contemporary electronic pop thanks to 2012’s “Clarity” and 2015’s “I Want You to Know.” Having long used Antelope Audio clocking and conversion in his work, Zedd and his engineer had no trouble deciding on the Orion Studio when they decamped their operation to Zedd’s home. Since the studio’s completion, Antelope Audio’s single-rack-space USB+Thunderbolt interface has delivered everything Zedd needs… View this post
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsStudio

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    PSW Staff 10/19/16 09:09 AM,
    Apogee Electronics announces JAM 96k for Windows and Mac. JAM 96k is a professional 96kHz, 24-bit USB guitar input that makes it easy to connect your guitar directly to your Windows or Mac computer. With JAM 96k and your laptop, you can make studio-quality guitar recordings anywhere. JAM 96k is a digital converter and instrument preamp featuring Apogee’s PureDIGITAL technology. There are three models of JAM; The original JAM for iPad and Mac, JAM 96k for iPad and Mac and… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorStudio

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    PSW Staff 10/19/16 08:05 AM,
    Waves Audio is now shipping the Greg Wells ToneCentric plugin, part of the Greg Wells Signature Series. Created in collaboration with multiple Grammy-nominated producer, musician and mixing engineer Greg Wells (Adele, OneRepublic, Katy Perry, Twenty One Pilots), who has songs on over 85 million units sold, Greg Wells ToneCentric is a musical harmonic enhancer based on Wells’ favorite pieces of analog gear. It is designed to add rich analog tone to individual tracks or entire mixes, in the studio or… View this post
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsEngineerSoftwareStudio

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    Peter Novak 10/19/16 07:05 AM,
    Courtesy of Omega Studios.   Let me start off by saying that I am not a vocal producer. I am an engineer that has worked with tons of vocalists and producers. Given this, I have a good understanding of how to layer vocals. Unfortunately, there is no one idea that will work for vocals as a whole. With so many different styles and genres of music, my attempt is to spark ideas only. One thing I do know for certain,… View this post
    Filed in: RecordingFeatureBlogStudy HallDigitalDigital Audio WorkstationsEducationEngineerProcessorStudio

  • Tuesday, October 18, 2016
    PSW Staff 10/18/16 10:36 AM,
    Founded by digital media producer and director Niel Guilarte, Wildstyle Media Group specializes in creating digital content for film, TV, and more. In addition to serving as chief creative officer, Guilarte is also the host of All Things Post, a podcast for people working in audio post-production. When planning a recent trip to Puerto Rico to direct a documentary, Guilarte decided to field test TASCAM‘s MiNiSTUDIO Creator US-42 as an audio interface for mobile production and podcasting. “I’ve been using… View this post
    Filed in: AVNewsAVDigitalDigital Audio WorkstationsEngineerStudio

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    PSW Staff 10/18/16 07:47 AM,
    American Mobile, the remote production arm of the Chicago Recording Company (CRC), offers dedicated, on-site facilities to capture and mix artists for live broadcast. This year it has begun deploying the Focusrite RedNet Dante-networked audio converters and interfaces as the signal-transport backbone, giving these remote productions even greater operational and sonic capabilities. American Mobile dates back to 1992, when Chicago Recording Company general manager Chris Shepard purchased his first remote Pro Tools system to capture music beyond the walls of… View this post
    Filed in: RecordingNewsConcertDigitalDigital Audio WorkstationsEngineerInstallationNetworkingRemoteStudio

  • Monday, October 17, 2016
    Bobby Owsinski 10/17/16 06:49 AM,
    This article is provided by Bobby Owsinski.   One of the tougher things to decide when your doing a project is when the mix is finished. If you have a deadline, the decision is quickly made for you, but if you have a deep pocket budget or unlimited time, a mix can drag on forever. So when is a mix considered finished? Here are some guidelines, courtesy of The Mixing Engineer’s Handbook: 1) The groove of the song is solid.… View this post
    Filed in: RecordingFeatureBlogStudy HallConsolesDigital Audio WorkstationsEngineerMixerStudio

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