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All Consoles Posts

  • Monday, June 18, 2012
    church sound
    Mike Sessler 06/18/12 03:08 PM,
    This article is provided by ChurchTechArts.   Who’s in charge of a sound check? While the answer could be, “It depends,” I would say 97.6 percent of the time in church settings, the house mix engineer should be in charge. I’ll deal with the other 2.4 percent in a minute. It’s For the Engineer The main sound person should be in charge of sound check because he (or she) is the reason there is a sound check in the first… View this post
    Filed in: Church SoundFeatureBusinessConsolesEngineerSound ReinforcementTechnician

  • line 6
    PSW Staff 06/18/12 12:07 PM,
    The new Line 6 StageScape M20d provides a touchscreen visual mixing environment, offering digital processing on every channel, including multi-band feedback suppression, as well as multi-channel recording and remote control capabilities via one or more iPad devices. In Perform Mode, a graphic display of the stage setup uses icons to represent each performer or input. Color-coded encoders provide immediate access to level control. A single touch on a performer’s icon gives access to all parameters relating to that channel, from… View this post
    Filed in: AVLive SoundChurch SoundNewsProductAVConsolesMixerAudio

  • image
    PSW Staff 06/18/12 10:16 AM,
    Village East, the personal mix room of renowned multi-platinum/Grammy-winning engineer/producer Bob Bullock, recently came online showcasing the world-class performance of the Carl Tatz Design PhantomFocus System monitor tuning protocol, as well as a number of performance and design elements hand-picked by Tatz, including the Argosy Dual 15 DR 800 studio workstation. Bullock, who has engineered and mixed for artists such as Reba McEntire, George Strait, Travis Tritt, and Shania Twain, realized that with the caliber of his client work, he… View this post
    Filed in: RecordingNewsPollConsolesProcessorStudioAudio

  • midas
    PSW Staff 06/18/12 10:01 AM,
    InfoComm 2012 marked the U.S. debut of the Midas VeniceU, its latest “digi-log” ultra-compact mixing console offering USB connectivity. Available in three frame sizes, VeniceU joins the VeniceF in a growing range of live consoles which bridge the gap between analog and digital, offering the ease of use, warmth, feel and zero-latency qualities of analog audio combined with the power, choice and flexibility of outboard digital processing plug-ins. The VeniceU comes with Propellerhead Reason recording and processing trial software bundle.… View this post
    Filed in: AVLive SoundChurch SoundNewsProductAnalogAVConsolesDigitalMixerSound Reinforcement

  • Saturday, June 16, 2012
    PSW Staff 06/16/12 03:22 PM,
    Riedel Communications unveiled its new RockNet SI expansion card for digital Soundcraft SI consoles at the 2012 InfoComm show in Las Vegas. The RN.344.SI card fits into any Soundcraft SI Console’s expansion slot and gives access to 64 input and 64 output channels. A word clock output is available at the front panel. A rotary switch is provided for device identification and selection of up to 16 programmable routing tables. The RN.344.SI enables the respective Soundcraft product to become a… View this post
    Filed in: AVLive SoundNewsProductConsolesInterconnectNetworking

  • Thursday, June 14, 2012
    PSW Staff 06/14/12 09:36 AM,
    Integrated Smaart frequency analysis, new equalization and talkback features, and even more extensive iPad control are included in PreSonus’ free Universal Control 1.6 and StudioLive Remote 1.3 for iPad updates. “All current owners of our StudioLive 24.4.2, 16.4.2 and 16.02 can immediately use these enhancements,” noted PreSonus Executive Vice President of Product Development John Bastianelli. “It’s further proof of our commitment to providing complete problem-solving systems, not just hunks of hardware.” With Universal Control 1.6, Rational Acoustics’ Smaart real-time analysis… View this post
    Filed in: Live SoundNewsPollConsolesDigitalSoftwareWirelessAudio

  • Wednesday, June 13, 2012
    Mark Frink 06/13/12 09:01 AM,
    Welcome to doing monitor sound for a singer. There are many kinds of professional entertainers, songwriters and celebrities, but now you’re working for that breed of performing artist who sings quite well and requires a refined approach in order to do their best on stage. The Microphone If she is just starting out, microphone selection is something you could explore, but having used one particular microphone for vocals for her entire career, it’s simply a comfortable pair of shoes, its… View this post
    Filed in: Live SoundFeaturePollStudy HallConsolesEngineerMicrophoneMixerMonitoringSound ReinforcementStageAudio

  • Tuesday, June 12, 2012
    PSW Staff 06/12/12 04:34 AM,
    Join PreSonus for a very special live webcast, direct from the InfoComm Show in Las Vegas.   Tune in for Connecting Your Customers with StudioLive, a 30-minute presentation that will cover the broad range of advanced control and connectivity between PreSonus StudioLive consoles and laptop computers, iPads, iPhones, and iPod touches.   From iPad-based wireless mixer control with StudioLive-Remote and iPhone/iPod touch monitor control via QMixTM, to multitrack recording and production with Capture and Studio One Artist, PreSonus is the… View this post
    Filed in: AVLive SoundRecordingChurch SoundNewsPollConsolesDigitalEducationSoftwareSound ReinforcementAudio

  • Monday, June 11, 2012
    David Scheirman 06/11/12 11:33 PM,
    The 1983 US Festival, held last May at Glen Helen Regional Park in San Bernardino County, California, may not have drawn the largest outdoor festival crowd ever assembled, but those persons in attendance did witness one of the planet’s most massive outdoor concert sound systems ever pieced together. Staged over the Memorial Day weekend in a 54-acre bowl scraped out of a hillside in the Los Angeles-area public facility, the US Festival had an $18 million budget, which contained ample… View this post
    Filed in: Live SoundFeatureStudy HallAmplifierConcertConsolesLoudspeakerProcessorSound Reinforcement

  • image
    PSW Staff 06/11/12 01:13 PM,
    Union Transfer is Philadelphia’s newest midsize music space—a former Spaghetti Warehouse restaurant that’s been transformed into one of the city’s most dynamic live venues. Opening its doors in the fall of 2011, this general-admission hall comes complete with multiple bars, ample stage viewing angles, sky-high ceilings, a warehouse vibe, and a movable stage with expandable capacity and state-of-the-art lighting and sound. Tom George of Eighth Day Sound configured a flexible system for the venue that they could grow into—a DiGiCo… View this post
    Filed in: Live SoundNewsPollConsolesDigitalSound ReinforcementAudio