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All Consoles Posts

  • Wednesday, June 20, 2012
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    PSW Staff 06/20/12 06:15 AM,
    With a burgeoning music scene steeped in traditional Samba and increasing interest in rock, Brazilian pop and local folk music, the Brazilian recording industry took a giant leap forward with the installation of the first API Audio 1608 console in Brazil. Producer and recording/mixing engineer Zeca Leme recently installed a new 16-channel 1608 alongside API 500s, 525s, 550Bs and a 512c already in place at the newly opened Behind the Glass Recording Studio. Leme first encountered API while attending AES… View this post
    Filed in: RecordingNewsPollConsolesDigitalEngineerStudioAudio

  • Tuesday, June 19, 2012
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    PSW Staff 06/19/12 03:20 PM,
    Midas has launched the latest addition to its PRO Series of digital consoles, the Midas PRO1 live audio system, at InfoComm 2012 in Las Vegas, booth C12149. The PRO1 breaks new ground for Midas digital consoles in several areas. Sporting an all-new, lightweight aluminum frame, the PRO1 is the first stand-alone Midas digital console. Compatible with the complete range of Midas digital consoles, the PRO1 allows existing show files to be loaded and worked on straight away. It is easy… View this post
    Filed in: AVLive SoundChurch SoundNewsVideoProductAVConsolesDigitalSound Reinforcement

  • image
    PSW Staff 06/19/12 06:41 AM,
    When the Brigham Young University - Idaho Center was opened it was home to one of the largest production theatres in North America built for the primary purpose of supporting weekly student devotional services. The venue features 15,000 seats and a stage measuring 108-feet wide and 60-feet deep and a new sound system that delivers a warm, intimate sound experience to every member of the audience. Essential to the success of the space was the performance of the new center’s… View this post
    Filed in: Live SoundChurch SoundNewsPollConsolesInstallationLine ArraySound ReinforcementSubwooferAudio

  • Monday, June 18, 2012
    recording
    Matthew Weiss 06/18/12 04:27 PM,
    This article is provided by the Pro Audio Files.   If you’re reading this article you might already know that EDM stands for Electronic Dance Music. The styles range over a wide gamut of music, from House to Dubstep, Drum-n-Bass, and IDM (Intelligent Dance Music). While the specifics of each style are extremely diverse (even within different styles there are dozens of sub-styles) – certain attributes remain consistent. If you are just getting into EDM, or just want a fresh… View this post
    Filed in: RecordingFeatureConsolesDigital Audio WorkstationsEngineerProcessorStudio

  • church sound
    Mike Sessler 06/18/12 03:08 PM,
    This article is provided by ChurchTechArts.   Who’s in charge of a sound check? While the answer could be, “It depends,” I would say 97.6 percent of the time in church settings, the house mix engineer should be in charge. I’ll deal with the other 2.4 percent in a minute. It’s For the Engineer The main sound person should be in charge of sound check because he (or she) is the reason there is a sound check in the first… View this post
    Filed in: Church SoundFeatureBusinessConsolesEngineerSound ReinforcementTechnician

  • line 6
    PSW Staff 06/18/12 12:07 PM,
    The new Line 6 StageScape M20d provides a touchscreen visual mixing environment, offering digital processing on every channel, including multi-band feedback suppression, as well as multi-channel recording and remote control capabilities via one or more iPad devices. In Perform Mode, a graphic display of the stage setup uses icons to represent each performer or input. Color-coded encoders provide immediate access to level control. A single touch on a performer’s icon gives access to all parameters relating to that channel, from… View this post
    Filed in: AVLive SoundChurch SoundNewsProductAVConsolesMixerAudio

  • image
    PSW Staff 06/18/12 10:16 AM,
    Village East, the personal mix room of renowned multi-platinum/Grammy-winning engineer/producer Bob Bullock, recently came online showcasing the world-class performance of the Carl Tatz Design PhantomFocus System monitor tuning protocol, as well as a number of performance and design elements hand-picked by Tatz, including the Argosy Dual 15 DR 800 studio workstation. Bullock, who has engineered and mixed for artists such as Reba McEntire, George Strait, Travis Tritt, and Shania Twain, realized that with the caliber of his client work, he… View this post
    Filed in: RecordingNewsPollConsolesProcessorStudioAudio

  • midas
    PSW Staff 06/18/12 10:01 AM,
    InfoComm 2012 marked the U.S. debut of the Midas VeniceU, its latest “digi-log” ultra-compact mixing console offering USB connectivity. Available in three frame sizes, VeniceU joins the VeniceF in a growing range of live consoles which bridge the gap between analog and digital, offering the ease of use, warmth, feel and zero-latency qualities of analog audio combined with the power, choice and flexibility of outboard digital processing plug-ins. The VeniceU comes with Propellerhead Reason recording and processing trial software bundle.… View this post
    Filed in: AVLive SoundChurch SoundNewsProductAnalogAVConsolesDigitalMixerSound Reinforcement

  • Saturday, June 16, 2012
    riedel
    PSW Staff 06/16/12 03:22 PM,
    Riedel Communications unveiled its new RockNet SI expansion card for digital Soundcraft SI consoles at the 2012 InfoComm show in Las Vegas. The RN.344.SI card fits into any Soundcraft SI Console’s expansion slot and gives access to 64 input and 64 output channels. A word clock output is available at the front panel. A rotary switch is provided for device identification and selection of up to 16 programmable routing tables. The RN.344.SI enables the respective Soundcraft product to become a… View this post
    Filed in: AVLive SoundNewsProductConsolesInterconnectNetworking

  • Thursday, June 14, 2012
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    PSW Staff 06/14/12 09:36 AM,
    Integrated Smaart frequency analysis, new equalization and talkback features, and even more extensive iPad control are included in PreSonus’ free Universal Control 1.6 and StudioLive Remote 1.3 for iPad updates. “All current owners of our StudioLive 24.4.2, 16.4.2 and 16.02 can immediately use these enhancements,” noted PreSonus Executive Vice President of Product Development John Bastianelli. “It’s further proof of our commitment to providing complete problem-solving systems, not just hunks of hardware.” With Universal Control 1.6, Rational Acoustics’ Smaart real-time analysis… View this post
    Filed in: Live SoundNewsPollConsolesDigitalSoftwareWirelessAudio