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All Consoles Posts

  • Friday, January 13, 2017
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    PSW Staff 01/13/17 12:40 PM,
    Avid announces that sound designer Gareth Owen is using Avid’s flagship live sound mixing system, Avid VENUE | S6L to mix the Broadway musical theater production of A Bronx Tale at the Longacre Theater in New York. Powered by the MediaCentral Platform, the Avid VENUE | S6L provides the processing capabilities to create compelling musical theater experiences. Directed by two-time Academy Award winner Robert De Niro and four-time Tony Award winner Jerry Zaks, A Bronx Tale is based on the… View this post
    Filed in: Live SoundNewsConsolesDigitalSound ReinforcementStage

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    PSW Staff 01/13/17 11:57 AM,
    QSC announces the release of firmware Version 1.1 for the TouchMix-30 Pro compact digital mixer. Topping the list of new features, Version 1.1 firmware enables the mixer to have direct download for upgrades. Once the TouchMix-30 Pro is updated to v1.1, it will thereafter be able to check for and download all future firmware updates. All that is needed is an internet connection and a USB memory device to store the download, and then the update may be installed from… View this post
    Filed in: AVNewsProductAVConsolesDigitalMixerSoftware

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    PSW Staff 01/13/17 09:55 AM,
    As they prepare for a busy 2017 touring schedule, Los Angeles based indie-rock band, Local Natives, is celebrating its successful 2016 USA and European concert series, with Allen & Heath’s dLive S Class digital mixing system managing monitor requirements. Promoting their third studio album, Sunlit Youth, the 16-week tour extensively covered venues across the USA and Europe. Monitor engineer, Laurence Eaves, provided the five-piece band with 12 separate in-ear and wedge mixes from 48 on-stage sources, using a dLive S5000… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerMonitoringSound ReinforcementStage

  • prosoundweb
    Mike Sokol 01/13/17 06:34 AM,
    Many live mixes are not only too loud, but also sonically unbalanced. I got to thinking about this (again) when recently re-reading “How Loud Does It Need To Be?” by Peter Janis of Radial Engineering here on ProSoundWeb. Yes, I’m saying it right here: far too many live mixes are just plain bad. That is, too much bass, too many highs, and dynamics out of control. Add this to SPL in excess of 110 to 115 dB and it’s not… View this post
    Filed in: Live SoundFeatureBlogStudy HallConsolesEngineerMeasurementMixerSignalSound ReinforcementTechnician

  • Wednesday, January 11, 2017
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    PSW Staff 01/11/17 08:56 AM,
    Dutch PA company, Ampco Flashlight Rental, has employed the Allen & Heath dLive S Class digital mixing system from its hire stock for two major TV Production series, Holland’s Got Talent and Idols Holland. For both programs, the dLive system, comprising the flagship S7000 surface and DM64 MixRack, was running the complete front of house setup. This included all of the contestant live acts and vocalists, as well as the shows’ bands, which involved up to 40 channels. Commentary from… View this post
    Filed in: Live SoundNewsConsolesDigitalSound ReinforcementStageStudio

  • Tuesday, January 10, 2017
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    PSW Staff 01/10/17 11:09 AM,
    Now available and shipping worldwide, the Mackie AXIS digital mixing system delivers flexible solutions and intuitive workflow for professional production and system integration applications. With full Dante integration, the modular AXIS system combines the power of the 32-channel DL32RTM digital mixer with the DC16 control surface. “The Mackie AXIS system is an incredibly forward-thinking, professional digital mixing solution,” comments Ben Olswang, Mackie senior product manager. “The workflow is amazingly fast, with tremendous visual feedback and customization.” The combination of the… View this post
    Filed in: AVNewsProductAVConsolesDigitalMixerSound Reinforcement

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    PSW Staff 01/10/17 10:54 AM,
    A combined Allen & Heath dLive and ME system was used on the 20th anniversary tour of collaborative album ‘El Gusto es Nuestro’ by Spanish artists, Ana Belén, Joan Manuel Serrat, Miguel Ríos and Víctor Manuel. Supplied by PA company, Sorter Sound Professional, a dLive digital mixing system, comprising a S7000 surface with DM64 MixRack, and a set of 16 ME-1 personal mixers with a ME-U hub, managed the complex monitoring requirements of the 4 main artists and additional 14… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerSound Reinforcement

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    PSW Staff 01/10/17 08:06 AM,
    Four-time Grammy Award winning bassist, Stanley Clarke, is equally gifted as a recording artist, performer, conductor, arranger, producer, and film score composer. A true pioneer in jazz and jazz-fusion, Clarke is particularly known for his ferocious bass dexterity during his over 40+-year career. Out on tour recording promotional material for Clarke’s latest yet-to-be-named album which was mixed live during several dates this past December, front of house engineer, Travis Rogers, used a Yamaha CL1 digital audio console to mix and… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerMixerSound Reinforcement

  • Monday, January 09, 2017
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    PSW Staff 01/09/17 11:41 AM,
    Eight years after first opening its doors, JavaJam studio has taken delivery of an Audient ASP8024 Heritage Edition – the first of the new, enhanced, large format consoles from Audient to be installed in Benelux. Based in the small Burgundian town of Oudewater, owner Chris da Graça was already an Audient fan, having previously owned the more compact ASP4816 mixing desk.  “We were very happy with the ASP4816, but we needed the extra channels,” says da Graça, who was ably… View this post
    Filed in: RecordingNewsConsolesEngineerStudio

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    PSW Staff 01/09/17 08:40 AM,
    TV, film, and games composer Sean Murray’s musical scores have set the mood for video games like Call of Duty: Black Ops, Call of Duty: World at War, and Counterstrike: Global Offensive, as well as TV series like Buffy the Vampire Slayer and God, The Devil, and Bob. Murray has spent more than two decades cranking out countless hours of music, working largely from his studio in the Hollywood Hills. Central to his collection of instruments and gear is a… View this post
    Filed in: RecordingNewsConsolesDigitalEngineerLoudspeakerMonitoringStudio



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