Sign up for ProSoundWeb newsletters
Subscribe today!

All Consoles Posts

  • Friday, February 05, 2016
    image
    PSW Staff 02/05/16 11:42 AM,
    Brandon Darner has only one rule when producing: the music must speak to him, regardless of the genre. He also chooses API for that “conversation.” “I travel a lot for my work, but I also have a lot of materials sent to me—so I wanted to have a great console for when my partner and I are doing mixes.” One of the mixes Darner is referring to was Imagine Dragons’ first album Night Visions. “The 1608 was a fantastic solution… View this post
    Filed in: RecordingNewsAnalogConsolesEngineerStudio

  • Wednesday, February 03, 2016
    image
    PSW Staff 02/03/16 08:00 AM,
    Allen & Heath’s new dLive digital mixing system has been installed by Dutch regional TV and Radio station, RTV Drenthe. RTV Drenthe recently moved to a larger premises to house the company’s growing TV, radio and online news channels, and required a versatile new audio console to manage live music, pre-production and multi-tracking. Consulting pro audio and broadcast specialists, D.I.A Assen, the company selected the mid-sized S5000 Control Surface and DM48 MixRack. “RTV needed a console which could work as… View this post
    Filed in: AVNewsConsolesDigitalMixerNetworkingStudio

  • Tuesday, February 02, 2016
    image
    PSW Staff 02/02/16 08:27 AM,
    Television Technical Centre Ostankino (TTC) has installed five more Calrec digital audio consoles as part of its continued effort to upgrade studios in its Moscow facility. The studios are used by Russian broadcast companies such as Channel One, Technostyle, and NTV Plus on a wide variety of programs, including the May 9th “Victory Day” parade in Red Square. “We recommended that TTC install Calrec consoles because Calrec is known for its operational reliability and system redundancy,” said Roman Katrovsky, sound… View this post
    Filed in: AVNewsAVConsolesDigitalInstallationStudio

  • Monday, February 01, 2016
    image
    David Scheirman 02/01/16 06:25 PM,
    From the April 1983 issue of the late, great Recording Engineer/Producer (RE/P) magazine, David Scheirman takes a look inside the Willie Nelson & Family tour of 1983. It is perhaps safe to say that the Willie Nelson organization has been spending more production dollars for sound and lighting than most other country-oriented acts. Nelson’s house mix engineer, Mike Garvey, of Dallas, Texas, explains hie part in the decision-making process when it came down to choosing a sound system for the… View this post
    Filed in: Live SoundFeatureStudy HallAmplifierAnalogConsolesEthernetLoudspeakerMicrophoneMonitoringProcessorSound ReinforcementStageSubwoofer

  • image
    PSW Staff 02/01/16 06:56 AM,
    Bassist Paul “Pablo” Stennett is a winner of multiple Grammys with a long list of credits as a producer, composer, session player, and performer with such artists as Ziggy Marley, Willie Nelson, Raphael Saadiq, Chaka Chan, Diana King, Pink, and Jimmy Cliff. His reputation depends on top-quality sound, which is one reason Stennett is a devotee of Mackie‘s DL32R 32-channel rack-mount digital mixer. “I’ve always loved Mackie products, and my studio is based on Mackie gear,” Stennett begins. “Mackie’s sound… View this post
    Filed in: RecordingNewsAVConsolesDigitalDigital Audio WorkstationsEngineerManufacturerMixerSoftwareStudio

  • Friday, January 29, 2016
    image
    PSW Staff 01/29/16 08:58 AM,
    Allen & Heath’s new dLive mixing system appeared at London’s O2 arena recently, with King Charles supporting Mumford & Sons on their UK tour. King Charles front of house engineer Jon Lewis employed a dLive S3000 console with an A&H DM64 MixRack for front of house, with an Allen & Heath GLD Chrome mixer handling monitor duties. Powerful beyond its diminutive size, the 20 fader, 12-inch touch-screen equipped S3000 allows for up to 120 fader strips and fast workflow. With… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerMixerProcessorSound ReinforcementStage

  • church sound tape
    Mike Sokol 01/29/16 07:11 AM,
    Provided by Live Sound Advice.   Consider tape. It’s something used nearly every day, but usually not thought of until the empty roll mocks you. We’re not speaking about audio recording tape here (may it rest in peace), but rather different types of adhesive tapes that can help you conduct your services safer and easier. There are at least three kinds of tape that can and should be used in a church sound system: electrical tape, gaffers tape and console… View this post
    Filed in: Church SoundFeatureProductionAudioConsolesInterconnectMixerSound ReinforcementStage

  • Thursday, January 28, 2016
    image
    PSW Staff 01/28/16 11:29 AM,
    Allen & Heath has launched the dLive digital mixing system, providing flexible architecture, an FPGA processing core, an array of expansion, control and networking options, plus the intuitive Harmony user interface with gesture control, meaning dLive is geared to applications from rigorous touring and festivals to installation in live venues. dLive has a distributed system design with separate MixRack and Surface. The dLive processing brain is housed in the MixRack, available in three sizes – the DM32, DM48 and DM64,… View this post
    Filed in: AVNewsProductAnalogConsolesDigitalMixerNetworkingProcessorSoftwareSound Reinforcement

  • image
    PSW Staff 01/28/16 09:43 AM,
    AV Matters, a full-service audio-visual production company located in Orlando, Florida, recently added an additional 13 new QSC TouchMix-16 compact digital mixers to its rental equipment inventory. The company’s services include pro audio, lighting, video, projection and staging rental for applications such as corporate conferences, sales meetings, business events, theater, social galas and charity benefits. “For us, TouchMix-16 is a great, versatile little piece of gear, and we just ordered 13 additional units, so we have a couple dozen now,”… View this post
    Filed in: AVNewsAVConsolesDigitalManufacturerMixerProcessorSound ReinforcementWireless

  • image
    PSW Staff 01/28/16 09:30 AM,
    Madonna, renowned for her elaborate complex productions, and exacting standards, has chosen a pair of DiGiCo SD7s to deliver equally exacting audio for her Rebel Heart Tour.  The sound crew for the tour includes front of house engineer Andy Meyer and monitor engineers Matt Napier and Sean Spuehler. Meyer and Napier are both using SD7 consoles with Napier adding an EX007 fader expansion where Spuehler mixes Madonna’s vocals and effects. “Madonna likes her live sound to be as close as… View this post
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerMonitoringProcessorSound ReinforcementStage



Audio Central