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All Concert Posts

  • Tuesday, October 18, 2016
    PSW Staff 10/18/16 07:47 AM,
    American Mobile, the remote production arm of the Chicago Recording Company (CRC), offers dedicated, on-site facilities to capture and mix artists for live broadcast. This year it has begun deploying the Focusrite RedNet Dante-networked audio converters and interfaces as the signal-transport backbone, giving these remote productions even greater operational and sonic capabilities. American Mobile dates back to 1992, when Chicago Recording Company general manager Chris Shepard purchased his first remote Pro Tools system to capture music beyond the walls of… View this post
    Filed in: RecordingNewsConcertDigitalDigital Audio WorkstationsEngineerInstallationNetworkingRemoteStudio

  • Monday, October 17, 2016
    PSW Staff 10/17/16 09:18 AM,
    Every year, over 100,000 fans flock to the grounds of Slovakia’s two largest music festivals—Pohoda and Topfest—to experience everything from EDM, experimental music, classical and more. In order to support the audio needs of a diverse group of artists and musical genres, Slovakia-based production company RentalLive turned to JBL by Harman Professional Solutions VTX Series loudspeakers and Crown I-Tech HD amplifiers. The JBL VTX series enabled system engineers Marek Barabas and Tomas Oravec to deliver accurate, high-impact sonic experiences at… View this post
    Filed in: Live SoundNewsAmplifierConcertLine ArrayLoudspeakerSoftwareSound ReinforcementStageSubwoofer

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    PSW Staff 10/17/16 07:32 AM,
    Ask front of house engineer Jim Ebdon about the configuration of the L-Acoustics line array sound system he’s been piloting for three-time Grammy Award winners Maroon 5 for nearly the last two years on a world tour and he’ll likely reply starting with the phrase, “Well, currently, at the moment…” That’s because in that time—during what’s been billed alternately as the Maroon V Tour or the M5OnTheRoad, which has so far passed through North America, Europe, Africa, Asia, Oceania and… View this post
    Filed in: Live SoundNewsConcertEngineerLine ArrayLoudspeakerProcessorSound ReinforcementSubwoofer

  • Friday, October 14, 2016
    PSW Staff 10/14/16 11:09 AM,
    The Verizon Amphitheater in Alpharetta, Georgia, recently hosted Live Nation’s “I Love The 90s” concert, to the delight of more than 11,000 fans. AEE Productions, based out of Atlanta, Georgia, provided a EAW KF line array system to reinforce the sold out show. “AEE started in the industry back in the 80s,” explains Tracey Towne, production manager for AEE. “At that time AEE built an excellent reputation for supporting dozens of national hip-hop and R&B tours. Though it was before… View this post
    Filed in: Live SoundNewsConcertLine ArrayLoudspeakerSound ReinforcementStageSubwoofer

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    PSW Staff 10/14/16 07:15 AM,
    Current four-time CMA nominee Dierks Bentley is out on the Somewhere On A Beach Tour in support of his album Black. His current tour, named after the Platinum multi-week Number one summer anthem has been a success, not only due to the entertaining stage presence and musicality of Bentley, but also due to the talent backstage. James “Pugsley” McDermott, front of house engineer for Bentley and system engineer for VER, has chosen to outfit Bentley’s show with Meyer Sound LEO… View this post
    Filed in: Live SoundNewsConcertEngineerLine ArrayLoudspeakerSound ReinforcementSubwoofer

  • Thursday, October 13, 2016
    PSW Staff 10/13/16 10:21 AM,
    Elite Presentations of Chesapeake, VA recently acquired a Martin Audio MLA Mini arrays including six stacks with 24 cabinets and six subs, and quickly put it to good use at an outdoor worship service held by the River Oak Church. Covering a range of functions including production, AV integration and weddings, Elite is currently focused on corporate events, which explains their purchase of MLA Mini. As technical director Ray Dixon points out, “We were looking for a larger array system… View this post
    Filed in: Live SoundNewsConcertLine ArrayLoudspeakerSound ReinforcementStageSubwoofer

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    PSW Staff 10/13/16 10:06 AM,
    Discovered by William “Count” Basie in 1982, Carmen Bradford became the featured vocalist in the Count Basie Orchestra for nine years and continues singing as a guest vocalist with the Basie Orchestra to this day. She has also sung with the Doc Severinsen band, Naples Jazz Orchestra and in various Symphony Pops concerts with major symphony orchestras throughout the U.S, Canada and Europe. As a seasoned jazz vocalist, Bradford has used a wide variety of vocal mics throughout her career… View this post
    Filed in: Live SoundNewsConcertMicrophoneSound ReinforcementStage

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    PSW Staff 10/13/16 09:28 AM,
    Thunder Audio recently deployed a large-scale JBL by Harman VTX Series-based system at Lollapalooza 2016 to power a diverse lineup of artists at the festival’s Bud Light stage, including Ellie Goulding, Major Lazer, Lana Del Ray, The 1975, Future, Disclosure, HAIM and many more. Thunder Audio used the JBL VTX Series for Lollapalooza 2015, and selected it once again for its frequency response, output and ease of deployment. The VTX Series sound quality was especially important, and enabled Thunder Audio… View this post
    Filed in: Live SoundNewsAmplifierConcertLine ArrayLoudspeakerSound ReinforcementStageSubwoofer

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    PSW Staff 10/13/16 09:13 AM,
    When Frank Grønbæk, front of house technician, and Rasmus Valentin Hansen, monitor engineer, packed up their equipment for the worldwide Lukas Graham tour, both made sure to have their Wisycom devices with them. Tasked with handling all wireless equipment for the tour, both engineers currently rely on Wisycom for Lukas Graham’s vocals, as well as the bass and horn sections. Lukas Graham is a Danish pop and soul band comprising of lead singer Lukas Forchhammer, drummer Mark Falgren, bassist Magnus… View this post
    Filed in: Live SoundNewsConcertMicrophoneMonitoringSound ReinforcementStageWireless

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    PSW Staff 10/13/16 08:48 AM,
    When Tom Sorce, senior project manager and audio designer at Production Resource Group (PRG), is looking for a microphone that can capture the intricacies of an instrument with clarity, he turns to DPA Microphones for support.  Sorce has been using DPA microphones for over a decade. “The first time I used DPA, I was looking for a solution to use on an acoustic guitar,” says Sorce. “Then, I started trying them on many different instruments; on bells, horns, woodwinds and… View this post
    Filed in: Live SoundNewsConcertEngineerMicrophoneSound ReinforcementStage

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