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  • Tuesday, April 15, 2014
    universal audio
    PSW Staff 04/15/14 02:01 PM,
    Universal Audio Direct Developer partner Brainworx has released three new plug-ins for the UAD Powered Plug-Ins platform and Apollo audio interfaces. Available for purchase via UA’s Online Store for $199 each, the Chandler Limited GAV19T Amplifier, bx_refinement, and bx_saturator V2 plug-ins are part of new UAD Software v7.6. Available exclusively for UAD-2 DSP Accelerators and Apollo-equipped workstations, the Chandler Limited GAV19T Amplifier Plug-In is an exacting emulation of the dual EL84-powered boutique guitar amp. Inspired by British classics such as… View this post
    Filed in: RecordingNewsVideoProductDigital Audio WorkstationsProcessorSoftwareStudio

  • image
    PSW Staff 04/15/14 01:40 PM,
    John Penn, CEO of Undercurrent Labs, producer, 3D sound designer and songwriter, insists upon the sonic accuracy of his D8 studio reference monitors from Equator Audio when working on projects. Undercurrent Labs is the technology development arm of InspireMedia Interactive, an IPTV network with 3D audio and surround capabilities that streams both live video and VOD (Video-on-Demand) to any Internet enabled device. As the company CEO, Penn wears many hats that include business development, managing client relationships, as well as… View this post
    Filed in: RecordingNewsLoudspeakerMonitoringStudio

  • image
    PSW Staff 04/15/14 01:06 PM,
    The Midas XL48 has quickly become the go-to, add-on microphone preamp for Wigwam Acoustics. Wigwam, part of the SSE Audio Group and based in Lancashire, England, is the first UK rental facility to offer the Midas XL48 8-channel microphone preamp within its rental stock. Wigwam is also a long-time Midas/Klark Teknik user. “Since we bought it, our Midas XL48 has constantly been in use,” says Alex Hadjigeorgiou, Wigwam’s resident digital specialist. “McFly, Steps and Ronan Keating have all toured with… View this post
    Filed in: Live SoundNewsConcertMicrophoneSound ReinforcementStage

  • image
    PSW Staff 04/15/14 12:51 PM,
    Outline’s Indonesian distributor Melodia Sound & Lighting Systems recently supplied a Mini-COM.P.A.S.S. line array to Surabaya’s Ciputra World mall for its new fourth-floor ballroom. The system, which is self-powered and driven by Outline’s iMode technology, comprises twelve Mini-COM.P.A.S.S. iMode elements and four DBS 18-2 iMode SP subwoofers, and covers an area of 700 square meters that had been plagued with problematic acoustics. The key feature of the Mini-COM.P.A.S.S. system—enabling users to direct the sound exactly where it’s required—was integral to… View this post
    Filed in: Live SoundNewsConcertInstallationLine ArrayLoudspeakerSound ReinforcementStage

  • dpa microphones
    Bruce Bartlett 04/15/14 12:44 PM,
    This article is provided by Bartlett Audio.   Some of the most popular instruments in many genres of music are keyboards, so let’s look at some techniques to capture a grand piano, upright piano, Leslie organ speaker, digital keyboard or synthesizer. Grand Piano This magnificent instrument is a challenge to record well. First have the piano tuned, and oil the pedals to reduce squeaks. You can prevent thumps by stuffing some foam or cloth under the pedal mechanism. One popular… View this post
    Filed in: RecordingFeatureBlogStudy HallConsolesMicrophoneProcessorSignalStudio

  • mixing
    Craig Leerman 04/15/14 12:24 PM,
    Like the majority of people working in the audio biz, I love music. Growing up in the 1970s, I was fortunate that my favorite FM radio station played a pretty diverse selection of musical styles, including folk, soft rock, pop, disco, R&B, rock, and even heavy metal. While exposed to quite a few musical styles and artists, I developed personal favorites. Most Saturdays would find me at the record store, spending the few bucks earned that week from mowing lawns… View this post
    Filed in: Live SoundFeatureBlogStudy HallConsolesEngineerMixerSound ReinforcementTechnician

  • presonus
    PSW Staff 04/15/14 11:48 AM,
    With a history dating back to the 1930s, the Phoenix Open is one of pro golf’s most celebrated events and has hosted some of the biggest names in the game, including Arnold Palmer, Ben Hogan, Jack Nicklaus, Phil Mickelson, and Tiger Woods. Now known as the Waste Management Phoenix Open, the tournament is held at the renowned TPC Scottsdale (Arizona) golf course, custom designed for the tournament and best known for the 16th hole of its Stadium Course, often referred… View this post
    Filed in: AVLive SoundNewsAVLoudspeakerSound ReinforcementSubwoofer

  • lightning boy
    PSW Staff 04/15/14 08:34 AM,
    Lightning Boy Audio (LBA) has announced the availability of the 1401 stereo microphone amp and the Ghost Box, a combination that forms a versatile all-tube stereo microphone preamp. Through the use of high quality components such as NOS paper in oil capacitors, NOS tubes, Carnhill iron and the careful layout of point-to-point wiring, the 1401 Preamp (short name) and Ghost Box command a stereo image with high fidelity.  The preamp was designed to serve as the output amplifier for the… View this post
    Filed in: RecordingNewsProductMicrophoneProcessorSignalStudio

  • ssl
    PSW Staff 04/15/14 05:40 AM,
    Flogging Molly, a 7-piece rock band featuring traditional Irish instruments, recently toured with an SSL Live console supplied by VER Tour Sound, the latest addition to SSL’s Live partner network. The Live console was deployed at front of house for the band’s 10th Annual Green 17 Tour that visited 27 cities, utilized by FOH engineer Kevin Lemoine, who has mixed Green Day for 13 years and is known for carrying analog consoles during most of his tours. VER’s Jason Vrobel… View this post
    Filed in: AVLive SoundNewsAVConcertConsolesDigitalEngineerMixerSound Reinforcement

  • Monday, April 14, 2014
    church sound
    Chris Huff 04/14/14 02:59 PM,
    This article is provided by Behind The Mixer.   Once the initial excitement of working in audio production wears off, it leaves one with a few unfortunate realizations. I’m not saying audio work stops being fun. I’ve been doing this for a long time and I still have fun. I only wish someone would have cracked open the secret envelop and let me see the truth before being up to my knees in XLR cables. This post reveals these “secrets.” … View this post
    Filed in: Church SoundFeatureBlogStudy HallBusinessEngineerMixerSound ReinforcementTechnician





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