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All Analog Posts

  • Monday, April 28, 2014
    image
    PSW Staff 04/28/14 12:37 PM,
    A compact analog mixing console was what Czech violinist, composer and singer Karel Holas was after for his Prague studio. “From the wide variety of quality studio consoles available, I found only one complying with all my requests and wishes: Audient ASP4816,” he explains, having done his research. “Excellent microphone preamps, great and very easy routing options, precise EQ sections together with optimal ergonomics for studio usage,” he says, outlining some of the features on his wish list. Holas opened… View this post
    Filed in: RecordingNewsAnalogConsolesStudio

  • Friday, April 25, 2014
    live sound
    Peter Janis 04/25/14 02:13 PM,
    A few years ago, my company developed a prototype of a console switcher that would enable an engineer to quickly switch to a backup should the main desk go down, or quickly switch between multiple consoles at events such as festivals. But when we showed it to various engineers, the response was all over the place. Some thought it was a great idea, others felt that with modern processors, the need was no longer there, and some suggested fixes such… View this post
    Filed in: Live SoundFeatureBlogStudy HallAnalogConsolesDigitalEngineerInterconnectMixerSound Reinforcement

  • Wednesday, April 23, 2014
    sound tools
    PSW Staff 04/23/14 01:06 PM,
    SoundTools debuted its latest product, the new CAT Snake, in prototype form at the recent 2014 Coachella Valley Music and Arts Festival in Indio, CA. CAT Snake units create a quick and cost-effective 4-channel analog snake that can alternatively carry up to four AES/EBU digital feeds utilizing common Cat-5 cable. “The CAT Snake is a wonderful solution for the analog lines we run to delay clusters at Coachella,” says Dave Rat, president of Rat Sound Systems, the primary audio vendor… View this post
    Filed in: AVLive SoundChurch SoundNewsProductAnalogAVDigitalEthernetInterconnectSignalSound Reinforcement

  • Monday, April 21, 2014
    live sound
    Karl Winkler 04/21/14 09:46 AM,
    As with the ever-ongoing debates about “tubes versus transistors,” “analog versus digital” and “Mac versus PC,” there’s not likely to be agreement any time soon about “objective versus subjective” when it comes to sound quality. Extremists in the “Objectivist” camp argue that, “if it can’t be measured, it doesn’t exist” while on the other hand, the “Subjectivist” side firmly backs the idea that “human beings can hear things that can’t be measured.” How often has it been suggested, “use your… View this post
    Filed in: Live SoundFeatureBlogOpinionStudy HallAmplifierAnalogDigitalEngineerMeasurementSignalSound Reinforcement

  • Thursday, April 10, 2014
    image
    PSW Staff 04/10/14 02:18 PM,
    As part of a complete architectural and electronic renovation, Virginia Arts Recording recently replaced its large-format digital console with a 16-channel API 1608 analog console with P-Mix fader automation. The north-central Virginia-based studio has been serving local musicians, labels, and radio stations for over 30 years. The current owners, Chris Doermann and Sean Dart, are embracing that history and the industry’s pivot to analog with the new API console and a 24-track, 2-inch tape machine. Virginia Arts Recording also retains… View this post
    Filed in: RecordingNewsAnalogConsolesInstallationStudio

  • image
    PSW Staff 04/10/14 01:30 PM,
    The ever Audient ASP4816 in the South Pacific has been installed at The Analogue Café, a self-professed “old fashioned recording studio.” Studio owner Eric Malamud was keen to ensure that The Analogue Café lives up to its name, and his research into analog gear led him straight to Audient. Discovering that console designer David Dearden is Audient’s co-founder piqued his interest. “I already own a vintage Midas XL200, so I’m a Dearden fan by default,” says Malamud. General manager and… View this post
    Filed in: RecordingNewsAnalogConsolesStudio

  • Monday, April 07, 2014
    consoles
    Kent Margraves 04/07/14 12:57 PM,
    Mixing at festivals – good times! Or is it? Anyone who has worked as either a guest mixer or system tech in a festival environment probably has stories about the inherent ups and downs and, certainly, the hyper pace and stress that are part of the gig. And we’ve all heard a few horror stories of artists hitting the stage patched incorrectly or without a sound check. But there’s also the unique thrill of mixing in a hyped environment with… View this post
    Filed in: Live SoundFeatureBlogStudy HallAnalogConsolesDigitalEngineerMixerSound ReinforcementTechnician

  • Friday, April 04, 2014
    live sound international
    Craig Leerman 04/04/14 04:16 PM,
    A few weeks ago one of the neighbors in the industrial complex where I keep my shop came over to say hello while I was in the middle of doing some PM (preventative maintenance) on cables. As I sat at a bench surrounded by piles of microphone and loudspeaker lines, he asked why I was spending so much time on “stupid cords.” I replied, simply, that without the stupid cords, the rest of my equipment is worthless. A system is… View this post
    Filed in: Live SoundFeatureBlogStudy HallAnalogDigitalEthernetInterconnectNetworkingSignalSound Reinforcement

  • Wednesday, April 02, 2014
    church sound
    Mike Sessler 04/02/14 01:32 PM,
    This article is provided by ChurchTechArts.   Gain structure is one of those very important, yet highly underrated topics in audio. It’s not nearly as glamorous as EQ, plug-ins or parallel compression, but if your gain structure is whack, no amount of EQ, plug-ins or compression will fix it. Here I’m going to focus primarily on input channel gain structure (overall system gain structure is another article entirely, but I’ll mention it briefly). The impetus for this article came from… View this post
    Filed in: Church SoundFeatureBlogStudy HallAnalogConsolesDigitalEngineerMixerProcessorSound ReinforcementTechnician

  • ssl
    PSW Staff 04/02/14 09:08 AM,
    Two Solid State Logic Duality SE consoles power the creative flow for Tape Studios in Edinburgh, UK, a facility described by alternative record producer/mixer Stephen A. Watkins as “built to boldly go where no studio has gone before.” The new two-story recording/mixing facility offers an equipment list and acoustics that match top facilities around the world while being able to deliver the creative experience without excessive cost. The Duality consoles are critical to the sonic success. “We wanted to put… View this post
    Filed in: RecordingNewsAnalogConsolesDigitalEngineerMixerStudio