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All Analog Posts

  • Thursday, June 02, 2016
    prosoundweb
    Jonah Altrove 06/02/16 12:09 PM,
    Every time a new audio innovation arises, it’s met by a certain amount of resistance. This is ironic and puzzling to me, seeing as our field is driven almost entirely by technology. What motivates this response? Perhaps fear that technology will replace us. Are system techs quaking in their boots, fearful of being replaced by a system processor with auto-EQ abilities? How many engineers have become unemployed as a result of automixer technology? More likely, I think it’s fear that… View this post
    Filed in: Live SoundFeatureBlogAnalogBusinessDigitalEngineerMeasurementProcessorSound Reinforcement

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    PSW Staff 06/02/16 09:13 AM,
    Kansas City Kansas Community College has been a proud owner of an Audient ASP8024 for over 6 years, a decision that professor of Audio Recording & Music Technology, Dr. Ian Corbett still stands by, having seen hundreds of students hone their audio engineering skills on the large format analog mixing console. The notion to add an iD22 to his teaching arsenal this year was born out of that trust in Audient. Dr. Corbett uses his new audio interface in his… View this post
    Filed in: RecordingNewsAnalogConsolesEducationEngineerStudio

  • Wednesday, June 01, 2016
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    PSW Staff 06/01/16 07:41 AM,
    Amphenol has expanded its offerings in professional connector and cabling solutions to the Dante audio networking universe with the introduction of Amphe-Dante adapters. To be unveiled at InfoComm (June 8-10, Las Vegas Convention Center), the Amphe-Dante range of Dante digital to analog audio adapters are engineered to simplify the connection of analog equipment, including amplifiers and loudspeakers, to Dante networks. Importantly, its unique cable dongle housing design is a first for Dante-enabled products, allowing systems integrators to mount the adapter… View this post
    Filed in: AVNewsProductAnalogAVDigitalEthernetInterconnect

  • Thursday, May 26, 2016
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    PSW Staff 05/26/16 09:47 AM,
    Studio owner Manolito Galea (Lito) puts the success of Lito’s Place down to the purchase of an Audient ASP4816. He explains that since the arrival of the compact analog mixing console two years ago, the studio’s fortune has been on an upward trajectory. “Investment in the ASP4816 has generated enough business to allow us to grow the studio, both in the film and music industry,” he says. “A number of European composers and producers from the music industry now choose… View this post
    Filed in: RecordingNewsAnalogConsolesStudio

  • Wednesday, May 25, 2016
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    PSW Staff 05/25/16 07:52 AM,
    Spartan Recording is a new US-based mobile recording service owned and operated by Joe Costner. The studio is built into a re-furbished and modernized original 1951 Spartan Royal Manor trailer and features a Solid State Logic XL Desk analog console with integral 18-slot 500 format rack. Based in California, but available to bands across the US, Costner was inspired by classic recordings from the likes of Led Zeppelin, Deep Purple, and The Rolling Stones, where the studio came to the… View this post
    Filed in: RecordingNewsAnalogConsolesStudio

  • Tuesday, May 24, 2016
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    Joe Gilder 05/24/16 06:16 AM,
    This article is provided by Home Studio Corner.   You hear it all over the place. “Help! My mixes don’t translate!” In other words, “My mix sounds awesome in my studio, but then when I play it anywhere else – in my car, on my stereo, on my iPod – it sounds awful.” What’s the problem? It could be any number of things – your monitors, your room, your headphones…maybe even your recordings themselves. But let’s step away from talking… View this post
    Filed in: RecordingFeatureBlogProductionAudioAnalogEducationEngineerMeasurementMonitoringSignalStudioSystem

  • Monday, May 23, 2016
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    PSW Staff 05/23/16 12:01 PM,
    Dutch two-in-one production facility, The Rocketeers - incorporating The Producer’s House - has invested in a Solid State Logic Duality δelta SuperAnalogueTM console for a new and versatile approach to their ideal sounds. Experienced radio producers Joost Griffioen and Stas Swaczyna met in in 2007, and by 2008 The Rocketeers music production company was up and running. The company’s mission was to supply radio and television with custom-made jingles and leaders and the pair have gone on to work with… View this post
    Filed in: RecordingNewsAnalogConsolesDigitalDigital Audio WorkstationsStudio

  • prosoundweb
    Bob McCarthy 05/23/16 10:27 AM,
    Go here to read part 1 of this series.————————————————— “In the beginning there was graphic EQ.” The first standard tool for system equalization was the graphic equalizer. Early versions were 10 bands at octave intervals, but the 1/3rd-octave version took over the market completely by the late 1970s. The 31 bands were standardized to a series of 1/3rd-octave intervals beginning with 31 Hz. There was no standardization of the shape of the filters, however. One model might use 1/3 octave… View this post
    Filed in: Live SoundFeatureBlogStudy HallAnalogDigitalMeasurementProcessorSignalSound Reinforcement

  • Thursday, May 19, 2016
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    PSW Staff 05/19/16 09:36 AM,
    Music software and hardware developer Arturia announces availability of Analog Lab 2, an all-new incarnation of its composite virtual instrument that gathers together a broad selection of sounds from its V Collection 5 software bundle. Analog Lab 2 is a way of accessing a selection of sounds from all 17 of Arturia’s virtual instruments as a single application. Included are sounds from eight emulated analog synthesizers (ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and… View this post
    Filed in: RecordingNewsProductAnalogDigitalDigital Audio WorkstationsSoftware

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    Mike Sessler 05/19/16 06:07 AM,
    This article is provided by ChurchTechArts.   How many times have you heard this phrase: “If we had a digital sound board, we could save so much time on sound checks and it would sound the same every week.” Or this one: “We have a digital board, so why does my monitor mix change every week?” Or my personal favorite: “Are the sound guys not saving the settings each week, because it’s so different every weekend…” These questions and comments… View this post
    Filed in: Church SoundFeatureBlogOpinionAnalogConsolesDigitalMixer



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