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All Analog Posts

  • Monday, April 04, 2016
    audient
    PSW Staff 04/04/16 08:30 AM,
    Audient has introduced the ASP8024: Heritage Edition console, which builds on the original ASP8024 platform while providing several enhancements and a new look. Attendees of this week’s Prolight+Sound show in Frankfurt can see it at Hall 9.1, C25/29. The SP8024-HE incorporates a new variable mix bus technology called RETRO IRON, about which Audient tehnical director Tom Waterman explains, “By utilizing an all-discrete and warm sounding output amplifier with Carnhill output transformers, RETRO IRON adds punch and ‘vibe’ to the console’s… View this post
    Filed in: Live SoundRecordingNewsProductAnalogConsolesDigitalDigital Audio WorkstationsMixerSoftwareStudio

  • Friday, April 01, 2016
    live sound
    Ken DeLoria 04/01/16 05:34 AM,
    Editor’s Note: Nothing discussed here is true…Right? For several decades, military research teams around the world have quietly been studying micro-molecular imprinting and the many ways that it can disrupt critical communication systems. You’ve probably experienced problems yourself, in a small way, but indications strongly suggest that as copper, Ethernet, and fiber signal transport systems become more and more heavily traveled, the issues will eventually reach a critical state. And few industries will be affected more than the entertainment technology… View this post
    Filed in: Live SoundFeatureBlogAnalogDigitalEthernetInterconnectNetworkingSignal

  • Thursday, March 31, 2016
    image
    PSW Staff 03/31/16 06:18 AM,
    Extron Electronics announces new versions of the DTP T USW 233 and DTP T USW 333 three-input switchers now featuring analog stereo audio embedding and compatibility with HDBaseT-enabled devices. The DTP T USW switchers send HDMI or analog video, audio, and control up to 230 feet (70 meters) or 330 feet (100 meters) over a shielded CATx cable. The switchers can embed stereo analog audio onto the digital video signal for transport over DTP. This streamlines integration and is particularly… View this post
    Filed in: AVNewsProductAnalogAVDigitalProcessor

  • Wednesday, March 30, 2016
    image
    PSW Staff 03/30/16 10:43 AM,
    Bloomsburg University has recently acquired an API 1608 console. The 1608 is being used to expand students’ understanding of full signal path routing upon which most digital plugin representations are based. According to associate professor of music Dr. Todd Campbell, the integration of the new console compliments the University’s already extensive collection of API equipment. Campbell explains that greater access to traditional analog gear helps students lessen their reliance on audio editing software, and instead encourages them to record and… View this post
    Filed in: RecordingNewsAnalogConsolesEducationMixerStudio

  • Monday, March 28, 2016
    image
    PSW Staff 03/28/16 11:50 AM,
    With more than four decades of engineering and production experience and a long list of noteworthy credits, Ed Stasium knows a thing or three about sound. Today, the former member of New York’s Power Station studio works at his Southern California home, relying on a DAW as his main production tool and Manley Dual Mono two-channel and FORCE four-channel tube preamplifiers as his analog front end. “In this digital world, we have to get the best analog going into the… View this post
    Filed in: RecordingNewsAnalogEngineerProcessorStudio

  • Thursday, March 24, 2016
    image
    Chris Huff 03/24/16 05:43 AM,
    This article is provided by Behind The Mixer.   Many a new bass player starts with thumping out the notes in the chords of a song. They are mixed then as low-end filler.  As they progress in their skill as a bassist, are you still mixing them as an afterthought?  Sitting in the sanctuary, I watched the worship band practice. Most everyone sounded great.  And then there was the bassist. He was playing the triad notes of the chords in… View this post
    Filed in: Church SoundFeatureStudy HallAnalogConsolesDigitalMixerProcessor

  • Friday, March 18, 2016
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    Karl Winkler 03/18/16 10:04 AM,
    I mentioned in a previous article (What, Me Worry?) that I’ve been troubled by the lack of fundamental audio and acoustics knowledge often displayed in our industry. And because of this, there are misconceptions that are difficult to stamp out. So in an effort to help, I’ve whittled down a concentrated list of the top technical concepts I think everyone in our business should have under their collective thumbs. Of course there are many more important ideas and concepts that… View this post
    Filed in: Live SoundFeatureBlogProductionAudioAnalogEducationInterconnectMicrophoneMixerSignalSound ReinforcementSystem

  • image
    PSW Staff 03/18/16 08:43 AM,
    Lebanon Valley College, (LVC) sets itself apart by combining a traditional liberal arts based education with a “professionally oriented” Audio & Music Production Program, a formula that has been successful for the school’s students since the late 1980s. In order to meet the demands of training students for a diverse job market, the program employs a duo of Audient consoles to provide a solid audio foundation. Students in the Audio & Music Production Program study music, studio recording, mastering, electronic… View this post
    Filed in: RecordingNewsAnalogConsolesEducationStudio

  • Wednesday, March 16, 2016
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    PSW Staff 03/16/16 12:05 PM,
    British audio manufacturer, Audient and London’s Institute of Contemporary Music Performance (ICMP) have teamed up to present The Audient Scholarship: a sponsored tuition for a one-year Professional Diploma in Music Production at the London facility, starting at the beginning of the new academic year, September 2016. The creation of the Audient Scholarship coincides with a major refit and overhaul of the ICMP recording studios, which are to be centered around a new ASP8024 analog mixing console. Facilities manager, Mike Sinnott… View this post
    Filed in: RecordingNewsAnalogConsolesEducationStudio

  • Tuesday, March 15, 2016
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    Curt Taipale 03/15/16 06:28 AM,
    This article is provided by Church Soundcheck.com.   On most audio consoles above a certain price point, there is a button on each channel with the “∅” symbol. It may be (mistakenly) labeled “phase”. Mythology runs rampant on the meaning and the use of that switch, and most of that confusion is steeped in stories told by someone who didn’t understand it to others who understood it even less. That misunderstanding leads to a statement that I still hear today… View this post
    Filed in: Church SoundFeatureBlogStudy HallAnalogConsolesDigitalMixerSound Reinforcement



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