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All Analog Posts

  • Wednesday, May 25, 2016
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    PSW Staff 05/25/16 07:52 AM,
    Spartan Recording is a new US-based mobile recording service owned and operated by Joe Costner. The studio is built into a re-furbished and modernized original 1951 Spartan Royal Manor trailer and features a Solid State Logic XL Desk analog console with integral 18-slot 500 format rack. Based in California, but available to bands across the US, Costner was inspired by classic recordings from the likes of Led Zeppelin, Deep Purple, and The Rolling Stones, where the studio came to the… View this post
    Filed in: RecordingNewsAnalogConsolesStudio

  • Tuesday, May 24, 2016
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    Joe Gilder 05/24/16 06:16 AM,
    This article is provided by Home Studio Corner.   You hear it all over the place. “Help! My mixes don’t translate!” In other words, “My mix sounds awesome in my studio, but then when I play it anywhere else – in my car, on my stereo, on my iPod – it sounds awful.” What’s the problem? It could be any number of things – your monitors, your room, your headphones…maybe even your recordings themselves. But let’s step away from talking… View this post
    Filed in: RecordingFeatureBlogProductionAudioAnalogEducationEngineerMeasurementMonitoringSignalStudioSystem

  • Monday, May 23, 2016
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    PSW Staff 05/23/16 12:01 PM,
    Dutch two-in-one production facility, The Rocketeers - incorporating The Producer’s House - has invested in a Solid State Logic Duality δelta SuperAnalogueTM console for a new and versatile approach to their ideal sounds. Experienced radio producers Joost Griffioen and Stas Swaczyna met in in 2007, and by 2008 The Rocketeers music production company was up and running. The company’s mission was to supply radio and television with custom-made jingles and leaders and the pair have gone on to work with… View this post
    Filed in: RecordingNewsAnalogConsolesDigitalDigital Audio WorkstationsStudio

  • prosoundweb
    Bob McCarthy 05/23/16 10:27 AM,
    Go here to read part 1 of this series.————————————————— “In the beginning there was graphic EQ.” The first standard tool for system equalization was the graphic equalizer. Early versions were 10 bands at octave intervals, but the 1/3rd-octave version took over the market completely by the late 1970s. The 31 bands were standardized to a series of 1/3rd-octave intervals beginning with 31 Hz. There was no standardization of the shape of the filters, however. One model might use 1/3 octave… View this post
    Filed in: Live SoundFeatureBlogStudy HallAnalogDigitalMeasurementProcessorSignalSound Reinforcement

  • Thursday, May 19, 2016
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    PSW Staff 05/19/16 09:36 AM,
    Music software and hardware developer Arturia announces availability of Analog Lab 2, an all-new incarnation of its composite virtual instrument that gathers together a broad selection of sounds from its V Collection 5 software bundle. Analog Lab 2 is a way of accessing a selection of sounds from all 17 of Arturia’s virtual instruments as a single application. Included are sounds from eight emulated analog synthesizers (ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and… View this post
    Filed in: RecordingNewsProductAnalogDigitalDigital Audio WorkstationsSoftware

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    Mike Sessler 05/19/16 06:07 AM,
    This article is provided by ChurchTechArts.   How many times have you heard this phrase: “If we had a digital sound board, we could save so much time on sound checks and it would sound the same every week.” Or this one: “We have a digital board, so why does my monitor mix change every week?” Or my personal favorite: “Are the sound guys not saving the settings each week, because it’s so different every weekend…” These questions and comments… View this post
    Filed in: Church SoundFeatureBlogOpinionAnalogConsolesDigitalMixer

  • Wednesday, May 18, 2016
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    PSW Staff 05/18/16 10:18 AM,
    Automated Processes (API) announces the order of a custom Legacy Plus Recording console for Loyola Marymount University. The 32 Channel Legacy Plus analog console is currently in build at API’s Maryland manufacturing facility, and is scheduled for a July delivery to LMU in Los Angeles, CA. ‘We are really excited to add Loyola Marymount to our ‘API owner’ family of academic facilities,’ says Dan Zimbelman, API’s director of Sales. ‘We have been privileged to work with many colleges and universities… View this post
    Filed in: RecordingNewsAnalogConsolesEducationStudio

  • Tuesday, May 17, 2016
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    Mike Joseph 05/17/16 08:02 AM,
    From the July 1990 issue of the late, great Recording Engineer/Producer (RE/P) magazine, technical editor Mike Joseph interviews a studio owner competing against the big boys and flying under the radar. In an effort to promote balanced journalism, RE/P has endeavored to present both sides of the ongoing issues surrounding commercially directed, so-called home project studios. More of a strong concern in the U.S. major coastal markets, the ethical and legal aspects of low-overhead, for-profit, residentially based audio production facilities… View this post
    Filed in: RecordingFeatureAnalogBusinessDigitalDigital Audio WorkstationsEducationEngineerStudio

  • Friday, May 13, 2016
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    PSW Staff 05/13/16 08:28 AM,
    Prism Sound is launching Callia, a PCM and DSD capable DAC, pre-amplifier and headphone amp, to bring the sound quality of the professional recording studio into the home environment. Callia is a compact unit for use in home audio systems. It offers inherent flexibility with an array of high resolution inputs including USB (UAC2 over USB 2 or later), Coaxial RCA Phono (supporting S/PDIF and AES3-id or AES3 with suitable adaptor) and S/PDIF OPTICAL equipped digital devices. For analog audio… View this post
    Filed in: AVNewsProductAmplifierAnalogAVDigitalStudio

  • Thursday, May 12, 2016
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    James Cadwallader 05/12/16 06:02 AM,
    Whenever I’m at the local Guitar Hut, I like to listen to the people who come in and talk with the pro audio sales guy about gear. These conversations are often filled with nebulous audiophilic adjectives like “warm”, “sweet” and “punchy”. The sales guy has little motivation to be a source of truthful or accurate information. He just wants to make a sale. Meanwhile many of his customers already have their minds made up as to what piece of gear… View this post
    Filed in: Live SoundFeatureBlogOpinionAnalogBusinessEngineerMixerSignalSound ReinforcementTechnician



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