By Pat Brown • March 10, 2014 You turn on the sound system and you hear a radio station. Now what? Let’s lay aside the ‘magic fixes” and “voodoo methods” and set forth a methodical procedure to deal with this problem, which is called Radio Frequency Interference (RFI). The key is to “divide and conquer.” It’s essential that the problem be localized to one part of the sound system. If more than one problem exists, these tests will help disclose that also. Start with simple tests and proceed to more rigorous ones. Problems range from simple to complex, but more fall into the simple category. You’ll need some basic tools to troubleshoot RFI problems. Note that there are MANY more esoteric gadgets out there which can prove invaluable under many circumstances. But before we pull out the “big guns” let’s look at some inexpensive tools that will locate most of the problems:—Headphone amplifier—Dynamic microphone—Mic to line preamp —Battery-operated phantom power supply—Ohm meter Divide and Conquer Start by dropping the level of the main fader on the console/mixer. If the RFI drops in level, you’ve localized it to the front end of the mixer (at least ahead of the main potentiometer). If it doesn’t go away, unplug the output of the mixer from the rest of the system. If there is still RFI at the output of the system, there is help later in this document. If unplugging the mixer output stopped the RFI, the problem lies in the mixer and/or devices connected to it. Check Mic Lines Drop the channel faders on the console one by one. If the problem goes away when a specific channel is dropped, you have isolated the problem. If the RFI drops in level a little with each channel, you may have found many problems! It is important to determine whether the RFI is getting into the mic lines (very common) or somewhere else. Listen to each mic line individually through the headphone amplifier. You may need an external phantom power supply for condenser microphones. If the mic lines are clean through the headphone amp, but have RFI through the mixer, the mixer input may not be grounded properly or may not be RFI immune. See the section on mixer inputs for some other things to try. Mixer Problems? Pick up the mixer (if it’s not too large/heavy), and turn it. The RFI will either get better, get worse, or stay the same. If this changes the level of the RFI, consult the manufacturer of the mixer. Too Many Grounds? Using an appropriate outlet tester, check the AC socket that the mixer is plugged into to make sure that it is properly grounded. Disconnect each mic line from the mixer. Using an ohm meter, check for shorts between any of the three conductors and a building ground. The building ground should be accessible on the 3-prong of the AC outlet that the mixer is plugged into. Mic lines often get “unbalanced” by a conductor getting shorted to conduit, etc. somewhere up the path. They will still work, but will be noisy since there is no common-mode rejection at the balanced input of the device. Electricians often ground audio shields to conduits, jack plates, etc. The only ground on a mic line should be at the mixer! Find the improper grounds and disconnect them. If you’re in doubt at all about the condition of the building electrical ground, have a qualified electrician check it out. It’s usually a bad idea to drive a dedicated ground rod for the audio system, as it establishes different ground potentials for different electrical devices in the same building. Shorted Shields? Using an ohmmeter, check for shorts between shields of pairs of multi-conductor cables. Each pair of a snake cable should be individually shielded, and each shield should be isolated from the other shields. When the outer jacket is removed from a snake cable for wiring purposes, it is important to heat shrink the individual pairs to maintain their isolation. This is a time consuming process, and many installers overlook it. If there are shorts between shields that can’t be located at either end, you may need to pull new wire. Ron Steinberg of Rentcom Communications told of an installation that was an RFI/EMI nightmare. Upon testing the newly installed mic lines, it was discovered that there was no continuity between the drain wire and the foil shield (an extra layer of Mylar was isolating them). Very unusual, but not impossible. The manufacturer replaced the wire without question. The moral of the story? Assume nothing. Read the rest of this post 1 2 3 About Patrick Pat Brown Principals, Synergetic Audio Concepts Pat & Brenda Brown lead SynAudCon, conducting audio seminars and workshops online and around the world. For more information go to www.prosoundtraining.com. http://www.prosoundtraining.com Comments Leave a Reply Cancel reply Your email address will not be published. Required fields are marked *Comment Name * Email * Website Tagged with: Audio Basics Interconnect Maintenance Pat Brown RF Synaudcon Test and Measurement Video Wireless Systems · all topics Subscribe to Live Sound International Live Sound International brings you information on a wide range of pro audio topics. Stay up-to-date, get expert tips, industry news, new products and technologies delivered. Discover how to make smart use of today’s sound technology, Subscribe Today!