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Monday, December 12, 2011
Tim Vear 12/12/11 03:30 PM,An important consideration in microphone use is acoustic interference, which can occur whenever delayed versions of the same sound are mixed together, acoustically or electrically. With mics, this may happen in several ways: mics of reverse polarity picking up the same sound, multiple mics picking up the same sound from different distances, a single mic picking up multiple reflections of the same sound, or any combination of these. The results are similar in each case, and include audible peaks and… View this story
Filed in: Church Sound • Feature • Poll • Study Hall • Audio • Education • Engineer • Microphone • Studio • System -
Thursday, June 02, 2011
James Cadwallader 06/02/11 11:46 AM, 0 CommentsI suspected trouble when I accepted responsibility for something I had no control over. There was a 50/50 chance of either being the hero or the whipping boy. I didn’t care for those odds, but I couldn’t change them. It all started when a friend of the family asked me to help make sure that the sound for his wedding didn’t ruin the ceremony. The catch was that I wasn’t handling the sound - his cousin, the part-time DJ, had… View this story
Filed in: Live Sound • Feature • Poll • Audio • Engineer • Measurement • Signal • Sound Reinforcement • Stage • System • Technician -
Monday, February 07, 2011
Dale Alexander 02/07/11 07:01 PM, 0 CommentsThe question that is at the top of the list when we talk to pastors and music ministers: Why can’t we hear the choir? For a church with an active choir ministry this can be one of the most volatile challenges they have to deal with. The solution to the problem is usually not a simple one. In many evangelical churches, the choir is still an extremely important element of the worship service although the musical styles have evolved from… View this story
Filed in: Church Sound • Feature • Study Hall • Concert • Sound Reinforcement • Stage -
Wednesday, June 30, 2010
Travis Ludwig 06/30/10 02:30 PM, 0 CommentsIt takes the right blend of quality ingredients and salient directions to produce the best results from any recipe. If a dessert recipe calls for cream, it’s not essential to use Alpine milk from hand-milked Bavarian cows, but using skim milk instead of cream may jeopardize the final results. The same holds true for sound reinforcement. A microphone for a singing vocalist that’s substituted with a pulpit microphone designed for spoken word simply isn’t the right ingredient for the recipe.… View this story
Filed in: Church Sound • Feature • Poll • Audio • Education • Engineer • Mixer • Signal • Sound Reinforcement • Stage • System -
Thursday, August 27, 2009
PSW Staff 08/27/09 06:12 PM, 1 CommentThe Fillmore Charlotte, a 20,000-square-foot venue at the North Carolina Music Factory’s entertainment complex in Charlotte, North Carolina’s Fourth Ward neighborhood, stays true to the tradition of the original Fillmore theaters. The venue, which opened this past June with Georgia acoustic rocker Corey Smith headlining, has the Fillmore’s trademark red velvet draperies, ornate chandeliers, custom lighting and vintage concert posters. The building, once a historic Charlotte manufacturing site, was reinvigorated by Live Nation, the world’s largest concert promoter, with Soundcraft… View this story
Filed in: Live Sound • News • Amplifier • Audio • Concert • Consoles • Digital • Installation • Line Array • Loudspeaker • Networking • Processor • Software • Sound Reinforcement • Stage • Subwoofer • System -
Monday, August 24, 2009
PSW Staff 08/24/09 04:47 PM, 0 CommentsSteinberg Media Technologies has released a set of updates to its software and hardware solution consisting of Cubase 5, MR816 CSX and CC121. The added capabilities include substantially extended control options for CC121, workflow enhancements for MR816 CSX/X as well as functional additions and refinements to Cubase 5. The updates further deepen the integration of the three components within the context of the Advanced Integration technology centred on the Cubase 5 Advanced Music Production System. All three updates are available… View this story
Filed in: Recording • Product • Audio • Digital Audio Workstations • Digital • Mixer • Monitoring • Software • Studio • System -
Friday, August 21, 2009
PSW Staff 08/21/09 11:25 AM, 0 CommentsFocusrite is now shipping the new Saffire PRO 24 DSP, a 16-input/8-output FireWire audio interface that features new VRM monitoring technology in addition to real-time DSP-powered tracking plug-ins, all tailor-made for the modern recording environment. The Saffire PRO 24 DSP completes the full lineup of four new Saffire Audio Interfaces from Focusrite including: Saffire PRO 24 at $299 U.S. MAP, Saffire PRO 24 DSP at $399, Saffire PRO 40 at $499, and Liquid Saffire 56 with 2 Liquid Channels at… View this story
Filed in: Recording • Product • Audio • Digital Audio Workstations • Digital • Processor • Software • Studio • System -
Friday, August 07, 2009
PSW Staff 08/07/09 12:47 PM, 0 CommentsCrossword Christian Church in Riverside, California recently upgraded its sound reinforcement capability on a large scale replacing the systems in its sanctuary, courtyard, and children’s wing with an assortment of Electro-Voice equipment from CBC Technical of Murrieta, California. Crossword’s new sanctuary system includes five EV Phoenix PX2152 loudspeakers in a flown left-center-right configuration (including a central cluster of three), with two Phoenix EV PX2181 subwoofers on the ground at stage left and right, as well as Dynacord VL262s compact double-six-inch,… View this story
Filed in: Church Sound • News • Amplifier • Audio • Installation • Loudspeaker • Power • Sound Reinforcement • Subwoofer -
Thursday, August 06, 2009
PSW Staff 08/06/09 06:43 AM, 0 CommentsThe evolution e 965, the unique Sennheiser dual-diaphragm condenser microphone, is now available as a wireless version. The MMK 965-1 microphone capsule attaches to both Sennheiser 2000 Series and evolution G3 Series SKM handheld transmitters in seconds, allowing users of both series to enjoy the unique dual-diaphragm advantage of Sennheiser’s e 965 microphone. The Sennheiser ew 500-965 G3 system is based around the MMK 965-1 and ships with the EM 500 G3 receiver, a GA 3 rack-mount kit, and the… View this story
Filed in: Live Sound • Church Sound • Product • Audio • Installation • Microphone • Sound Reinforcement • Stage -
Monday, August 03, 2009
PSW Staff 08/03/09 07:35 AM, 0 CommentsProducer Loops as introduced Trance Elevation Volume 1, a huge construction kit sample library that offers everything required to produce top-level Trance tracks. It includes 10 construction kits (300MB per kit) suitable for use in all sequencers on both Mac and PC. MIDI files have also been provided for intermediate and advanced users. The collection was produced for ProducerLoops.com by Jonathan Blakoe of Static Blue, who’s remixes for Armin Van Buuren, Sunny Lax, Kamil Polner and Adam Szabo have earned… View this story
Filed in: Recording • Product • Digital Audio Workstations • Software • Studio
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