Articles Tagged Tube

  • Monday, October 11, 2010
    sound myths
    Harvey Gerst 10/11/10 04:09 PM, 3 Comments
    Over the years, I’ve heard people tell me a lot of things that they believe to be true, but aren’t. They hear it from other musicians and pass it on and pretty soon, people start accepting it as absolute fact. The actual truth gets buried in history and that’s the way legends are born. It’s charming, but inaccurate. Let’s examine some of these beliefs. Bass drum ports There are a lot of drummers that cut a small hole (usually around… View this story
    Filed in: RecordingFeatureOpinionPollAnalogAudioDigital Audio WorkstationsMicrophoneStudioSystem

  • Friday, July 16, 2010
    tech tip
    PSW Staff 07/16/10 09:06 AM, 1 Comment
    Provided by Sweetwater.   Q: I’ve been told to do 24 hour burn-ins on all my new tube mics. What does the tube go through in that 24 hour period (if anything really) that makes the tube better? Also, is longer better and can you break the time up into several shorter sessions of burn-in if you need to use the power supply or take some kind of other leave?” A: Sometimes knowing what you are doing means knowing when… View this story
    Filed in: RecordingFeatureStudy HallAnalogProcessorStudio

  • Wednesday, June 16, 2010
    telefunken ak-47
    PSW Staff 06/16/10 09:05 AM, 0 Comments
    TELEFUNKEN Elektroakustik is introducing the new MkII version of the R-F-T AK-47, one of the company’s most popular and affordable microphones. The formal introduction will be made at the upcoming (later this week) 2010 Summer NAMM show in Nashville. Featuring a dual-sided, gold-sputtered capsule and a NOS (New Old Stock) TELEFUNKEN EF-732 vacuum tube, the new AK-47 MkII includes a transformer upgrade to the historic BV8 found in the U-47 and U-48 microphone classics of the past. TELEFUNKEN Elektroakustik has… View this story
    Filed in: Live SoundRecordingPollProductAudioMicrophoneSound ReinforcementStageStudio

  • Thursday, May 20, 2010
    tech tip
    PSW Staff 05/20/10 10:43 AM, 1 Comment
    Provided by Sweetwater.   Q: Hi! I’m an intern at Studio Name Omitted and I have a question for you. I love the way a rack of gear looks all lit up, but every so often there are these open spaces. It seems to me like we’d save a lot of space if we got rid of the blank spaces and condensed the racks. Are these spaces important or something? A: As you mention, there is a temptation, with an… View this story
    Filed in: RecordingChurch SoundFeatureStudy HallAnalogAudioInstallationProcessorSignalStudioSystemTechnician

  • Monday, April 12, 2010
    image
    PSW Staff 04/12/10 09:36 AM, 0 Comments
    Funkmaster Bootsy Collins has acquired a full range of new microphones from TELEFUNKEN Elektroakustik. A bassist, producer, singer, and songwriter, Collins now has a matched pair of large diaphragm AK-47 tube mics, a matched pair of ELA M260 small diaphragm mics, and a pair of M80 dynamic mics.  Snoop Dogg, who is contributing to Collins’ upcoming James Brown tribute album at “Boot Cave” studios, also picked up a new AK-47 to add to his collection, which now includes three AK-47s,… View this story
    Filed in: RecordingNewsPollAnalogAudioMicrophoneStudio

  • Monday, March 29, 2010
    image
    PSW Staff 03/29/10 01:48 PM, 0 Comments
    GRAMMY-nominated engineer/producer Hal Winer has selected the AKG Perception 820 for his facility, BiCoastal Music. Offering something that computer programs can not: a warm, smooth and rich vintage sound, the tones provided by his new AKG Perception 820 Tube have been an asset to his recording process. Winer has been using the Perception 820 Tube in every recording since he first acquired it, applying it to both lead and backing vocals as well as guitar, bass and various other feature… View this story
    Filed in: RecordingNewsAnalogAudioMicrophoneSignalStudio

  • Friday, November 06, 2009
    telefunken ela m 251t microphone
    PSW Staff 11/06/09 11:56 AM, 0 Comments
    The new Telefunken Elektroakustik ELA M 251T condenser tube microphone features the company’s CK-13 capsule, while based upon the classic ELA M 251 models. The new ELA M 251T features an implementation of Alloy 2213 as the diaphragm membrane material for the capsule. Alloy 2213 is an amalgam of Titanium and Aluminum, which was originally developed for the aerospace industry. Traditionally gold has been sputtered onto Mylar for the diaphragms of the historic CK-12 capsule, and by employing Alloy 2213,… View this story
    Filed in: Live SoundRecordingProductAudioMicrophoneSound ReinforcementStageStudio