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Articles Tagged Technology

  • Friday, June 26, 2015
    image
    David Gans 06/26/15 11:47 AM,
    This article originally appeared in the June 1983 issue of Recording Engineer/Producer magazine. The Grateful Dead have been playing their unique brand of improvisational, eclectic music going on 18 years now. Though their records are modest sellers, and more or less ignored by radio and the “establishment” press, the Dead are consistently among the highest-grossing concert acts in the country. What they do musically is improvisational, existential, and not always satisfactory; but since the beginning the Dead have been attended… View this story
    Filed in: Live SoundFeatureAnalogConcertConsolesEngineerLoudspeakerMicrophoneMixerSound ReinforcementStageSubwooferSystem

  • Monday, May 11, 2015
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    Karl Winkler 05/11/15 12:16 PM,
    It’s becoming increasingly difficult to keep up with technology. What used to be “merely” hardware now has a software component. Everything has layers, touch screens, and incredible power and flexibility, which is great. But the not-so-great part is that the learning curve is ever steeper. And while there are standards for MIDI, USB, .WAV, Ethernet, MADI, and many other methods of keeping all this gear connected and communicating, each mixing platform, DSP box and loudspeaker management unit has its own… View this story
    Filed in: AVFeatureNewsOpinionStudy HallAV

  • Friday, March 20, 2015
    tectonic
    PSW Staff 03/20/15 01:36 PM,
    Tectonic Audio Labs has produced a 21-part technical video series explaining the function, performance and application of Distributed Mode Loudspeaker (DML) technology in its loudspeakers, which employ large format flat panel DML resonant mode devices to propagate audio. “DMLs produce audio in a fundamentally different way than a typical loudspeaker does,” explains Tim Whitwell, physicist and DML expert. “This technology can seem quite counterintuitive to those not familiar with resonant mode devices.” The Tectonic technical video series condenses more than… View this story
    Filed in: AVLive SoundNewsVideoProductAVLine ArrayLoudspeakerManufacturerProcessorSignalSound Reinforcement

  • Monday, February 02, 2015
    image
    PSW Staff 02/02/15 02:20 PM,
    As part of the Comcast Programming Group, Golf Channel operates in partnership with the PGA Tour and showcases the biggest and the best of everything related to the sport for the television news show, Golf Central. Because capturing the magic of this sport must be done efficiently and without distracting the competitors, Digital Hybrid Wireless technology from Lectrosonics plays a central role in location sound recording for the show’s production. Los Angeles-based Stef Butler serves as the show’s camera operator… View this story
    Filed in: Live SoundRecordingNewsMicrophoneTechnician

  • Thursday, October 16, 2014
    qsc
    PSW Staff 10/16/14 08:56 AM,
    QSC technical communications developer and pro audio industry veteran Bob Lee was honored at the 137th Convention of the Audio Engineering Society with the AES Fellowship Award. The award is presented to an AES member who has rendered conspicuous service, or is recognized to have made a valuable contribution to the advancement in or dissemination of knowledge of audio engineering or in the promotion of its application in practice. “I’m honored to be recognized and humbled to be included with… View this story
    Filed in: AVLive SoundRecordingNewsAmplifierAVBusinessEducationLoudspeakerManufacturer

  • Monday, October 13, 2014
    prosoundweb
    George Tucker 10/13/14 09:49 AM,
    This article is provided by Commercial Integrator   “Those who cannot remember the past are condemned to repeat it.” — George Santayana “Those who reject the achievement of past innovations are due a smack.” — George Tucker Ours is an industry driven by change. Margins and growth are, more often than not, based on a premise of installing what’s new in place of the old. We post with the glee of an Aztec priest holding the still-beating heart of the… View this story
    Filed in: AVFeatureBlogStudy HallAVBusinessEducationEthernetInterconnectNetworkingRemoteSignalTechnician

  • Tuesday, July 08, 2014
    technology
    Karl Winkler 07/08/14 03:11 PM,
    At one time or another, all of us who have sat behind a mixing console at a show are asked “do you know what all those knobs do?” Of course the answer is “yes”—or at least it should be. What they don’t ask is “do you know anything about acoustics?” or “do you have a handle on power and grounding?” because these subjects are not nearly as interesting or obvious to the novice observer. Maybe the real question is along… View this story
    Filed in: Live SoundFeatureBlogOpinionAnalogDigitalEngineerMixerProcessorSound Reinforcement

  • Wednesday, May 14, 2014
    psw live sound
    Bruce Main 05/14/14 05:55 PM,
    Several years ago I was managing a touring sound company, and we decided to take a stab at contracting. Because our expertise was in large systems, we focused on big installations like stadiums. In those days, most sports facilities were being designed with 12-channel boards, wimpy amplification and loudspeaker clusters kindly called “flying junkyards.” We perceived a huge gap between what was being offered to the average sports fan and what we were consistently providing to other entertainment patrons at… View this story
    Filed in: AVFeatureBlogStudy HallAVConsolesDigital Audio WorkstationsEngineerInstallationMicrophoneNetworkingProcessorSound ReinforcementStudio

  • Thursday, March 06, 2014
    earthworks
    Gary Parks 03/06/14 07:18 PM,
    Particularly over the past couple decades, meeting the needs for greater freedom and flexibility in live performance has meant that microphone companies have expended considerable effort designing and building the hardware to deliver the output wirelessly. Virtually every mic manufacturer has its own brand of wireless, and these units make up a significant portion of their microphone sales. Add the ongoing changes in the RF landscape and a voracious demand for spectrum from communications and consumer devices, and the pressure… View this story
    Filed in: Live SoundFeatureBlogProductMicrophoneProcessorSignalSound ReinforcementWireless

  • Tuesday, January 28, 2014
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    PSW Staff 01/28/14 09:25 AM,
    Universal Audio is proud to announce Unison technology, an audio processing breakthrough that enables the popular Apollo Audio Interfaces’ onboard mic preamps to sound and behave like the world’s most sought-after tube and solid state preamps. More than three years in the making, Unison is an exclusive analog/digital integration system that gives the user continuous, realtime, bi-directional control and interplay between Apollo’s physical hardware and UAD software mic preamp models. With Unison, the Apollo mic preamp’s analog impedance, gain stage… View this story
    Filed in: RecordingNewsProductManufacturerSoftwareStudio





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