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Articles Tagged Studio

  • Monday, October 17, 2016
    Bobby Owsinski 10/17/16 06:49 AM,
    This article is provided by Bobby Owsinski.   One of the tougher things to decide when your doing a project is when the mix is finished. If you have a deadline, the decision is quickly made for you, but if you have a deep pocket budget or unlimited time, a mix can drag on forever. So when is a mix considered finished? Here are some guidelines, courtesy of The Mixing Engineer’s Handbook: 1) The groove of the song is solid.… View this story
    Filed in: RecordingFeatureBlogStudy HallConsolesDigital Audio WorkstationsEngineerMixerStudio

  • Friday, October 14, 2016
    Matthew Weiss 10/14/16 07:01 AM,
    This article is provided by the Pro Audio Files.   So I’m going to be talking about mixing the bass in an alt-rock type of record. Sort of calling upon a mid-90’s alt-rock/pop sort of sound. These multi-tracks can be downloaded from David Glenn‘s website, he’s a friend of mine, a fellow contributor to The Pro Audio Files, and an excellent teacher. I really recommend checking out his stuff. So this is going to be about considering the bass in… View this story
    Filed in: RecordingFeatureBlogVideoEngineerProcessorStudio

  • Thursday, October 13, 2016
    PSW Staff 10/13/16 03:14 PM,
    Focusrite has announced the launch of a new eight-channel mic pre/A-D/D-A, the Clarett OctoPre, designed to allow the rapid addition of eight mic/line inputs and line outputs with the company’s Clarett range of audio interfaces, or other interfaces that include ADAT optical I/O. The Clarett OctoPre includes eight of the Clarett range’s ‘Air’-enabled mic pres: the ‘Air’ effect emulates the transformer-based sound of Focusrite’s ISA range of heritage mic pres. The preamps include extensive headroom, making them ideal for drums… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsInterconnectStudio

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    PSW Staff 10/13/16 01:32 PM,
    Radial Engineering announces the new LX3 passive line splitter. The Radial LX3 is designed to send one audio signal to as many as three destinations at once. Completely passive with no need for power, you simply plug in and the LX3 goes to work delivering your audio wherever it needs to go.   The heart of the LX3 is a Jensen transformer, which provides two isolated outputs to eliminate hum and buzz from ground loops, along with a third direct… View this story
    Filed in: AVNewsProductAVInterconnectSound ReinforcementStageStudio

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    Karl Winkler 10/13/16 12:01 PM,
    As with the ever-ongoing debates about “tubes versus transistors,” “analog versus digital” and “Mac versus PC,” there’s not likely to be agreement any time soon about “objective versus subjective” when it comes to sound quality. Extremists in the “Objectivist” camp argue that, “if it can’t be measured, it doesn’t exist” while on the other hand, the “Subjectivist” side firmly backs the idea that “human beings can hear things that can’t be measured.” How often has it been suggested, “use your… View this story
    Filed in: Live SoundFeatureBlogOpinionStudy HallAmplifierAnalogDigitalEngineerMeasurementSignalSound Reinforcement

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    PSW Staff 10/13/16 11:22 AM,
    NUGEN Audio announces that Fonic, a full-service audio post-production facility based in Shoreditch, East London, has chosen the company’s Halo Upmix plugin to provide upmixing for a range of television and cinema productions. Available in Avid AAX, VST, and AU formats, Halo Upmix automates the creation of a stereo-to-5.1 and 7.1 downmix-compatible upmix with unique center channel management and spatial density controls. “Increasingly, we’re required to deliver broadcast projects in 5.1 surround audio, but most music composers still produce audio… View this story
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • recording
    Daniel Keller 10/13/16 06:54 AM,
    Courtesy of Universal Audio.   Most recording musicians, engineers and producers are well aware what a difference mastering can make to our mixes. And as we’ve discussed in previous columns (such as Audio Mastering Basics: Taking Your Music That Extra Step), mastering is an art form in itself, and is best placed in the hands of a specialist. But even expert mastering engineers can only accomplish so much, and it’s largely dependent on the raw materials they’re given to work… View this story
    Filed in: RecordingFeatureBlogStudy HallEngineerMixerProcessorSignalSoftwareStudio

  • Wednesday, October 12, 2016
    PSW Staff 10/12/16 08:24 AM,
    The studio control room at the Music Engineering Technology Program at the University of Miami’s Frost School of Music, has recently been upgraded with RedNet products from Focusrite. Since 1975, the program there has set the standard by which the National Association of Schools of Music (NASM) accredits other such programs around the United States. Alumni of the program, including Will Lee, Bruce Hornsby, Steve Morse and Jon Secada, have contributed significantly to the music and audio industries. Much of… View this story
    Filed in: RecordingNewsAVConsolesDigitalDigital Audio WorkstationsEducationEthernetInstallationNetworkingStudio

  • Tuesday, October 11, 2016
    PSW Staff 10/11/16 11:27 AM,
    The UCLA Herb Alpert School of Music has a new recording studio, complete with a 1400 square-foot live room and a new 72 channel Solid State Logic Duality δelta hybrid console. The facility, located in the school’s new Mo & Evelyn Ostin Music Center, is available to all of the school’s faculty and students to produce creative and academic projects. Vanessa Parr, formerly of The Village recording studio, recently joined the school as studio recording engineer: “The range of experience… View this story
    Filed in: RecordingNewsConsolesEducationEngineerStudio

  • Monday, October 10, 2016
    PSW Staff 10/10/16 11:58 AM,
    elysia announce availability of the mpressor 500 — expanding its lineup of its 500 Series modules as of October 10th. Extreme time constants, negative ratios, anti log release, and elysia’s gain reduction limiter provide a whole spectrum of unique dynamics shaping options. A new feature of this 500 series module is its switchable THD Boost, allowing on-the-fly signal coloration and saturation effects capable of delivering a different, grittier flavor. “It’s been a challenge to transfer such a sophisticated discrete design… View this story
    Filed in: RecordingNewsProductProcessorStudio

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