Sign up for ProSoundWeb newsletters
Subscribe today!

Articles Tagged Studio

  • Monday, June 20, 2016
    image
    PSW Staff 06/20/16 12:42 PM,
    Independent engineer and scoring mixer Tommy Vicari CAS has a resume which includes film credits such as Walt Disney’s Bridge of Spies and Finding Nemo. He also handles audio for the Academy of Motion Picture Arts and Sciences Oscars award show every year. This two time Grammy Award-winner and six time Emmy Award-winner selected ribbon microphones from Royer Labs and condenser microphones from Mojave Audio for use on his latest project, Finding Dory. Finding Dory is a 3D computer-animated comedy… View this story
    Filed in: RecordingNewsEngineerMicrophoneStudio

  • image
    David Brody 06/20/16 12:27 PM,
    From the February 1984 issue of the late, great Recording Engineer/Producer (RE/P) magazine, Dave Brody shares some hard-earned secrets of success for surviving studio drama… Okay, so you know all about the system gain structure, the recorders, and every toy in the outboard rack. You’ve got the console layout under your fingers, and can play it in your sleep. Using your extensive musical background, you make edits so smooth and tight that they all swear the chart was written that… View this story
    Filed in: RecordingFeatureStudy HallBusinessEngineerStudio

  • image
    PSW Staff 06/20/16 07:55 AM,
    Acustica Audio introduces the Pink7236 multiband compressor, a virtual effect audio plugin for Windows and Mac OS X that functions as a VST plugin, an audio units plugin and an AAX plugin. Pink7236 is derived directly from Pink channel-strip plugin and Pink2412 compressor plugin, but it has been redesigned and upgraded by introducing new important features, including:—SHMod, an adjustable attack behavior shape control that allows you to fine-tune the attack shape for customize Pink 2412 compressor attack behavior for any… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorStudio

  • image
    PSW Staff 06/20/16 07:23 AM,
    Prism Sound’s Mic to Monitor educational seminars will make their first visit to Australia this year as part of an extensive tour program that takes place on three continents. Targeted at music production students, hobbyists and professionals, Mic to Monitor aims to dispel the many myths surrounding the recording process. The events answer those all-important questions such as what makes great gear great, what does it take to become a successful and in demand audio engineer, how do recording professionals… View this story
    Filed in: RecordingNewsEducationEngineerStudio

  • Friday, June 17, 2016
    image
    PSW Staff 06/17/16 07:30 AM,
    Harrison announces the next release of their Mixbus and Mixbus32C DAW software Ver 3.4 and a new Mixbus XT-TG tom-tom gate plugin, both of which will be available during summer NAMM at the end of June. A new feature in v3.4 is a polarity maximizer, which automatically calculates the best polarity settings for each individual channel strip of a multi mic recording such as a drum kit or large orchestra to maximize the overall SPL output without adversely affecting stereo… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsSoftwareStudio

  • Thursday, June 16, 2016
    image
    PSW Staff 06/16/16 03:08 PM,
    13-year-old Juliana Wilson will be performing at this year’s Summer NAMM “She Rocks” showcase. Wilson has been developing her unique musical style for two years with producer Matty Amendola of 825 Records and his TELEFUNKEN AK-47 MkII large diaphragm tube microphone. “In 2014 I was given a song and immediately put in a room and asked to sing into a bunch of different microphones,” Wilson explains. “As nervous as I was, I felt relieved the second I heard my voice… View this story
    Filed in: RecordingNewsMicrophoneStudio

  • image
    PSW Staff 06/16/16 12:35 PM,
    Last year, London’s Factory Studios became the first UK facility to include a Dolby Atmos-licenced suite for commercials and trailers, which features 35 Alcons Audio CRMS Cinema Reference Monitor System loudspeakers. Founded in 1997, the facility has produced the sound for projects by many high profile clients, including EE, O2, Renault, Nike, Three, eBay, Sainsbury’s, Tesco, Harvey Nichols, BT, Sony and Samsung. “We aim to be at the forefront of developments in audio technology,” says Factory sound engineer Ben Firth.… View this story
    Filed in: RecordingNewsInstallationLoudspeakerMonitoringSound ReinforcementStudio

  • image
    PSW Staff 06/16/16 09:41 AM,
    Pro Sound Effects has announced year-round open enrollment for its Freelancer Program. PSE created the Freelancer Program to support freelance sound designers, editors and independent media creators worldwide. Freelancers who apply and qualify become members with year-round access to savings of up to 60% on PSE sound effects libraries and software. The Hybrid Sound Effects Library , NYC Ambisonics, iZotope’s Iris 2, Soundminer, and SoundMorph’s Wave Warper are among 14 PSE-curated sound effects libraries and software programs currently available to… View this story
    Filed in: RecordingNewsBusinessEngineerSoftwareStudio

  • image
    PSW Staff 06/16/16 08:54 AM,
    Auralex Acoustics is now shipping SonoTech, the latest product utilizing Auralex’s proprietary Studiofoam. SonoTech offers effective absorption treatment, on a budget, for home studios in need of a softer aesthetic than offered by other Studiofoam products.  This unique 2-inch thick profile is available in a 24x 24-inch format for a variety of residential applications. SonoTech panels are available in a charcoal gray color and are made from Auralex’s long-lasting, melamine-free formula, which won’t crumble with age.  Studiofoam SonoTech panels include… View this story
    Filed in: RecordingNewsProductAVManufacturerSound Reinforcement

  • image
    Bill Mueller 06/16/16 06:08 AM,
    Courtesy of Omega Studios.   Most of us have heard about the New York parallel compression drum mix technique. (Not to be confused with our HOT Drum Setup Tip.) This is where you send a drum mix to a stereo bus and then apply compression to the bus and feed that signal back into the two mix. This method can be used in either very subtle or obvious ways by varying the amount and character of the compression and how… View this story
    Filed in: RecordingFeatureBlogStudy HallConsolesDigitalDigital Audio WorkstationsEngineerProcessorSoftwareStudio



Audio Central