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Articles Tagged Studio

  • Monday, November 21, 2016
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    PSW Staff 11/21/16 10:26 AM,
    Telefunken Elektroakustik, headquartered in Connecticut, is shipping all of its Diamond Series large diaphragm condenser microphones with Sommer Cable especially designed in Germany for tube microphones. Telefunken offers historic recreations of classic microphones in a product line that blends vintage style and sound with the reliability of a modern-day microphone. The Diamond Series microphones offer meticulous reproductions of classic vintage microphones, including the ELA M 251, U47, and C12, recreated to exacting details to the originals. Telefunken’s U47 and U48… View this story
    Filed in: RecordingNewsProductManufacturerMicrophoneStudio

  • recording
    Joe Gilder 11/21/16 08:12 AM,
    This article is provided by Home Studio Corner.   Whether it’s a documentary on your favorite band, a movie scene in a recording studio, or a full-page ad in Sweetwater‘s latest catalog, one common theme exists: vocalists use large-diaphragm condenser microphones. I’m not a big fan of the phrase “that’s how we’ve always done it.” Certainly we should learn from the experience of others, but doing something just because everyone else does it leads to a fairly boring experience. Do… View this story
    Filed in: RecordingFeatureBlogStudy HallEngineerMicrophoneMixerSignalStudio

  • Friday, November 18, 2016
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    Bobby Owsinski 11/18/16 05:58 AM,
    This article is provided by Bobby Owsinski.   As we’re all too aware, crafting a hit song isn’t easy. Most people in the music business struggle their whole careers to be a part of just one, while others do the same to get a taste of that magic once again. While there isn’t an exact formula for a hit, there are a number of common elements between them that you’ll find that may help you in creating one. Here’s an… View this story
    Filed in: RecordingFeatureBlogEngineerStudio

  • Wednesday, November 16, 2016
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    PSW Staff 11/16/16 06:28 AM,
    The John Lennon Educational Tour Bus (Lennon Bus), the non-profit mobile pro audio and HD video recording facility that provides hands-on experiences for students of all ages, is making its return to the 2017 NAMM Show on Thursday, January 19th at the Anaheim Convention Center. 2017 marks the John Lennon Educational Tour Bus’ 20th Anniversary of carrying on John Lennon’s legacy of peace, love and creativity. “Launching the 20th Anniversary tour at the NAMM Show is like coming home,” says… View this story
    Filed in: RecordingNewsAVBusinessEducationStudio

  • Tuesday, November 15, 2016
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    PSW Staff 11/15/16 12:37 PM,
    iZotope has released Ozone 7 Elements - an entry level version of its mastering software for helping producers, beat makers and songwriters to produce radio and streaming-ready mixes. Ozone 7 Elements utilizes Ozone 7´s processing under the hood and enables you to achieve a full, rich, and loud final mix with professionally-crafted presets and simple macro controls to shape your sound. Start by selecting a preset. Under the hood, each mastering preset drives a series of Ozone processors designed to… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • rolling stones
    Bruce Borgerson 11/15/16 07:30 AM,
    If you’ve seen the Rolling Stones Gimme Shelter movie, you might recall Jimmy Johnson’s brief speaking role. He was the one coaching Keith Richards on the proper Alabama pronunciation of “Y’all come back, y’hear.” For three nights in December of 1969, the Stones cut basic tracks and live vocals for three songs: “You Gotta Move,” “Wild Horses” and “Brown Sugar.” The sessions took place at Muscle Shoals Sound Studios—the “burlap palace” at 3614 Jackson Highway—a nondescript former casket factory which… View this story
    Filed in: RecordingFeatureBlogStudy HallEngineerMicrophoneMixerProcessorStudioTechnician

  • Monday, November 14, 2016
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    PSW Staff 11/14/16 03:32 PM,
    Vahagn Stepanyan is a music producer, arranger, composer, and keyboard player from Armenia who has fully embraced the promise of long-distance collaboration with Turkish mixing engineer Alen Konakoglu and musicians from nearly fifteen different countries. The Grammy Recording Academy voting member recently signed on to score and arrange soundtracks for sixteen documentaries produced by Armenian Public Television. Stepanyan also recently released his own debut album, Moonlight, in which he and Konakoglu made extensive use of Metric Halo plugins. “Alen is… View this story
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsProcessorStudio

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    PSW Staff 11/14/16 12:12 PM,
    Waves Audio is now shipping the Waves Abbey Road Vinyl Plugin – a precise model of Abbey Road Studios’ vinyl cutting and playback gear, designed to give your music the vintage warmth of vinyl records played on classic turntables and needles. There are few things in music that capture the emotion of diehard fans more than vinyl. The retro feel of a record, combined with the analog warmth of its sound, makes vinyl a beautiful nostalgic statement. Designed with Abbey… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

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    M. Erik Matlock 11/14/16 11:52 AM,
    Earlier this year at Prolight + Sound in Frankfurt, I saw an abundance of new products from every corner of our industry. There were a few that captured my attention and begged for me to rip the credit card out, slash my way through the crowd and claim some new treasures. Yeah, I still get a little emotional over new gear. When I met Drago from Schertler, we talked about the new products they were introducing. The guitar amp collection… View this story
    Filed in: AVFeatureOpinionProductReviewAnalogAVConsolesManufacturerMixerMonitoringSound ReinforcementStageStudio

  • Friday, November 11, 2016
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    Jackson B. Jackson 11/11/16 12:30 PM,
    I saw Pink Floyd’s epic film “The Wall” for the first time when I was 12 years old. It was quite possibly, at that time, that I first realized that recorded music held a certain “power.” The music of that film, coupled with the vibrant, yet bleak imagery, “forced” me to confront a whole range of emotions. Shortly after, when I heard the album by itself, I found that the music alone still moved me in the same ways. Certain… View this story
    Filed in: RecordingFeatureOpinionStudio



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