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Articles Tagged Studio Monitors

  • Wednesday, March 30, 2016
    Chris Huff 03/30/16 09:53 AM,
    This article is provided by Behind The Mixer.   Personal monitoring systems, aka IEM systems, come in all shapes and sizes but which is best for a particular band?  There are five levels of these systems which drive product selection and a few brands have been highlighted. Level 1: Basic IEM System This is as simple as it gets. The Rolls PM351 has been the go-to minimalistic monitor system for years. Each unit works by plugging the musician’s microphone or… View this story
    Filed in: AVFeatureStudy HallAVMixerMonitoringSound ReinforcementStageStudio

  • Wednesday, April 30, 2014
    PSW Staff 04/30/14 02:59 PM,
    Top producer/engineer Mark Linett recently upgraded his Barefoot Sound MicroMain27 monitors to the latest Gen2 models. The monitors are utilized at “Your Place or Mine,” his private studio in LA, which features a customized API 2488 console with Flying Faders, and two original Universal Audio tube consoles, as well as an extensive mic and outboard gear collection.  All tape formats from mono to 24 track are available along with a Pro Tools 32x32 TDM system. “I’m on the Gen2s, but… View this story
    Filed in: RecordingNewsEngineerLoudspeakerStudio

  • Tuesday, January 28, 2014
    PSW Staff 01/28/14 09:00 AM,
    India-based Sonodyne has announced the SRP series of bi-amplified, die-cast aluminum studio reference monitors. Company founder Ashoke Mukherjee and his research team are pleased to have yet again surpassed the performance/price barrier. TransAudio Group, Sonodyne’s U.S. distributor, showcased them at the recent NAMM show. Five models span the series to meet different needs and budgets, from the small SRP 350, through the SRP 400, 500, and 600, to the large SRP 800. A sensible collection of back panel controls adapt… View this story
    Filed in: RecordingNewsProductLoudspeakerMonitoringStudio

  • Monday, November 04, 2013
    adam audio
    PSW Staff 11/04/13 03:28 PM,
    ADAM Audio  is giving away four pairs of autographed special edition F-series monitors to those with the most creative photo ideas. Entrants who send in the most imaginative photographic submissions in November and December 2013 will get the chance to win a pair of F5 or F7 active studio monitors. The one-of-a-kind models are custom-designed and signed by ADAM founder and CEO Klaus Heinz. Only two pairs each of these F5 and F7 monitors will exist worldwide. Entrants need to… View this story
    Filed in: Live SoundRecordingNewsBusinessLoudspeakerMonitoringStudio

  • Thursday, February 28, 2013
    PSW Staff 02/28/13 02:43 PM,
    Japanese pro-audio manufacturer Fostex has announced that the company’s first 2-way powered studio monitor system, the PMO.3, is now shipping. Offered in three color styles that include gray, white and classic black, the PMO.3 is a professional quality speaker system that combines a dedicated 3-inch LF fiberglass cone woofer and ¾-inch HF silk dome tweeter drivers together with a built-in class D amplifier for unparalleled performance in its class. Compact in stature, yet efficient and robust in accuracy, the PMO.3… View this story
    Filed in: RecordingNewsLoudspeakerPowerStudio

  • Monday, November 05, 2012
    PSW Staff 11/05/12 01:53 PM,
    Marty Stuart was born a country music traditionalist who has always embraced the styles and sounds of pure country—right down to recording with his Fabulous Superlatives band in Nashville’s iconic RCA Studio B with the help of Stuart’s longtime engineer Mick Conley and his JBL LSR4300 Series studio monitors. “Marty is as old school as I am when it comes to the sound he wants to get on his records,” said Conley, who has worked with greats such as Kathy… View this story
    Filed in: RecordingNewsBusinessLoudspeakerStudio

  • Friday, February 24, 2012
    PSW Staff 02/24/12 11:36 AM,
    Post production facility Union Editorial has upgraded the monitors in the larger of its two audio production and mixing studios with Genelec Active Monitors. Because the L.A.-based facility regularly handles high-end agency clients, including Chevy, McDonald’s, Fiat and Diet Pepsi while also doing a fair share of feature film work and movie trailers, it needs 5.1 monitoring that can cover the gamut of media needs. The new monitoring system, consisting of three Genelec 8250A Bi-Amplified DSP Monitors for the L-C-R… View this story
    Filed in: RecordingNewsPollBusinessLoudspeakerMonitoringStudioAudio

  • Wednesday, February 17, 2010
    jbl grammy
    PSW Staff 02/17/10 07:00 AM, 0 Comments
    JBL Professional loudspeakers were used in both the arena and the critical listening room of the recent 52nd Annual Grammy Awards at the Staples Center in Los Angeles, broadcast live in HDTV and 5.1 surround sound on the CBS Television Network Key members of The Recording Academy’s Producers & Engineers Wing used JBL LSR6300 Series studio monitors for critical monitoring during the awards telecast. “As always, attention to detail is essential for the Grammy telecasts, and this year’s awards were… View this story
    Filed in: Live SoundRecordingNewsConcertLine ArrayLoudspeakerMonitoringSound ReinforcementStudioSubwoofer

  • Tuesday, November 10, 2009
    PSW Staff 11/10/09 08:07 AM, 0 Comments
    JBL Professional is now shipping the MSC1 monitor system controller, which offers features found in large mixing consoles to control essential monitoring functions from the mix position. Because acoustic issues in the room can compromise the quality of the mix, the MSC1 includes the new third generation of JBL acclaimed RMC Room Mode Correction Technology that tunes the monitor system to over come low frequency room problems that can affect the quality of the mix. RMC measures the room and… View this story
    Filed in: RecordingChurch SoundProductDigital Audio WorkstationsLoudspeakerMonitoringProcessorStudio

  • Tuesday, July 21, 2009
    atc studio monitors
    PSW Staff 07/21/09 10:17 AM, 0 Comments
    TransAudio Group has announced the immediate availability of ATC’s most reasonably-priced reference monitor, the SCM11 two-way passive speaker. The new monitor incorporates ATC’s Constrained Layer Damping (CLD) technology, which reduces third-harmonic distortion between 100 Hz and 3 kHz, resulting in an extended, resonance-free axial frequency response, improved off-axis frequency response, and a significant increase in loudspeaker power response. The new CLD technology is incorporated in the 5.9 inches (150 mm) mid/low frequency driver with 1.77 inches (45 mm) integral soft… View this story
    Filed in: RecordingProductDigital Audio WorkstationsLoudspeakerMonitoringStudio

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