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Friday, February 24, 2012
PSW Staff
02/24/12 12:36 PM,
Post production facility Union Editorial has upgraded the monitors in the larger of its two audio production and mixing studios with Genelec Active Monitors. Because the L.A.-based facility regularly handles high-end agency clients, including Chevy, McDonald’s, Fiat and Diet Pepsi while also doing a fair share of feature film work and movie trailers, it needs 5.1 monitoring that can cover the gamut of media needs. The new monitoring system, consisting of three Genelec 8250A Bi-Amplified DSP Monitors for the L-C-R…
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Wednesday, February 17, 2010
PSW Staff
02/17/10 07:00 AM,
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JBL Professional loudspeakers were used in both the arena and the critical listening room of the recent 52nd Annual Grammy Awards at the Staples Center in Los Angeles, broadcast live in HDTV and 5.1 surround sound on the CBS Television Network Key members of The Recording Academy’s Producers & Engineers Wing used JBL LSR6300 Series studio monitors for critical monitoring during the awards telecast. “As always, attention to detail is essential for the Grammy telecasts, and this year’s awards were…
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Tuesday, November 10, 2009
PSW Staff
11/10/09 08:07 AM,
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JBL Professional is now shipping the MSC1 monitor system controller, which offers features found in large mixing consoles to control essential monitoring functions from the mix position. Because acoustic issues in the room can compromise the quality of the mix, the MSC1 includes the new third generation of JBL acclaimed RMC Room Mode Correction Technology that tunes the monitor system to over come low frequency room problems that can affect the quality of the mix. RMC measures the room and…
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Tuesday, July 21, 2009
PSW Staff
07/21/09 10:17 AM,
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TransAudio Group has announced the immediate availability of ATC’s most reasonably-priced reference monitor, the SCM11 two-way passive speaker. The new monitor incorporates ATC’s Constrained Layer Damping (CLD) technology, which reduces third-harmonic distortion between 100 Hz and 3 kHz, resulting in an extended, resonance-free axial frequency response, improved off-axis frequency response, and a significant increase in loudspeaker power response. The new CLD technology is incorporated in the 5.9 inches (150 mm) mid/low frequency driver with 1.77 inches (45 mm) integral soft…
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Wednesday, June 24, 2009
PSW Staff
06/24/09 10:54 AM,
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In the late 1980’s Matt Knobel started out working in several in New York studios including Media Sound and Platinum Island learning the ropes, then continuing with jingles on hundreds of recording and mixing sessions from American Express to Yellow Pages at JSM Music in NYC. “It was a great experience. I got to work with some great engineers, world class musicians and to work in a lot of amazing studios,” says Knobel. “I then started working a lot with…
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Friday, April 24, 2009
PSW Staff
04/24/09 12:27 PM,
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John Holbrook began his recording engineering career in the 1960s at IBC studios, where he worked on masters for The Who’s “Tommy” and Jimi Hendrix’ “Electric Ladyland,” among many others. He has also worked for analog synth manufacturer EMS, designed several well-regarded recording rooms in New York, and maintains an active freelance engineering schedule. Holbrook’s work has earned him five Grammy Awards and innumerable gold and platinum albums for work with such acts as Natalie Merchant, Elton John, The Brian…
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Friday, April 10, 2009
PSW Staff
04/10/09 07:37 AM,
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Producer and engineer Greg Ladanyi, known for his work with Jackson Browne, Fleetwood Mac, Don Henley and Toto, has installed a pair of ATC (Acoustic Transducer Company) SCM50ASL Pro active three-way monitors in his studio at Maple Jam Music Group. The one-room facility focuses on pre-production, tracking and mixing for the group’s roster of artists, which include Anna Vissi, Type O Negative, and Hollywood Undead. The SCM50ASL Pro mid-field systems, which each incorporate a one-inch dome tweeter, three-inch custom Super…
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Friday, April 03, 2009
PSW Staff
04/03/09 02:30 PM,
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Blue Sky has introduced two new components to its full line of monitoring solutions: SUB 212 400-Watt Push-Pull Active Subwoofer and the SAT 8 300-Watt Compact Mid-Field Monitor. The SUB 212 is designed to be an integral part of the monitoring system, enabling a studio monitor, such as the SAT 8, to be positioned for the best imaging, and the SUB to be positioned for the best bass response. Relieving the studio monitor of the requirement to reproduce the low…
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Tuesday, March 31, 2009
PSW Staff
03/31/09 12:35 PM,
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ICON Studios in Atlanta recently invested in new Equator Audio Research G12 studio reference monitors as well as a Q18 subwoofer for Studio C, one of four studios utilized by top music artists, such as Akon, Jazze Pha, Shawty Red, and DJ Khaled. The monitors were purchased through Atlanta Pro Audio. The Equator Q12 is a two-way active system employing Equator Audio’s Zero Point Reference coaxial design. The monitor’s no-slope crossover approach reduces the mid-range distortion associated with conventional coaxial…
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Wednesday, January 21, 2009
PSW Staff
01/21/09 03:55 PM,
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Engineer Ian Boxill recently installed Focal Professional Solo 6 Be monitors in his personal studio, and has begun mixing a top-secret project. With the past three Prince albums behind him, and a 2008 Grammy for “Best Male Vocal” on the Prince penned song Future Baby Mama, Boxill is primed for new and great things. Deciding to upgrade his studio with new monitors, Boxill chose Focal and is loving the sound, stating, “Focal speakers have the rare quality of being very…
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