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Articles Tagged Studio

  • Tuesday, October 25, 2016
    PSW Staff 10/25/16 09:33 AM,
    Klark Teknik announces the shipping of its 1176-KT FET-style compressor, making homage to the classic 1176LN model. The new unit features a modernized and discrete signal path utilizing custom-engineered MIDAS input and output transformers with an easy to operate user interface. The compressor offers three ratios: 4:1 for moderate compression; 8:1 for severe compression: 12:1 for mild limiting; and 20:1 for hard limiting. Additionally, ‘All-button’ mode is included for aggressive vocals and especially effective when applied to drums, bass, guitar… View this story
    Filed in: RecordingNewsProductAnalogAVProcessorSound ReinforcementStudio

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    PSW Staff 10/25/16 08:42 AM,
    Producer and engineer Fab Dupont recorded David Crosby‘s new album “Lighthouse” (GroundUP Music/Verve Label Group) at Groove Masters, Jackson Brown’s private studio in Santa Monica, then mixed it at Dupont’s own Flux Studios in New York. The microphone choices were many, but the chosen were very few, with the Lauten Audio Eden tube microphone featured on Crosby’s lead vocals. The album was produced by multi-instrumentalist Michael League of Snarky Puppy fame and co-produced, recorded and mixed by Fab Dupont. Dupont,… View this story
    Filed in: RecordingNewsEngineerMicrophoneStudio

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    PSW Staff 10/25/16 07:48 AM,
    The National Association of Music Merchants (NAMM) has announced it will feature Dante training and certification sessions at its annual Anaheim, California trade show, January 20-21. The sessions will be presented at the show by Audinate, and will offer attendees the opportunity to experience an intensive two-days of hands-on training as part of the company’s Dante Certification Program. As an added programming bonus, TEC Tracks at The NAMM Show will host a special “Introduction to Dante” session during its newly-announced… View this story
    Filed in: AVNewsAVBusinessDigitalInstallationInterconnectNetworkingSound ReinforcementStageStudioSystemTechnician

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    Fletcher 10/25/16 07:03 AM,
    In the early days of our industry, equipment was made to serve the user’s needs. Many of the original studio owners came from a radio background. They built their own equipment, from consoles to compressors to equalizers, etc. They didn’t have cost-effective manufacturing in mind when they created this equipment. They built it in order to make superior-sounding recordings. At some point, other people in the audio community asked these pioneers to build equipment for their studios. The world of… View this story
    Filed in: RecordingFeatureStudy HallAmplifierAnalogConsolesEducationEngineerProcessorStudio

  • Monday, October 24, 2016
    PSW Staff 10/24/16 08:57 AM,
    Avid announces the availability of Sibelius | First 8, the “lite” version of Sibelius, offers flexible cloud subscription options as well as a host of time-saving features and software improvements. Available as a subscription or perpetual license, Sibelius | First 8 features many of the same composition tools and is built on the same foundation as the full, professional version. Powerful enough to produce detailed professional scores, yet simple enough for beginners, composing enthusiasts and musicians to use, the streamlined… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsSoftware

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    PSW Staff 10/24/16 08:09 AM,
    ATC announces the upcoming availability of the P2 PRO dual mono power amplifier, rated to deliver 300 watts of continuous power. Hand-built by ATC in the UK, the Class A/B P2 PRO is a dual mono design, keeping the power supplies, signal, and return paths discrete. This approach helps ensure that the amplifier will achieve maximum signal separation with minimal crosstalk, and that intermodulation between channels via the power supplies is reduced to a minimum. It also means that the… View this story
    Filed in: AVNewsProductAmplifierAVMonitoringSound ReinforcementStudio

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    PSW Staff 10/24/16 07:53 AM,
    Jason Stiegler is one of those guys who can’t sit still. When he’s not bouncing between tours with Capital Cities, Atlas Genius, or The Ting Tings, he’s in the studio producing an eclectic range of projects. In his spare time, he’s out spinning tracks at venues and parties across Southern California. It’s a schedule he loves, doing work he enjoys. More intimate clubs and parties in particular provide a way to test out new tracks and gauge audience reaction, he… View this story
    Filed in: Live SoundNewsConcertDigitalLoudspeakerMixerSoftwareSound ReinforcementSubwoofer

  • Friday, October 21, 2016
    Mike Rivers 10/21/16 11:54 AM,
    This article is provided by PreSonus.   The significance of balanced and unbalanced connections between audio devices, as well as the meaning of the terms, is often misunderstood. A balanced output can be designed, constructed, and connected in many ways, and there are several ways in which balanced and unbalanced devices can be interconnected. Balanced connections have a long history that dates back to the early days of telephony. The phone company runs thousands of miles of unshielded cable between… View this story
    Filed in: AVFeatureStudy HallAVEngineerInstallationInterconnectSignalSound ReinforcementStageStudioSystemTechnician

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    PSW Staff 10/21/16 09:03 AM,
    For sending/receiving multiple signals with just one single cable, MADI is the solution. Up to 64 channels per cable, integrated clock synchronization, long-range electrical or optical transmission and more are now available with the MARIAN SERAPH M2. Based on a PCIe interface, a single SERAPH M2 sends and receives up to 256 channels either via 4 electrical BNC or 2 optical SC connectors. SyncBus also allows users to internally synchronize up to 4 SERPAH M2 in one computer. Using special… View this story
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsInstallationInterconnectSoftwareSound ReinforcementStage

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    Joe Gilder 10/21/16 07:21 AM,
    This article is provided by Home Studio Corner.   Limitless audio. That’s the beauty of digital recording. I can record a lead vocal as many times as I want. I can have a guitarist come in and play a hundred different versions of a guitar solo. Then I can stay up until the wee hours of the morning, sifting through all the different takes to find the perfect one. That’s a good thing, right? Well, it can be. However, having… View this story
    Filed in: RecordingFeatureBlogStudy HallDigitalDigital Audio WorkstationsEngineerStudio

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