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Articles Tagged Studio

  • Tuesday, August 30, 2016
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    PSW Staff 08/30/16 02:25 PM,
    In the remarkably short time that it has been a band, Hiatus Kaiyote has managed to create and record two successful albums, each of which earned a Grammy nomination in the category “Best R&B Performance.” The band formed in 2011 in Melbourne, Australia and has ever since been producing soul music infused with the ethos and attitude of indie rock. For their latest album, Choose Your Weapon, the members of Hiatus Kaiyote relied heavily on their home studio and the… View this story
    Filed in: RecordingNewsDigitalProcessorStudio

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    PSW Staff 08/30/16 02:11 PM,
    Producer/remixer Glen Nicholls has invested in two Prism Sound Titan audio interfaces, which he is using with a range of old school FX to create music for various film and TV projects and to record his latest album ‘9.’ Nicholls is also in demand as a remixer and has worked with numerous artists including Snow Patrol, Everything Everything, The Prodigy, Bomb The Bass, Erasure, Yazoo, UNKLE, Mylo, Lamb, Robin S, Moloko and many, many more. He uses various aliases, depending… View this story
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsEngineerProcessorStudio

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    PSW Staff 08/30/16 12:51 PM,
    Shure announces that a new version of its ShurePlus MOTIV mobile recording app—designed for use with the company’s MOTIV digital condenser microphones—is now available for download. Version 2.0 of this iOS app offers a suite of advanced new features, including an editing tool, improved user interface, and fluid sound metering for a more accurate, jitter-free experience. Additionally, version 2.0 offers access to a playback window, enabling users to review, assess, or simply listen to a recording of their choice.  “We’re… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsManufacturerMicrophoneSoftwareStudio

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    Barry Rudolph 08/30/16 11:17 AM,
    1) Adding More Snares to Snare Drums If you’re presented with an “inherited recording” to mix (one you didn’t engineer) with live drums where no bottom mic was used on the snare drum, or the track sheet says “snare” but all you’ve got to work with is a dull thump, try this: Route an aux send bus output from your mixing console to a small powered loudspeaker (or, if you have an extra power amp, a regular small passive loudspeaker)… View this story
    Filed in: RecordingFeatureBlogStudy HallEngineerLoudspeakerMicrophoneMonitoringSignalStudio

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    PSW Staff 08/30/16 09:08 AM,
    White2 is a new dual-mono and middle-side parallel solid state mastering equalizer simulation based natively in Acustica Audio core8 engine. White2 was carefully re-sampled and all bands are more responsive than the previous version. This upgrade contains only one skin improved and more realistic which enhances the potential of this software. White2 is an White Sound Mastering studio endorsement, WSM PEQ-2.0 is a solid state parallel equalizer, with dual-mono channel topology designed specifically for mastering. Solid state design gives it… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

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    PSW Staff 08/30/16 06:58 AM,
    Sonoma Wire Works has released DrumCore 4 AAX/VST3/AU plugin for Mac OS and Windows. An upgrade to the DrumCore 3 and KitCore 2 plugin drum instruments, DrumCore 4 now works with most popular 64-bit recording software, and includes 24-bit audio loops, MIDI loops, multi-velocity sampled drum kits, groove browser, song timeline, mixer, effects and more. Royalty free recordings of celebrity drummers are provided as tempo-adjustable GrooveSets in a wide variety of styles. Users can create their own grooves using the… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsSoftwareStudio

  • di boxes
    Peter Janis 08/30/16 06:36 AM,
    What type of direct (DI) box works best for bass guitar? The answer is easy: it depends. In fact, more than anything else, it depends on the type of bass that the DI is going to be used with. When it comes to signal flow, there are two types of bass guitars: passive and active. The first electric basses, i.e., the original Fender Precision, were passive, and in fact still are today. They employed magnetic pickups to generate the signal… View this story
    Filed in: Live SoundFeatureBlogStudy HallInterconnectSignalSound ReinforcementStage

  • Monday, August 29, 2016
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    PSW Staff 08/29/16 12:39 PM,
    WaveDNA announces the release of Liquid Music version 1.6.1. featuring Export MIDI: Drag’n’Drop for VST & AU. Easily export MIDI from Liquid Music VST and AU. Click on the Export MIDI button in the toolbar, and drag and drop into your DAW to create an exported clip with MIDI notes from Liquid Music. Alternatively, dragging and dropping from the button into Explorer / Finder will create a MIDI file at that location on your hard drive. The new button in… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsSoftwareStudio

  • Friday, August 26, 2016
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    PSW Staff 08/26/16 12:24 PM,
    M-Audio announces the immediate availability of its M-Track C-Series 2X2 and 2X2M audio interfaces. The M-Track 2X2 and 2X2M give musicians the ability to produce 24-bit/192kHz studio-quality computer-based recordings.  Boasting a pro-grade metal chassis with a large machined-aluminium central volume knob, the M-Track 2X2 and 2X2M feature M-Audio’s new and exclusive Crystal low-noise preamps and A/D converters. Each ¼-inch instrument input features a specially designed gain and impedance stage to provide accurate representation of a guitar or bass plugged directly… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsMonitoringStudio

  • sound waves
    Bruce A. Miller 08/26/16 06:36 AM,
    This article is provided by BAMaudioschool.com.   Sound waves vibrate up and down in repeating cycles while they bounce around. Besides having positive and negative phases (when the sound is going up or going down), the cycles have physical length needed for a complete cycle back to the starting point (“wavelength”). High-frequency sounds are made from rapidly moving sound waves that can complete a cycle in a short distance, while low frequency sounds are made from slowly moving sound waves… View this story
    Filed in: RecordingFeatureBlogStudy HallEducationMeasurementMicrophoneProcessorSignalSound ReinforcementStudio



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