-
Tuesday, September 13, 2011
Greg Stone 09/13/11 03:14 PM, 1 CommentAll microphones are not created equal. Cardioid, supercardioid, hypercardioid, condenser, ribbon - literally dozens of choices. (It’s enough to give you a cardioid cardiac!) In many situations, our budgets just won’t allow the top-of-the-line models in our mic cases. Meanwhile, the same questions present themselves for every show, large or small. What kind of mic(s) on the backline? What to do about the softly singing angel at lead vocal? What about the singer that can never ever stay on mic… View this story
Filed in: Live Sound • Feature • Poll • Video • Microphone • Monitoring • Stage -
Tuesday, February 22, 2011
Teri Hogan 02/22/11 08:45 AM, 1 CommentA concert sound system is, in reality, two completely separate sound systems, joined at the hip by a split snake. Each system requires a skilled engineer, but the skill-sets between the two differ vastly. The thing that baffles me is how ill regarded the position of monitor engineer is among my brethren. It can be easily argued and defended that the monitor engineer works twice as hard as everyone else on the crew, unless he/she is lucky enough to have… View this story
Filed in: Live Sound • Feature • Poll • Study Hall • Audio • Concert • Engineer • Monitoring • Stage • Technician
Page 1 of 1 pages
