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Monday, April 29, 2013
PSW Staff 04/29/13 11:48 AM,Audix is pleased to introduce two new affordable, flexible and convenient solutions for miking a guitar amp in live or recording applications. With the new Cabi5 and Cabf5 kits, Audix’s already popular dynamic cardioid instrument microphones are now bundled with the revolutionary CabGrabber microphone mounting system. Each pack contains either an i5 or f5 instrument microphone, mic clip and the CabGrabber mic mounting system. CabGrabber is a spring-loaded mic support that grips cabinets from the side or top with soft… View this story
Filed in: Live Sound • Production • Church Sound • News • Product • Production • Audio • Concert • Microphone • Sound Reinforcement • Stage -
Tuesday, February 26, 2013
PSW Staff 02/26/13 03:31 PM,TAIT was honoured to take part in Maroon 5’s fourth worldwide tour, Overexposed, which marks the largest touring production to date for the ever-popular pop rock group. Delivering a stunning set that met both the budgetary requirements and timeframe of the project, TAIT provided the client with customized, value-added solutions from the group’s vast rental fleet. Demfis Fyssicopulos, Production Designer and Creative Director for the tour, was thrilled with the outcome of the project. “TAIT was absolutely the right choice… View this story
Filed in: Production • News • Production • Staging • Concert -
Monday, December 17, 2012
Mike Sessler 12/17/12 06:37 PM,This article is provided by ChurchTechArts. Last time around, I talked about how input lists can make stage set up easier (here). Today, I’ll move out of the office and on to the stage. Optimize Stage Cabling Sometimes, I’m appalled by the cabling I see on church stages. There I said it. I can’t tell you how many times I’ve seen 25- or 50-foot cables running 6 feet, with a giant rat’s nest of a coil either at the… View this story
Filed in: Church Sound • Feature • Blog • Interconnect • Signal • Stage • System -
Wednesday, October 24, 2012
PSW Staff 10/24/12 09:27 AM,Originally constructed in 1919 as an elementary school, the Henegar Center for the Arts in Melbourne, Fla., opened in 1993 as a performing arts center with a 493-seat proscenium style theatre designed by Tony Award winning Broadway designer Peter Feller. Equipped with state-of-the-art sound and lighting systems, the Henegar Center hosts a wide variety of live performances including plays, musicals and concerts. To meet the growing challenges of today’s technically sophisticated performances, the Henegar Center recently upgraded its audio system… View this story
Filed in: Live Sound • News • Poll • Consoles • Digital • Sound Reinforcement • Stage • Audio -
Wednesday, August 22, 2012
PSW Staff 08/22/12 05:06 PM,Les Vieilles Charrues celebrated its 21st birthday in July this year. Founded in 1992 in Brittany with the aim of making the widest possible range of music genres accessible to everybody, Les Vieilles Charrues, often cited as a French Glastonbury, has rapidly become the biggest music festival in France. The 2012 edition offered headline acts including Bob Dylan, Sting, The Cure, Portishead, LMFAO, Kasabian as well as many huge French artists such as Thomas Dutronc, Zebda, Orelsan, Amadou et Mariam… View this story
Filed in: Live Sound • News • Poll • Concert • Consoles • Digital • Mixer • Sound Reinforcement • Stage -
Tuesday, May 15, 2012
PSW Staff 05/15/12 04:30 PM,In these financially difficult times, maximizing the potential of facilities has become a key issue for the education sector. At the same time as delivering high quality education in line with modern expectations, schools need to ensure that their facilities generate their own revenue. These are the reasons why one Australian primary school has invested in DiGiCo, opening up a new market for the console manufacturer. Helensvale Primary, located on Queensland’s Gold Coast, recently finished a new performing arts centre,… View this story
Filed in: Live Sound • News • Poll • Consoles • Digital • Installation • Sound Reinforcement • Stage • Audio -
Tuesday, May 01, 2012
PSW Staff 05/01/12 11:35 AM,Having continued successful permanent productions in Chicago and New York, the Broadway musical Million Dollar Quartet (MDQ) has hit the road with a North American tour. To accommodate venues seating from 1,400 to over 3,000, sound designer Kai Harada specified a Meyer Sound system based around MICA and M’elodie line array loudspeakers. “My goal was to give the touring crew a system with a lot of flexibility, so they could adjust coverage angles for theatres of all shapes and sizes,”… View this story
Filed in: Live Sound • Forum • Poll • Concert • Line Array • Loudspeaker • Sound Reinforcement • Stage • System -
Tuesday, March 13, 2012
PSW Staff 03/13/12 12:13 PM,In 2011, the Royal Shakespeare Company installed a DiGiCo SD7 console in the refurbished Swan Theatre, Stratford upon Avon. It proved to be such a success that when the Company needed an additional mixer for its touring shows and West End transfers, they chose another DiGiCo board – this time the SD9. “We have a long relationship with DiGiCo and needed a console to transfer shows that currently exist on an SD7, but would be playing in smaller venues,” says… View this story
Filed in: Live Sound • News • Poll • Consoles • Digital • Sound Reinforcement • Stage -
Thursday, February 16, 2012
PSW Staff 02/16/12 10:03 AM,Out Post Sound has been working closely with the team behind the Batman Live World Tour to create fully synchronized dubbed version of the show for foreign language audiences. Ros Cranmer, General Manager for the production said: “Having never even seen a live theatrical performance dubbed into another language, I was nervous about how it would work for our arena production of Batman Live. The final result, however, was fantastic, and it became clear that a foreign language voice-over actually… View this story
Filed in: Live Sound • Recording • News • Poll • Concert • Sound Reinforcement • Stage • Studio -
Thursday, February 02, 2012
Peter Janis 02/02/12 02:47 PM,When amplifying an acoustic guitar, the use of a microphone can lead to concerns about feedback as well as being able to adequately amplify the instrument. With electric guitars, there are also concerns about the microphone adequately and accurately picking up the sound from the guitar amp, and in many cases, there’s also a desire for a quieter stage. Both scenarios lead to the use of direct (or DI) boxes as an alternative. But note that when selecting a direct… View this story
Filed in: Live Sound • News • Poll • Interconnect • Stage
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