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Articles Tagged Sound Reinforcement

  • Tuesday, January 17, 2017
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    PSW Staff 01/17/17 02:21 PM,
    DPA Microphones will showcase its range of modular microphones and accessories at the 2017 NAMM Show (Hall A, Booth 6013). Also at DPA’s booth will be Trout Steak Revival, a Colorado bluegrass band who will demonstrate DPA mics during their performance throughout the show. “We are excited to return to NAMM this year,” says Anne Berggrein, vice president of Marketing, DPA Microphones. “The NAMM show gives us the opportunity to highlight our microphones for musicians and their instruments, including our… View this story
    Filed in: Live SoundNewsConcertManufacturerMicrophoneSound ReinforcementStageWireless

  • live sound
    Bob McCarthy 01/17/17 08:20 AM,
    A few years ago, I attended two “straight” plays, i.e., the kind without musicians. Such events are all about the dialog (and the lighting, of course). One production had no discernible sound reinforcement and the other had totally overt and apparent microphones, loudspeakers and amplification, thereby opening an opportunity for me to compare and contrast. One play was Shakespeare’s King Lear. Historians still dispute the identity of Shakespeare, but all agree that these plays were written without a sound system… View this story
    Filed in: Live SoundFeatureBlogOpinionConsolesEngineerLoudspeakerMicrophoneProcessorSound ReinforcementWireless

  • Friday, January 13, 2017
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    PSW Staff 01/13/17 12:40 PM,
    Avid announces that sound designer Gareth Owen is using Avid’s flagship live sound mixing system, Avid VENUE | S6L to mix the Broadway musical theater production of A Bronx Tale at the Longacre Theater in New York. Powered by the MediaCentral Platform, the Avid VENUE | S6L provides the processing capabilities to create compelling musical theater experiences. Directed by two-time Academy Award winner Robert De Niro and four-time Tony Award winner Jerry Zaks, A Bronx Tale is based on the… View this story
    Filed in: Live SoundNewsConsolesDigitalSound ReinforcementStage

  • Thursday, January 12, 2017
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    PSW Staff 01/12/17 11:46 AM,
    Featuring a tuned, closed-back design and 40mm dynamic diaphragm, Fostex’s new TH7 Series monitor headphones inherit the performance of predecessor models TH7B and TH7W in a new appearance with four color variations. The TH7 Series has a frequency response of 10Hz to 35kHz and full 100mW power capacity with 100dB sensitivity for applications ranging from live sound monitoring to critical listening in studios and at home. Its leatherette ear pads reduce the stress of long-term listening and its 1.2m cable… View this story
    Filed in: AVNewsProductAVMonitoring

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    PSW Staff 01/12/17 10:11 AM,
    This year, Maryland Sound utilized Powersoft‘s new Deva multimedia devices to provide security monitoring, emergency messaging capabilities, and ambient music, for the New Year’s Eve events in New York City’s Times Square. Maryland Sound has been providing the live sound for the over 2 million attendees braving winter weather for the last 17 years. The company handles numerous major events around the country including the last six presidential inaugurations, concerts, festivals and rallies on the national mall, as well as… View this story
    Filed in: AVNewsAVInstallationLoudspeakerNetworkingSound Reinforcement

  • Wednesday, January 11, 2017
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    PSW Staff 01/11/17 10:17 AM,
    Meyer Sound LEO Family is supporting two of the hottest musicals playing on London’s West End, Andrew Lloyd Webber’s brash and energetic School of Rock and the soulfully scintillating Motown: The Musical. Both systems were provided by London-based Autograph Sound with logistical coordination by Scott Arnold. The sound design for School Of Rock was by Mick Potter, whose credits include Les Miserables, The Phantom Of The Opera, Evita, Cats, Miss Saigon and Sunset Boulevard among many other notable productions. For… View this story
    Filed in: Live SoundNewsLine ArrayLoudspeakerProcessorSound ReinforcementStageSubwoofer

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    PSW Staff 01/11/17 08:56 AM,
    Dutch PA company, Ampco Flashlight Rental, has employed the Allen & Heath dLive S Class digital mixing system from its hire stock for two major TV Production series, Holland’s Got Talent and Idols Holland. For both programs, the dLive system, comprising the flagship S7000 surface and DM64 MixRack, was running the complete front of house setup. This included all of the contestant live acts and vocalists, as well as the shows’ bands, which involved up to 40 channels. Commentary from… View this story
    Filed in: Live SoundNewsConsolesDigitalSound ReinforcementStageStudio

  • Tuesday, January 10, 2017
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    PSW Staff 01/10/17 11:09 AM,
    Now available and shipping worldwide, the Mackie AXIS digital mixing system delivers flexible solutions and intuitive workflow for professional production and system integration applications. With full Dante integration, the modular AXIS system combines the power of the 32-channel DL32RTM digital mixer with the DC16 control surface. “The Mackie AXIS system is an incredibly forward-thinking, professional digital mixing solution,” comments Ben Olswang, Mackie senior product manager. “The workflow is amazingly fast, with tremendous visual feedback and customization.” The combination of the… View this story
    Filed in: AVNewsProductAVConsolesDigitalMixerSound Reinforcement

  • Friday, January 06, 2017
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    PSW Staff 01/06/17 09:35 AM,
    Denver-based Initial Production Group (IPG) is a full-service sound, light, video and media provider serving a nationwide clientele that ranges from corporate and religious events to the recent Professional Rodeo Cowboy (PRCA) awards ceremony in Las Vegas. Production manager, MacKenzie Smith, mixes sound for many of IPG’s clients using a newly-acquired Allen & Heath dLive S5000 surface and DM64 MixRack. “We’ve been sold on the advantages of digital mixers for some time,” says Smith. “When you do a week-long event… View this story
    Filed in: AVNewsAVBusinessConsolesDigitalEngineerMonitoringSound Reinforcement

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    PSW Staff 01/06/17 09:20 AM,
    D.A.S. Audio announces the Event Line Array Systems Performance Simulator. This new tool enables users to quickly and easily calculate how many Event 208A or Event 210A loudspeakers are required to properly cover a given audience, or a determined audience area. Using the new D.A.S. Event Line Array Systems Performance Simulator is quick and intuitive. Select the system, whether the loudspeakers should be flown or ground stacked, the area to be covered, or the number of people in the audience.… View this story
    Filed in: AVNewsProductAVInstallationLine ArrayLoudspeakerSound Reinforcement



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