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Articles Tagged Sound Reinforcement

  • Thursday, May 26, 2016
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    Mike Sokol 05/26/16 10:23 AM,
    Provided by Live Sound Advice.   One of the most common questions that comes up on many live sound forums is how to stop noises in a sound system. I’ve been doing a lot of experimenting on this subject over the past several years, plus I’ve been battling sound system noise such as hum in the field for more than 45 years, so here’s my observations on sound system noise and what to do about it. Before having any chance… View this story
    Filed in: Church SoundFeatureStudy HallAVInstallationInterconnectSound ReinforcementStageSystem

  • Monday, May 23, 2016
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    PSW Staff 05/23/16 08:50 AM,
    elysia announces availability of its karacter coloring box in a single rack space 19-inch unit. In addition to the complete feature set of the existing karacter 500 series module, a feature of the karacter rack version is its CV capability. External control voltages routed to the rack allow modulation or recall of its Drive and Mix parameter settings by analog synths, MIDI-to-CV interfaces and many other sources which can be used to feed the karacter with oscillator rates, value sweeps,… View this story
    Filed in: AVNewsProductAVDigitalProcessorSound ReinforcementStudio

  • Thursday, May 19, 2016
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    PSW Staff 05/19/16 08:40 AM,
    Lawo announces the recent purchase of a 48 fader mc256 console by Audiosmith Digital Solutions (Audiosmith) for their productions at The DiMenna Center for Classical Music in Manhattan. It was also the complete audio design for the venue that was carried out by Audiosmith Digital Solutions, a New York-based company providing recording and mixing expertise, technology, and project management services to the music, film, commercial, social media, theater and television production industries. By utilizing the latest in audio over IP… View this story
    Filed in: AVNewsAVConsolesDigitalInstallationSound ReinforcementStage

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    PSW Staff 05/19/16 07:31 AM,
    CTS Audio of Brentwood, Tennessee has taken delivery of its first Yamaha RIVAGE PM10, adding to its already healthy stable of Yamaha digital consoles. “We were an early adopter of the PM1D and never had a serious issue with any of the Yamaha platforms,” states Mike Taylor, vice president, CTS. “From a reliability standpoint, we’ve had nothing but customer success with our Yamaha consoles. Once we saw the RIVAGE system, we knew that this console was next in line to… View this story
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerProcessorSound Reinforcement

  • Monday, May 16, 2016
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    PSW Staff 05/16/16 06:25 AM,
    England’s Oxford University is renowned for delivering the highest standards of education. But following the opening of two Harvard-style lecture theaters within the University’s Blavatnik School of Government, Renkus-Heinz Iconyx digitally steered array loudspeakers have been selected to ensure classes are always understood. Opened in September 2012 and originally based across three temporary sites, the Blavatnik School of Government is named for its benefactor, philanthropist Leonard Blavatnik, a Russian-born US citizen now based in the UK. Courtesy of a £75million… View this story
    Filed in: AVNewsAVInstallationLine ArrayLoudspeakerSound Reinforcement

  • Thursday, May 12, 2016
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    PSW Staff 05/12/16 08:02 AM,
    Ear Trumpet Labs announces Josephine, the newest addition to its premier product line of microphones handcrafted in Portland, OR. A medium-large diaphragm (26mm) condenser microphone, Josephine, is designed for live vocal and ensemble use, with an avant-garde styling evocative of 1930s and 40s classic microphones. Josephine is optimized for use by singers or acoustic ensembles from 6-inches to 48-inches away. The design, form-factor, and sound are ideal for period swing or jazz vocalists or single-mic techniques with bluegrass or traditional… View this story
    Filed in: AVNewsProductAVMicrophoneSound ReinforcementStage

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    PSW Staff 05/12/16 07:41 AM,
    Julian Coryell’s musical odyssey began with his first guitar at the age of five. Growing up in a musical home (his father is guitarist Larry Coryell), Coryell quickly developed his own style, adeptly fusing rock, pop, jazz, blues, R&B, classical, and more. A trained vocalist and multi-instrumentalist, Coryell has toured with the likes of Alanis Morissette, Aimee Mann, Leonard Cohen, Dave Brubeck, and Billy Cobham. He’s also an accomplished producer and co-owner of a busy full-service recording facility in Southern… View this story
    Filed in: Live SoundNewsConcertLoudspeakerMonitoringSoftwareSound ReinforcementStage

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    James Cadwallader 05/12/16 06:02 AM,
    Whenever I’m at the local Guitar Hut, I like to listen to the people who come in and talk with the pro audio sales guy about gear. These conversations are often filled with nebulous audiophilic adjectives like “warm”, “sweet” and “punchy”. The sales guy has little motivation to be a source of truthful or accurate information. He just wants to make a sale. Meanwhile many of his customers already have their minds made up as to what piece of gear… View this story
    Filed in: Live SoundFeatureBlogOpinionAnalogBusinessEngineerMixerSignalSound ReinforcementTechnician

  • Friday, May 06, 2016
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    Teri Hogan 05/06/16 11:47 AM,
    A concert sound system is, in reality, two completely separate sound systems, joined at the hip by a split snake. Each system requires a skilled engineer, but the skill-sets between the two differ vastly. The thing that baffles me is how ill regarded the position of monitor engineer is among my brethren. It can be easily argued and defended that the monitor engineer works twice as hard as everyone else on the crew, unless he/she is lucky enough to have… View this story
    Filed in: Live SoundFeatureBlogStudy HallConcertEngineerMonitoringSound ReinforcementStageTechnician

  • Wednesday, May 04, 2016
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    PSW Staff 05/04/16 02:15 PM,
    Two leading Swiss universities have equipped lecture halls with Meyer Sound CAL 64 column array loudspeakers to provide intelligible voice reproduction in challenging acoustical environments. Identical CAL systems at ETH Zurich and the University of Basel apply advanced beam steering technology to custom tailor uniform coverage of two differently shaped lecture halls, greatly improving students’ intelligibility of instructors’ voices. “Thanks to the vertical steering capability of CAL, we were able to precisely direct the beam angles to the seating areas… View this story
    Filed in: AVNewsAVInstallationLine ArrayLoudspeakerSound Reinforcement



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