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Articles Tagged Reverb

  • Wednesday, June 01, 2016
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    Bobby Owsinski 06/01/16 05:55 AM,
    This article is provided by Bobby Owsinski.   When signal processing is timed to the pulse of the track, everything in the mix sounds a lot smoother. This applies to compressors, delays, modulators, and especially reverbs. One of the questions I get a lot is, “How do you time your reverb to the track?” There’s a step by step tutorial in my Audio Mixing Bootcamp book that I’ve excepted from the Adding Reverb chapter of the book below. By the… View this story
    Filed in: RecordingFeatureBlogStudy HallDigitalDigital Audio WorkstationsEngineerProcessorSoftwareStudio

  • Wednesday, May 25, 2016
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    Nigel Redmon 05/25/16 10:12 AM,
    This article is provided by EarLevel Engineering.   Editors note: This article was originally published in 1997, but the information is still relevant today. You can read and comment on the original article here. Reverb is one of the most interesting aspects of digital signal processing effects for audio. It is a form of processing that is well-suited to digital processing, while being completely impractical with analog electronics. Because of this, digital signal processing has had a profound affect on… View this story
    Filed in: AVFeatureStudy HallAVDigitalEducationProcessorSoftwareSound ReinforcementStageStudio

  • Wednesday, March 02, 2016
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    Bobby Owsinski 03/02/16 07:03 AM,
    This article is provided by Bobby Owsinski.   Like many other aspects to mixing, the use of reverb is frequently either overlooked or misunderstood. Reverb is sometimes added to a track to create width and depth, but also to dress up an otherwise boring sound. The real secret is how much to use and how to adjust its various parameters. Let’s look at some of the reasons to add reverb in this excerpt from my book, The Audio Mixing Bootcamp.… View this story
    Filed in: RecordingFeatureBlogSlideshowEngineerProcessorStudio

  • Wednesday, September 30, 2015
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    Jim Cunningham 09/30/15 09:32 AM,
    Artificial reverberation, or echo as it is often called, is one of the most useful effects available to the recording engineer. Recently there has been an explosion of reverb devices available in the marketplace, and to compete for your dollars, they all must claim to be the best if not the ultimate machine of all time. Actually, each has strong and weak points, so the purpose of this article will be to investigate the four basic types and see how… View this story
    Filed in: RecordingFeatureStudy HallDigitalEducationMixerSignalSoftwareStudioSystem

  • Friday, July 17, 2015
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    Craig Anderton 07/17/15 07:25 AM,
    This exclusive article is provided by AudioFanzine.   When we hear sounds in the “real world,” they are in an acoustic space. For example, suppose you are playing acoustic guitar in your living room. You hear not only the guitar’s sound, but because the guitar generates sound waves, they bounce off walls, the ceiling, and the floor. Some of these sound waves return to your ears, which due to their travel through the air, will be somewhat delayed compared to… View this story
    Filed in: RecordingFeatureStudy HallTrainingProductionAudioDigitalDigital Audio WorkstationsEducationProcessorSignalSoftwareStudioSystem

  • Thursday, May 22, 2014
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    PSW Staff 05/22/14 11:09 AM,
    As one of the top audio engineers in the business, Dave Natale has been the front-of-house engineer for a who’s who of artists, including Yes, Olivia Newton-John, Tina Turner, Joe Cocker, Lionel Richie and many more. He currently mixes shows for The Rolling Stones, but when he’s not on the road you can find him at Right Coast Recording, which he established in 1990. One of the factors that has made Right Coast Recording one of the oldest and well-equipped… View this story
    Filed in: RecordingNewsProcessorSoftwareStudio

  • Wednesday, April 23, 2014
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    PSW Staff 04/23/14 01:07 PM,
    Erik Birkelöf is part of the recent Swedish musical movement – he’s already been playing and recording for more than half his life (he is 19 years old) and is constantly honing his craft, with his most recent acquisition being a Lexicon LXP Native Reverb Plug-In Bundle. Birkelöf began playing classical guitar about 10 years ago and progressed to playing drums and other instruments. He soon bought his first computer audio interface in order to record himself – “and then… View this story
    Filed in: RecordingNewsBusinessProcessorSoftwareStudio

  • Monday, April 14, 2014
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    Bobby Owsinski 04/14/14 02:51 PM,
    This article is provided by Bobby Owsinski.   Reverb. It’s use goes through cycles from a lot to almost none, but you’ll usually find at least some reverb-type ambience used in every mix. The problem is that you can’t really tell much of a distinction between the different types of some inexpensive plug-ins or boxes. In case you’re a little fuzzy about the differences between the types of reverb available, here’s a little refresher excerpt from The Mixing Engineer’s Handbook… View this story
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsMeasurementProcessorSignalStudio

  • Friday, February 07, 2014
    isoacoustics
    PSW Staff 02/07/14 10:16 AM,
    IsoAcoustics has introduced a new line of Modular Acoustic Isolation Stands, which can be custom-configured to meet the needs of sound designers, contractors and musicians, for both small and large scale situations. The stands will also be available at retail in standard sizes to complement popular brands of larger monitors, subwoofers and guitar/bass amplifiers. The new Modular Stands provide a flexible and effective means to markedly enhance sound clarity and performance of guitar, bass and other musical instrument amplifiers, studio… View this story
    Filed in: Live SoundRecordingNewsProductLoudspeakerSignalStageStudioSubwoofer

  • Wednesday, September 18, 2013
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    PSW Staff 09/18/13 01:28 PM,
    IsoAcoustics Inc. is now shipping the new ISO-L8R200SUB Stands, which is are specifically designed for subwoofers in both the professional,  project and home studio environments. The IsoAcoustics ISO-L8R200SUB is designed to work with all types of subwoofers in delivering more punch and articulate sound.  Like all the IsoAcoustics models, the ISO-L8R200SUB is designed to clean up acoustic issues with the subwoofer, allowing it to literally float on axis, while reducing the low frequencies from being driven into the supporting surface.… View this story
    Filed in: RecordingNewsProductLoudspeakerStudioSubwoofer



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