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Articles Tagged Real World Gear

  • Tuesday, February 12, 2013
    PSW Staff 02/12/13 03:46 PM,
    For decades, compact 2-way loudspeakers have been a pillar of professional audio, capable of serving as mains, monitors, side fills, center fills, near fills, front fills and delays. Usually they can be carried by a single person via convenient handles and quickly ground stacked, flown, or placed on a stand, where they’re capable of handling reinforcement all by themselves or joined by subwoofers in applications requiring additional low-end reinforcement. Many of these boxes are trapezoidal in shape, with some able… View this story
    Filed in: Live SoundFeatureBlogProductSlideshowLoudspeakerSound Reinforcement

  • Tuesday, November 20, 2012
    real world gear
    PSW Staff 11/20/12 10:59 AM,
    A live music system usually isn’t complete without subwoofers. Whether horn loaded, cardioid, bass reflex, infinite baffle, or band pass, they are a bedrock of pop and rock music, as implicit as the kick drum mic in channel one. Though initially developed to extend LF response in the 1960s and to enhance supplemental effects for 1970s disaster movies, subwoofers – dedicated band-limited cone loudspeakers for frequencies generally below 100 Hz – have grown to become the most ubiquitous specialty enclosure.… View this story
    Filed in: Live SoundFeatureBlogProductSlideshowLoudspeakerSound ReinforcementSubwoofer

  • Wednesday, October 10, 2012
    power amplifiers
    PSW Staff 10/10/12 06:01 PM,
    In the classic sci-fi TV series Star Trek, Captain James T. Kirk of the Starship Enterprise frequently implored his chief engineer, Mr. Scott (a.k.a. “Scotty”), “We need more power!” And Scotty always did his best to comply with the captain’s request, regardless of the complications of the situation. Sound reinforcement system designers and engineers have made similar demands of power amplifier manufacturers, and like Mr. Scott, they’ve come through, and in spectacular fashion. The modern power amplifier is light years… View this story
    Filed in: Live SoundFeatureBlogSlideshowAmplifierPowerSound Reinforcement

  • Sunday, September 30, 2012
    line arrays
    PSW Staff 09/30/12 09:25 AM,
    In this Real World Gear installment, we look at compact line arrays, which we’ve defined as those with 8-inch (and smaller) LF drivers. Generally speaking, products in this genre offer a relatively small footprint in terms of size, weight and cost. They’re conveniently portable due to the size/weight factor, but are suitable for fixed installations as well. For dynamic full-range music presentation, compact arrays are usually accompanied by at least one subwoofer. In addition, the vast majority of full-range models… View this story
    Filed in: Live SoundFeatureProductSlideshowProductionBacklineLine ArrayLoudspeakerSound Reinforcement

  • Tuesday, August 14, 2012
    PSW Staff 08/14/12 04:20 PM,
    While it’s true that vocal microphones can do double duty on instruments, only select models do both jobs well. Simply put, vocal mics are optimized for voice – many have a presence peak, or a boost in a band of upper midrange frequencies. This enhances the articulation and intelligibility of voices, but when applied to instruments, it can add coloration that’s detrimental. Vocal mics also tend to roll off lower end frequencies (below the voice range) to help eliminate handling… View this story
    Filed in: Live SoundFeatureProductSlideshowMicrophoneSound ReinforcementStage

  • Monday, July 09, 2012
    line arrays
    PSW Staff 07/09/12 03:53 PM,
    We define “medium format” line arrays as those with 10-inch low-frequency drivers, and we’ve created “small” and “compact” format categories for models with more miniscule LF drivers. This is a somewhat arbitrary definition, but no more so than the various designations that manufacturers use for their loudspeaker/line array systems—one entity’s “miniature” is another’s “mid-size” and so on. When the modern version of line arrays hit the market more than a decade ago, the vast majority were of the large format… View this story
    Filed in: Live SoundFeatureProductSlideshowLine ArrayLoudspeakerSound Reinforcement

  • Friday, May 11, 2012
    digital consoles
    PSW Staff 05/11/12 12:47 PM,
    The tide of digital consoles continues to rise. In general, they’re getting smaller and lighter, but overall capabilities are increasing at a steady pace. Already this year we’ve seen several companies introduce new models and series, and they all look to be smartly executed packages, providing users with more. More I/O. More networking. More recording capability. More effects. And, well, just more. This is an ideal scenario for the marketplace. If you’re more focused on the “look and feel,” there… View this story
    Filed in: Live SoundFeaturePollProductSlideshowConsolesSound Reinforcement

  • Friday, May 04, 2012
    Gary Gand 05/04/12 04:21 PM,
    Ever heard of the Zagat Restaurant Guide? The Zagats (whom I’ve met) are a husband and wife team who sift through hundreds (thousands?) of forms sent in by diners (folks who eat at restaurants). The resulting ratings are democratic instead of “demo-critic” (critics are often tainted by too much booze or bad attitudes) or “demo-vicious” (bad hair day taken out on the poor restaurant owner). I look at this overview as kind of a Zagat Microphone Guide. The instrument mic… View this story
    Filed in: Live SoundFeaturePollProductMicrophoneSound ReinforcementStage

  • Friday, April 27, 2012
    line arrays
    PSW Staff 04/27/12 04:44 PM,
    It seemed just a short time ago that the line array market was headed in one direction: down. As in, virtually every new line array was smaller and lighter that its respective predecessor. Yet recent events have shown that the large-format genre (which we loosely identify as models with 12-inch and larger woofers) still has plenty of life left. As a matter of fact, within just the past year or so, at least five new large-format series have hit the… View this story
    Filed in: Live SoundFeatureSlideshowLine ArrayLoudspeakerSound Reinforcement

  • Wednesday, March 07, 2012
    wireless systems
    Craig Leerman 03/07/12 10:49 AM,
    The early history of the development of wireless microphone systems is a bit murky as to “who did what and when,” but it might be surprising to know that they’ve been around in various forms for more than 60 years. In fact, back in the mid-1940s, publications such as Popular Science showed schematics and kits for making low-power wireless microphones that could transmit to a nearby AM radio. The Shure Vagabond system, which debuted in 1953, most certainly was one… View this story
    Filed in: Live SoundFeaturePollProductSlideshowMicrophoneSound ReinforcementSystemWireless

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